Hene is a Maori girl living in 1840s New Zealand. When her twin brother falls dangerously ill, her parents fear she will also catch the sickness, so they send her away from her home at the pa to the Paihia mission station. Life with the missionaries is difficult. Hene must wear an uncomfortable European dress and learn to sew, which she hates. Meanwhile, across the water in Russell, the world is in turmoil. Hone Heke has cut down the flagpole again and has attacked Korororeka. Hene sees smoke and fire from across the bay; the town is on fire and her best friend from the mission house, Rangi, is trapped there. Hene is the only one who can save her.

Book two in the New Zealand Girl series, Paula Morris's Hene and the Burning Harbour tells the story of Hene, a Maori girl living in 1840s New Zealand. For readers aged 7 - 10. Northland, 1845. When Hene's twin brother falls dangerously ill, her parents fear she will also catch the sickness, so they send her away from her home at the pa to the Paihia mission station. Life with the missionaries is difficult. Hene must wear a hot European dress and learn to sew, which she hates. Meanwhile, across the water in Russell, the world is in turmoil. Hone Heke has cut down the flagpole again and has attacked Korororeka. Hene sees smoke and fire from across the bay; the town is on fire and her best friend from the mission house, Rangi, is trapped there. Hene is the only one who can save her What was life like so many years ago? Find out through the eyes of a girl who's just like you.

Spanning three generations of a large Pakeha/Maori family in a narrative that skilfully handles interwoven stories and multiple voices, Queen of Beauty explores the fragility of truth, the elusiveness of the past, and the transcendent power of love. Virginia Seton lives in rainy, seedy New Orleans, working as a researcher for a historical novelist with a 'strip-mined' imagination. On a brief trip back to New Zealand for her sister's wedding, Virginia is drawn into the family secrets, lies and tensions of both the past and the present.

STORYLINES NOTABLE BOOK AWARD 2014 'Take me with you to New Zealand!' Ireland to New Zealand, 1874. When ten-year-old Rebecca Kelly is sent to the dreary Derry workhouse she decides that this is not the life for her, so she steals a pony to ride to Belfast. Rebecca is determined to join her brother, who is a sailor on the ship Queen of Nations bound for New Zealand, but this is difficult for a young girl without a penny to her name. Rebecca must become a servant and earn her passage to the new colony. Join Rebecca as she experiences the excitement and fears of life as a nineteenth-century immigrant girl. What was life like so many years ago? Find out through the eyes of a girl who's just like you.

'I'm sure it'll be much more fun at the goldfields'. Dunedin, 1865 Charlotte loves to play marbles with her best friend Harry and read about adventures on the high seas. But Charlotte will have to leave school soon and help her mother with the house and the younger children. Charlotte can't imagine anything worse. When it looks like her mother is going to keep her home for good, Charlotte and her new friend Cyril board a Cobb & Co coach and head to Hogburn Gully, where the Otago gold rush is in full swing. But the mining town isn't what Charlotte imagined. Can Charlotte find a fortune in the goldfields? Or will she have to return home to a narrow life of sewing, cooking and looking after her little sisters?

A gripping supernatural mystery and romance set in post-Katrina New Orleans.Rebecca couldn't feel more out of place in New Orleans. She's staying in a creepy house with her aunt, who reads tarot cards. And at the snooty prep school, a pack of filthy-rich girls treat Rebecca like she's invisible. Only gorgeous, unavailable Anton Grey gives Rebecca the time of day, but she wonders if he's got a hidden agenda. Then one night, among the oak trees in Lafayette Cemetery, Rebecca makes a friend. Sweet, mysterious Lisette is eager to show Rebecca the nooks and crannies of New Orleans. There's just one catch.Lisette is a ghost.

Riffing on truth, lies and secrets, this collection uses fiction to explore fact, and fact to explore fiction. Fictional characters muse upon the truth behind real people, non-fiction pieces contain short interludes of fiction, fiction is written to read like an essay, made-up elements slip into true accounts. These pieces range the world – from America, to Antwerp to Aotearoa – and talk about writers and writing, famous figures, family members, witch-burning in Denmark, cyclones and numerous pertinent and stimulating topics. All brilliantly written, each will leave you thinking and desperate to jump back in for more.