A middle-age American millionaire goes to Africa in search of a more meaningful life and receives the adoration of an African tribe that believes he has a gift for rainmaking.

"It blazes as fiercely and scintillatingly as a forest fire. There is life here; a great rage to live more fully. In this it is a giant among novels." (San Francisco Examiner) A Penguin Classic Saul Bellow evokes all the rich colors and exotic customs of a highly imaginary Africa in this acclaimed comic novel about a middle-aged American millionaire who, seeking a new, more rewarding life, descends upon an African tribe. Henderson’s awesome feats of strength and his unbridled passion for life win him the admiration of the tribe—but it is his gift for making rain that turns him from mere hero into messiah. A hilarious, often ribald story, Henderson the Rain King is also a profound look at the forces that drive a man through life. This Penguin Classics edition contains an introduction by Adam Kirsch. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Bellow's glorious, spirited story of an eccentric American millionaire who finds a home of sorts in deepest Africa.

Saul Bellow and American Transcendentalism explores Saul Bellow's moral and philosophical affinity with the writers of American transcendentalism, especially Emerson and Whitman. Its focus is on the «vintage» Bellow, or his «mature» novels, from Henderson the Rain King (1959) to The Dean's December (1982). In these novels, Bellow highlights a moral crisis, arising from humankind's despiritualization and dehumanization, which, he believes, is responsible for an ongoing dichotomy in the modern world. Bellow describes this as a dichotomy of the «Cleans» and the «Dirties», in the context of American culture. To rectify this dichotomy and redeem humankind from its current «death-ridden» state, Bellow and his protagonists advance a vision of life that corresponds to the transcendental vision of dialogue and «double consciousness», or coordination and balance. Like Emerson, they advocate, «The mid-world is best... A man is a golden impossibility; the line he must walk is a hair's breadth». Comparable to Whitman, they urge the individual to «knit the knot of contrariety» and act as «an arbiter of the diverse».

Intended for teachers and students of American Literature, this book is the first comprehensive analysis of romantic tendencies in postmodernist American fiction. The book challenges the opinion expressed in the Columbia History of the American Novel (1991) and propagated by many influential scholars that the mainstream of postmodernist fiction is represented by the disjunctive and nihilistic work of such writers as Kathy Acker, Donald Barthelme, and Robert Coover. Professor Alsen disagrees. He contends that this kind of fiction is not read and taught much outside an isolated but powerful circle in the academic community. It is the two-part thesis of Professor Alsen's book that the mainstream of postmodernist fiction consists of the widely read work of the Nobel Prize laureates Saul Bellow and Toni Morrison and other similar writers and that this mainstream fiction is essentially romantic. To support his argument, Professor Alsen analyzes representative novels by Saul Bellow, J.D. Salinger, Norman Mailer, Flannery O'Connor, John Updike, Kurt Vonnegut, Philip Roth, Thomas Pynchon, Toni Morrison, the later John Barth, Alice Walker, William Kennedy, and Paul Auster. Professor Alsen demonstrates that the traits which distinguish the fiction of the romantic postmodernists from the fiction of their disunctive and nihilist colleagues include a vision of life that is a form of philosophical idealism, an organic view of art, modes of storytelling that are reminiscent of the nineteenth-century romance, and such themes as the nature of sin or evil, the negative effects of technology on the soul, and the quest for transcendence.

R.K. Narayan S Career As A Novelist And Short Story Writer Spans Almost Eight Decades From Swami And Friends (1935) To Grandmother S Tale (1992) Until His Death On 13 May 2001 At The Ripe Age Of 95. His Distinctive Sense Of Humour, His Trade Mark Irony, His Bemused, Knowing, Overseeing Perspective, His Rootedness In Religion And Family Values And His Inescapable Capturing Of The Essence Of Indian Sensibility All Have Been Looked At From A Refreshingly New Perspective, Hitherto Only Partly Touched Or Left Unexplored And Unattempted. New Insights Into The Guide, The Maneater Of Malgudi, A Tiger For Malgudi, Waiting For The Mahatma, The Dark Room Exploit Freshly-Forged Tools Of Critical Analysis Comparative, Structural, New Historical , Feminist, Bakhtinian, Post-Colonial And Socio-Cultural And Ethical.A Welcome Addition To The Extant Critical Scholarship On R.K. Narayan S Ouevre.A Lucid Discussion Of New Dimensions In Literary Theory Through Well-Argued, Illustrative Analysis Of Popular Texts.A Scholarly Elucidation Of The Sociology Of Hinduism As Reflected In Popular Fiction.An Indispensable Source-Book For Students, Researchers, Teachers, Scholars In Inter-Related Fields Like Literary Criticism, Theory Of Literature, Indian Philosophy, Customs And Thought-Patterns, Besides Social Anthropology And Sociology.

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