“This book is fast, furious, compelling, and angry as hell." -- Seanan McGuire, New York Times bestselling author The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower—for good or ill—is a properly executed spreadsheet. Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured. And, to her horror, compared to the other bodies strewn about, she’s the lucky one. So, of course, then she gets laid off. With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks. Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing. And with social media and viral videos, she can control that appearance. It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world. A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

Only weeks after the D-Day invasion of June 6, 1944, a surprising cargo—crates of books—joined the flood of troop reinforcements, weapons and ammunition, food, and medicine onto Normandy beaches. The books were destined for French bookshops, to be followed by millions more American books (in translation but also in English) ultimately distributed throughout Europe and the rest of the world. The British were doing similar work, which was uneasily coordinated with that of the Americans within the Psychological Warfare Division of General Eisenhower's Supreme Headquarters, Allied Expeditionary Force, under General Eisenhower's command. Books As Weapons tells the little-known story of the vital partnership between American book publishers and the U.S. government to put carefully selected recent books highlighting American history and values into the hands of civilians liberated from Axis forces. The government desired to use books to help "disintoxicate" the minds of these people from the Nazi and Japanese propaganda and censorship machines and to win their friendship. This objective dovetailed perfectly with U.S. publishers' ambitions to find new profits in international markets, which had been dominated by Britain, France, and Germany before their book trades were devastated by the war. Key figures on both the trade and government sides of the program considered books "the most enduring propaganda of all" and thus effective "weapons in the war of ideas," both during the war and afterward, when the Soviet Union flexed its military might and demonstrated its propaganda savvy. Seldom have books been charged with greater responsibility or imbued with more significance. John B. Hench leavens this fully international account of the programs with fascinating vignettes set in the war rooms of Washington and London, publishers' offices throughout the world, and the jeeps in which information officers drove over bomb-rutted roads to bring the books to people who were hungering for them. Books as Weapons provides context for continuing debates about the relationship between government and private enterprise and the image of the United States abroad.

In this fresh new take on the world of superheroes, explore what it's like to be the non-super half of a dynamic duo. Spoiler alert: it's not easy being super-adjacent. Claire has always wanted to work with superheroes, from collecting Warrior Nation cards as a kid to drafting "What to Say to a Hero" speeches in her diary. Now that she's landed a coveted internship with the Chicago branch of Warrior Nation, Claire is ready to prove she belongs, super or not. But complicating plans is the newest WarNat hero, Girl Power (aka Joy), who happens to be egotistical and self-important . . . and pretty adorable. Bridgette, meanwhile, wants out of WarNat. After years of dating the famous Vaporizer (aka Matt), she's sick of playing second, or third, or five-hundredth fiddle to all the people-in-peril in the city of Chicago. Of course, once Bridgette meets Claire—who's clearly in need of a mentor and wingman—giving up WarNat becomes slightly more complicated. It becomes a lot morecomplicated when Joy, Matt, and the rest of the heroes go missing, leaving only Claire and Bridgette to save the day. In this fresh and funny take on the world of supers, author Crystal Cestari spotlights what it's like to be the seemingly non-super half of a dynamic duo with banter-filled romance and bold rescues perfect for readers seeking a great escape.

Designing Disney sets into history and puts into context the extraordinary contributions of the late John Hench, who, at the age of 94, still came into his office at Imagineering each day. His principles of theme park design, character design, and use of color made him a legendary figure, not only for Disney fans but also for students and aficionados of architecture, engineering, and design. Designing Disney reveals the magic behind John’s great discoveries and documents his groundbreaking in several key areas: “Design Philosophy” examines the values, attitudes, aesthetics, and logic that went into the original concepts for Disney theme parks. In “The Art of the Show” and “The Art of Color,” Hench reveals the essence of what makes the parks work so well. And in “The Art of Character,” he lets the reader in on the how and why of the Disney characters’ inherent popularity—their timeless human traits, archetypal shape and gestures that suggest these qualities graphically, and their emotional resonance in our lives.

Meanwhile, back in the darkened alleys of a city near you... trouble is brewing. A fight breaks out. A mugger shakes down an innocent tourist. Inequality is on the rise. Enter our heroes. Dark Guardian chases off an angry drug dealer in Manhattan. Mr. Xtreme charges in and breaks up a San Diego bar brawl. T.O. Ronin hugs a homeless man on the snowy streets of Toronto. These aren’t the big-screen or comic-book heroes that have been increasingly dominating pop culture. They’re real-life superheroes: individuals who take on masked personae to fight crime and help the helpless. They don’t have superpowers, but they do try to make the world a better place. Lifelong comic-book fan and veteran journalist Peter Nowak goes to the source of this phenomenon, meeting with real-life superheroes in North America and around the world to get their stories and investigate what the movement means for the future of society. To some people, real-life superheroes may seem like quirky outliers or dangerous vigilantes but, as Nowak shows, they are also archetypes whose job is to remind us of the better part of human nature.

In 1948, when “Mrs. G.,” hospitalized with debilitating rheumatoid arthritis, became the first person to receive a mysterious new compound—cortisone—her physicians were awestruck by her transformation from enervated to energized. After eighteen years of biochemical research, the most intensively hunted biological agent of all time had finally been isolated, identified, synthesized, and put to the test. And it worked. But the discovery of a long-sought “magic bullet” came at an unanticipated cost in the form of strange side effects. This fascinating history recounts the discovery of cortisone and pulls the curtain back on the peculiar cast of characters responsible for its advent, including two enigmatic scientists, Edward Kendall and Philip Hench, who went on to receive the Nobel Prize. The book also explores the key role the Mayo Clinic played in fostering cortisone’s development, and looks at drugs that owe their heritage to the so-called “King of Steroids.”

Mary Posa hates her job. She works long hours for little pay, no insurance, and worst of all, no respect. Her co-workers are jerks and her boss doesn't appreciate her. He's also a supervillain. And her parents... well, they're the most famous superhero couple in Crepe City, along with her sister. Cursed with a conscience, Mary would give anything to be something other than a Henchgirl, but no matter what she does her plans always seem to go awry. "There's a lot of humor in Henchgirl which is its strong suit."--Comic Bastards "Henchgirl is not about delivering slam-bang super-hero action, but it is a perfect comic for people who are familiar with standard super-hero tropes and like seeing those turned around and examined from some new angles for comedic effect."--Comic Spectrum "Henchgirl is lovely and endearing but funny and clever and the same time."-Girls Like Comics "It's a terribly fun read."--io9 "Gudsnuk is a bold storyteller."--Comic Bastards