Ernest Hemingway spent about one-third of his life in Cuba and grew to love the country and its people. This travel narrative follows a journey across the island in search of Hemingway's Cuba and how it influenced some of his writings. The author seeks out Hemingway's haunts in Old Havana and his home in Finca Vigia and explores the north coast fishing village of Cojimar, his setting for The Old Man and the Sea. Along the way there are glimpses of Cuban geography and history, as well as the lives of modern Cubans.

The story of a young Cuban boy who gained the trust and respect of the famous American author, Ernest Hemingway, a man he called "Papa."

"Hemingway in Cuba is at once a literary journey for Hemingway aficionados and a rich companion to Papa's time in Cuba and in neighboring Bimini and Key West. Hilary Hemingway gives new insight into her uncle's life in Cuba, relating tales of his renowned passion for big game fishing, the women who competed for his affection, and the people who came to inhabit novels such as To Have and Have Not and Islands in the Stream. Readers of Hemingway will recognize Cojimar, the small fishing village featured in his best-known work, The Old Man and the Sea, as one example of how Cuba left an indelible mark on his work." "In the care of Cuban curators since his death in 1961, Hemingway's home in Cuba holds a trove of letters, books, and other documents vital to Hemingway scholarship. Hemingway in Cuba features revelations from the curators' ongoing research at Finca Vigia, as well as details of the Hemingway Project, a historical collaborative agreement that allows select American scholars to examine this cache of Hemingway papers for the first time."--BOOK JACKET.

From the first North American scholar permitted to study in residence at Hemingway's beloved Cuban home comes a radically new understanding of “Papa’s” life in Cuba Ernest Hemingway first landed in Cuba in 1928. In some ways he never left. After a decade of visiting regularly, he settled near Cojímar—a tiny fishing village east of Havana—and came to think of himself as Cuban. His daily life among the common people there taught him surprising lessons, and inspired the novel that would rescue his declining career. That book, The Old Man and the Sea, won him a Pulitzer and, one year later, a Nobel Prize. In a rare gesture of humility, Hemingway announced to the press that he accepted the coveted Nobel “as a citizen of Cojímar.” In Ernesto, Andrew Feldman uses his unprecedented access to newly available archives to tell the full story of Hemingway’s self-professed Cuban-ness: his respect for Cojímar fishermen, his long-running affair with a Cuban lover, the warmth of his adoptive Cuban family, the strong influences on his work by Cuban writers, his connections to Cuban political figures and celebrities, his denunciation of American imperial ambitions, and his enthusiastic role in the revolution. With a focus on the island’s violent political upheavals and tensions that pulled Hemingway between his birthplace and his adopted country, Feldman offers a new angle on our most influential literary figure. Far from being a post-success, pre-suicide exile, Hemingway’s decades in Cuba were the richest and most dramatic of his life, and a surprising instance in which the famous American bully sought redemption through his loyalty to the underdog.

The color, mystique and irrepressible spirit of Cuba come alive as the author sails to the old haunts of his lifelong hero, Ernest Hemmingway.

DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the “haves” and the “have nots” and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, “Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous.”