In the summer of 1917, Ernest Hemingway was an 18-year-old high school graduate unsure of his future. The American entry in the Great War stirred thoughts of joining the army. While many of his friends in Oak Park, Illinois, were heading to college, Hemingway couldn't make up his mind, and eventually chose to begin a career in writing and journalism at one of the great newspapers of its day, the Kansas City Star. In six and a half months, Hemingway experienced a compressed, streetwise alternative to a college education, which opened his eyes to urban violence, the power of literature, the hard work of writing, and a constantly swirling stage of human comedy and drama. The Kansas City experience led Hemingway into the Red Cross ambulance service in Italy, where, two weeks before his 19th birthday, he was dangerously wounded at the front. Award-winning writer Steve Paul takes a measure of these experiences that transformed Hemingway from a "modest, rather shy and diffident boy" to a young man who was increasingly occupied by recording the truth as he saw it of crime, graft, exotic temptations, violence, and war. Hemingway at Eighteen sheds new light on this young man bound for greatness and a writer at the very beginning of his journey.

Chicago, 1920: Hadley Richardson is a shy twenty-eight-year-old who has all but given up on love and happiness when she meets Ernest Hemingway and is captivated by his energy, intensity and burning ambition to write. After a whirlwind courtship and wedding, the pair set sail for France. But glamorous Jazz Age Paris, full of artists and writers, fuelled by alcohol and gossip, is no place for family life and fidelity. Ernest and Hadley's marriage begins to founder, and the birth of a beloved son serves only to drive them further apart. Then, at last, Ernest's ferocious literary endeavours begin to bring him recognition - not least from a woman intent on making him her own . . .

Some 25 Hemingway scholars critique Hemingway's works from the early apprentice fiction of 1919, stories Hemingway wrote, dog."

A provocative and unique look at how the women Hemingway loved shaped this literary legend Ernest Hemingway’s passion was writing, and he was inspired by a lifetime of daring adventures and encouraged by the many women in his life. He nurtured his creativity by purposely seeking dangerous situations to test his own levels of courage and to create literary heroes who displayed grace under pressure. His masculine, adventurous spirit appealed to women of all ages, including four wives and a long list of legendary actresses, and he frequently transformed the women in his life into memorable fictional characters. In 1950, Hemingway told Marlene Dietrich that he truly loved only five women. Who were these women and why did he love them? Some of them may have included his wives—Hadley Richardson, Pauline Pfeiffer, Martha Gellhorn, and Mary Welsh—but there were others too, among them Agnes von Kurowsky. Through quotations from his works and personal letters, as well as more than sixty photographs—many of which have not been previously published—Hemingway scholar Nancy W. Sindelar captures Hemingway’s life and romantic adventures, revealing his own feelings about his romantic relationships and the ways his experiences with women appear in his literary works. Much has been written about Hemingway, but to date no book has linked the women he loved to his written work. The stories of Hemingway’s romantic relationships reveal not only the influence these women had on his writing but also his personal ambition, heartbreak, and literary triumphs and trials. Sindelar’s provocative analyses of Hemingway’s literature give fresh insight into the life of a legendary author, outdoorsman, adventurer, and lover. Includes 60 photographs, many never previously published.

The fourth in the series of new annotated editions of Ernest Hemingway’s work, edited by the author’s grandson Seán and introduced by his son Patrick, this “illuminating” (The Washington Post) collection includes the best of the well-known classics as well as unpublished stories, early drafts, and notes that “offer insight into the mind and methods of one of the greatest practitioners of the story form” (Kirkus Reviews). Ernest Hemingway is a cultural icon—an archetype of rugged masculinity, a romantic ideal of the intellectual in perpetual exile—but, to his countless readers, Hemingway remains a literary force much greater than his image. Of all of Hemingway’s canonical fictions, perhaps none demonstrate so forcefully the power of the author’s revolutionary style as his short stories. In classics like “Hills like White Elephants,” “The Butterfly in the Tank,” and “The Short Happy Life of Francis Macomber,” Hemingway shows us great literature compressed to its most potent essentials. We also see, in Hemingway’s short fiction, the tales that created the legend: these are stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. The Short Stories of Ernest Hemingway presents many of Hemingway’s most famous classics alongside rare and unpublished material: Hemingway’s early drafts and correspondence, his dazzling out-of-print essay on the art of the short story, and two marvelous examples of his earliest work—his first published story, “The Judgment of Manitou,” which Hemingway wrote when still a high school student, and a never-before-published story, written when the author was recovering from a war injury in Milan after WWI. This work offers vital insight into the artistic development of one of the twentieth century’s greatest writers. It is a perfect introduction for a new generation of Hemingway readers, and it belongs in the collection of any true Hemingway fan.