Hermann von Helmholtz was a towering figure of nineteenth-century scientific and intellectual life. Best known for his achievements in physiology and physics, he also contributed to other disciplines such as ophthalmology, psychology, mathematics, chemical thermodynamics, and meteorology. With Helmholtz: A Life in Science, David Cahan has written a definitive biography, one that brings to light the dynamic relationship between Helmholtz’s private life, his professional pursuits, and the larger world in which he lived. ? Utilizing all of Helmholtz’s scientific and philosophical writings, as well as previously unknown letters, this book reveals the forces that drove his life—a passion to unite the sciences, vigilant attention to the sources and methods of knowledge, and a deep appreciation of the ways in which the arts and sciences could benefit each other. By placing the overall structure and development of his scientific work and philosophy within the greater context of nineteenth-century Germany, Helmholtz also serves as cultural biography of the construction of the scientific community: its laboratories, institutes, journals, disciplinary organizations, and national and international meetings. Helmholtz’s life is a shining example of what can happen when the sciences and the humanities become interwoven in the life of one highly motivated, energetic, and gifted person.

Hermann von Helmholtz (1821-1894) was a polymath of dazzling intellectual range and energy. Renowned for his co-discovery of the second law of thermodynamics and his invention of the ophthalmoscope, Helmholtz also made many other contributions to physiology, physical theory, philosophy of science and mathematics, and aesthetic thought. During the late nineteenth century, Helmholtz was revered as a scientist-sage—much like Albert Einstein in this century. David Cahan has assembled an outstanding group of European and North American historians of science and philosophy for this intellectual biography of Helmholtz, the first ever to critically assess both his published and unpublished writings. It represents a significant contribution not only to Helmholtz scholarship but also to the history of nineteenth-century science and philosophy in general.

The musical writings of scientist Hermann von Helmholtz (1821–94) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.

Focusing on Hermann von Helmholtz, this study addresses one of the nineteenth century’s most important German natural scientists. Among his most well-known contributions to science are the invention of the ophthalmoscope and grou- breaking work towards formulating the law of the conservation of energy. The volume of his work, reaching from medicine to physiology to physics and epis- mology, his impact on the development of the sciences far beyond German borders, and the contribution he made to the organization and popularization of research, all established Helmholtz’s prominence both in the academic world and in public cultural life. Helmholtz was also one of the last representatives of a conception of nature that strove to reduce all phenomena to matter in motion. In reaction to the increasingly insurmountable difficulties that program had in fulfilling its own standards for s- entific explanation, he developed elements of a modern understanding of science that have remained of fundamental importance to this day.

On January 5, 1845, the Prussian cultural minister received a request by a group of six young men to form a new Physical Society in Berlin. In fields from thermodynamics, mechanics, and electromagnetism to animal electricity, ophthalmology, and psychophysics, members of this small but growing group—which soon included Emil Du Bois-Reymond, Ernst Brücke, Werner Siemens, and Hermann von Helmholtz—established leading positions in what only thirty years later had become a new landscape of natural science. How was this possible? How could a bunch of twenty-somethings succeed in seizing the future? In Aesthetics, Industry, and Science M. Norton Wise answers these questions not simply from a technical perspective of theories and practices but with a broader cultural view of what was happening in Berlin at the time. He emphasizes in particular how rapid industrial development, military modernization, and the neoclassical aesthetics of contemporary art informed the ways in which these young men thought. Wise argues that aesthetic sensibility and material aspiration in this period were intimately linked, and he uses these two themes for a final reappraisal of Helmholtz’s early work. Anyone interested in modern German cultural history, or the history of nineteenth-century German science, will be drawn to this landmark book.

The first biography in English of a nineteenth-century German scientist whose experimental approach influences today's neuroscience. Although Hermann von Helmholtz was one of most remarkable figures of nineteenth-century science, he is little known outside his native Germany. Helmholtz (1821–1894) made significant contributions to the study of vision and perception and was also influential in the painting, music, and literature of the time; one of his major works analyzed tone in music. This book, the first in English to describe Helmholtz's life and work in detail, describes his scientific studies, analyzes them in the context of the science and philosophy of the period—in particular the German Naturphilosophie—and gauges his influence on today's neuroscience. Helmholtz, trained by Johannes Müller, one of the best physiologists of his time, used a resolutely materialistic and empirical scientific method in his research. His work, eclipsed at the beginning of the twentieth century by new ideas in neurophysiology, has recently been rediscovered. We can now recognize in Helmholtz's methods—which were based on his belief in the interconnectedness of physiology and psychology—the origins of neuroscience.