In this sequel to the popular kids novel, Hello There, We’ve Been Waiting For You!, it’s summertime and Madison McGee’s best friends, Violet and Noah, join her in Costa Rica, where she’s staying with Rosalie Claire. Their dreams of lazy sunny beach days come to a screeching halt when Madison’s grandmother, Florida Brown, unexpectedly shows up on their doorstep. Dangerously ill with a mysterious ailment, Florida needs help. But the magic in Rosalie Claire’s fanny pack has stopped working. Only one person knows how to revive it - Grandma Daisy. The only problem? She’s been dead for five years. Enter the MegaPix 6000. Together, Madison and her friends have to figure out a way to turn the magic TV into a time machine so they can visit Grandma Daisy and save Florida. Once the intrepid trio hurtles into the past, a dizzying adventure unfolds, filled with heart-filled, unexpected consequences.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

Readers of the highly acclaimed “Hello There” series will already be familiar with plucky Madison McGee, her magic fanny pack, and the MegaPix6000 - a TV she uses to teleport into whatever is playing on the screen. In this third and final book in the series, Madison is on a fateful trip back to Bainbridge Island, where she grew up, to spend the summer with her best friends, Noah and Violet. It’s an emotional journey, shadowed with memories of her mother, and questions about her father’s disappearance. As she and her dog Leroy travel from New Mexico to the west coast, she opens her fanny pack and discovers a photo of a black-haired boy. Even though she’s sure he’s a stranger, she intuitively knows that he needs her help. Again, it’s the MegaPix6000 to the rescue, and the “Mighty Trio” enters a weird and frightening world of magicians, shapeshifters, and evil doers. The biggest mystery for Madison to solve is a personal one. Her search for answers leads her to discover that sometimes life changes in unimaginable ways, and that the unexpected can finally lead her home.

Slowly in the distance, the figure of the woman approached. She still wore the old fashioned clothes and the locket and the blue hair ribbon. She was holding something in an open palm. It was a very small key. It looked like a jewelry box key. She looked worried. “Why have you come to see me?” Susan asked the apparition. “There is grave danger from without and from within. He is coming and death is in his eyes. Beware of those who are your own. Warn the others. Terrible times are almost upon you. Some of you will not survive, I fear. I cannot stem the flow of the tides. Watch for the key. Remember, remember, remember,” she finished with a whisper and began to fade away. On board the private yacht in the Gulf, wine and camaraderie seem to flow, but Susan is haunted by visions of what is to come. From the dead calm sea, her predictions of a terrible storm seem foolish. But the computer reports of fair weather ahead aren’t the only things that lie on this ship. From the blackness Susan wonders where the others are and will any of them be alive to see the sun rise?

Lindsey a young girl found herself feeling lost and alone in the world. There seem to be something missing in her life . But she didn't know what, all of her life it has been just her and her mother . who spent a lot of time at work, so Linsey spent a lot of time on her own , questioning life. she shut herself away from people, due to the fact she know longer trusted, she had fear in her heart, there was know one to hear her cries are feel her pain . so she choose silence, then one day ,she met a man who heard her even though she did not speak he reached out to her.offering to teach her about God and his love,she did not understand why he was able to by pass all of the walls she had in place, but Pastor Reid seem to just walk right into her life , leaving her wondering where he came from. and who sent him.

Twelve year old orphan Madison McGee is joined by her best friends Violet and Noah. This intrepid trio imagines a perfect end-of-the-summer vacation. But it all comes to a screeching halt when Madison s wacky grandmother, Florida Brown, unexpectedly shows up on the inn s doorstep, crashing the kids summer vacation.

A sly debut story collection that conjures the experience of adolescence through the eyes of Chinese American girls growing up in New York City—for readers of Zadie Smith and Helen Oyeyemi. Winner of the Los Angeles Times Book Prize • Winner of the PEN/Robert W. Bingham Prize for Debut Fiction • Finalist for the New York Public Library’s Young Lions Fiction Award NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New Yorker • NPR • O: The Oprah Magazine • The Guardian • Esquire • New York • BuzzFeed A fresh new voice emerges with the arrival of Sour Heart, establishing Jenny Zhang as a frank and subversive interpreter of the immigrant experience in America. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s. In the absence of grown-ups, latchkey kids experiment on each other until one day the experiments turn violent; an overbearing mother abandons her artistic aspirations to come to America but relives her glory days through karaoke; and a shy loner struggles to master English so she can speak to God. Narrated by the daughters of Chinese immigrants who fled imperiled lives as artists back home only to struggle to stay afloat—dumpster diving for food and scamming Atlantic City casino buses to make a buck—these seven stories showcase Zhang’s compassion, moral courage, and a perverse sense of humor reminiscent of Portnoy’s Complaint. A darkly funny and intimate rendering of girlhood, Sour Heart examines what it means to belong to a family, to find your home, leave it, reject it, and return again. Praise for Sour Heart “[Jenny Zhang’s] coming-of-age tales are coarse and funny, sweet and sour, told in language that’s rough-hewn yet pulsating with energy.”—USA Today “One of the knockout fiction debuts of the year.”—New York “Compelling writing about what it means to be a teenager . . . It’s brilliant, it’s dark, but it’s also humorous and filled with love.”—Isaac Fitzgerald, Today “[A] combustible collection . . . in a class of its own.”—Booklist (starred review) “Gorgeous and grotesque . . . [a] tremendous debut.”—Slate