Get baby ready to wake up and say hello to all the different animals in this adorable board book! Hello, sun. Hello, day. Wake up, babies, Time to play! It's time for baby to wake up! Little ones will love greeting all the baby animals with their animal sounds in this adorable board book, including a chick (Cheep Cheep), a piglet (Oink Oink), a puppy (Woof Woof), a frog (Croak Croak), a calf (Moo Moo), a bunny (Twitch Twitch), a lamb (Baa Baa), a bee (Buzz Buzz), and finally, a baby (Goo Goo)!

Introducing a witty and unique voice poised to take the literary world by storm. For fans of The Borrowers, Munmun and The Truckers. Everybody became a bit mean. A bit individual. Units. That's all humanity could say for itself – well, it couldn't actually, because it was made up of too many, um, units. And then there were the elderly, who could never bear to be so isolated, yet isolated they were. It was cruel, really it was. And kids – not that many people had them any more – they seemed to be born sitting in one of those egg-shaped chairs, only seeing what was right in front of them. So, the government asked a doctor, that famous one, to get a team together and figure it all out. He did. Everyone got a playmate. Well, everyone who wanted one, could buy a playmate. About a foot tall, they stood, naked (except in winter), very affectionate, not too intelligent. Mute, but cute - exactly what every home needs. Something to love, little units of love. The Biggerers is set in a dystopian future where our two heroes, Bonbon and Jinx, spend their days gathering stones and feathers for their basket, and waiting to be fed by their owners. But it’s not long before getting sick, falling in love and wondering why they can’t eat with a spoon pushes them to realise they are exactly the same as their owners…only smaller.

A little lamb enjoys snuggling up for story time before falling asleep.

Within the education system, acts of violence toward animals take place and are manifested on a routine basis in science classes, in lecture halls, in school canteens, and during study visits to zoos, farms, and slaughterhouses. Taken for granted as ”necessary” for teaching and learning, this violence profoundly affects animals as well as students. It also provides new entry points for understanding education as a multispecies power regime, driven by numerous other investments than knowledge dissemination alone. What, then, is the nature of this educational violence, and how exactly does education work through techniques of interference with student and animal bodies? Based on ethnographic research within upper secondary schools and higher education, this book challenges the use of animals in education by innovative engagement of Deleuze and Guattari's tool of schizoanalysis. Sparking a fundamental rethinking of educational processes, relations, and aims, the book explores how scientific knowledge about animals proliferates through complex interplay of power and desire in contested spaces of teaching and learning. Configuring animal science education as a set of machines working in tandem with the animal industry, Helena Pedersen offers radical new insights into how education forms subjectivities and social orders under conditions of capitalist expansion that capture students and animals alike. Bringing together education studies, science studies, critical animal studies, and continental philosophy, Pedersen also provides examples of disruptive action that can put education to work for transformation and liberation.

The House of Invisible Bondage by J. U. Giesy is about playboy Imer Lamb who tries to violently murder his friend. Giesy's novel is a skilled and detailed glance into the minds of psychopaths. Excerpt: "The bonds of the soul are invisible, unseen. And he whose soul, whose self, is enchained in such fashion is lost indeed—unless some soul agency intervenes." "Some soul agency?" I revoiced the syllables that gave me that impression of widening circles spreading out—spreading out just beyond the reach of my pursuing mind."

An old man in a military uniform is dumped at the police station—he won't speak English but has a lawyer's card in his pocket. A seemingly innocuous encounter gets stranger and stranger as we gradually realize no one is who they seem and the Balkan wars' traumas continue to play out. The "It Kid" of Canadian theater, award-winning playwright Nicolas Billon, returns with a devastating parable. Nicolas Billon's plays and translations have been produced at the Stratford Festival, Soulpepper Theatre, and Canadian Stage. Fault Lines won the Governor General's Award, and his first play, The Elephant Song, is being developed into a film starring Catherine Keener.

The peace of a small West Country village is rudely shattered when a bomb explodes in the local supermarket. Karen Slocombe, a member of the Food Chain Group and staunch supporter of local produce, would not normally care for the loss of a supermarket, but she does take offence to such violence and that fact that she and her daughter were very nearly caught up in the explosion. When, a few days later, Karen witnesses the horrifying murder of an adjacent stallholder at the local farmer's market, she begins to wonder just who is committing these seemingly motiveless crimes and why does she keep finding herself in the middle of the crime scene?