Highwater' part 1! John Constantine has faced all sorts of devils through his sordid career, but never ones like these. In the Pacific Northwest, he finds himself face to face with the twisted side of the American Dream: a group of alleged 'patriots' bent on the extermination of everyone who doesn't fit in to their view of what America is.

This monograph explores the significance accorded to John's island of Patmos (Rev. 1:9) within the wider reception history of the Apocalypse. In contrast to the relatively scant attention paid to John's island in modern commentaries, this reception-historical survey reveals both the greater prominence accorded to Patmos by earlier interpreters, and the richer diversity of readings the text has provoked. These include interest in the physical character of Patmos and its significance as an island; the date and reason for John's sojourn there; attempts to locate Patmos in a geography which is sometimes more mythical than literal; the meaning of the name 'Patmos' in the context of a biblical book which treats other place-names symbolically. This diversity is supported by a close reading of Rev. 1:9, which highlights the extent to which even its literal sense is highly ambiguous. Ian Boxall brings together for the first time in a coherent narrative a wide range of interpretations of Patmos, reflecting different chronological periods, cultural contexts, and Christian traditions. Boxall understands biblical interpretation broadly, to include interpretations in biographical traditions about John, sermons, liturgy, and visual art as well as biblical commentaries.He also considers popular and marginal readings alongside magisterial and centrist ones, and draws analogies between similar hermeneutical strategies across the centuries. In the final chapter Boxall explores the wider implications of his study for biblical scholarship, advocating an approach which encourages use of the imagination and reader participation, and which works with a broader concept of 'meaning' than traditional historical criticism.

In a grimy London torn by racism and despair, John Constantine's battles with guilt lead him to help an ex-girlfriend, now hooked on heroin and forced into prostitution. Constantine finds himself facing the wrath, not only of the girl's pimp, but also of Satan, who intends to have his revenge.

An apathetic, somewhat amoral occultist, John Constantine always manages to come out on top through a combination of luck, trickery and genuine magical skill. In this seminal Vertigo series, uncover a horror story wrapped in a mystery starring a hero who's at his best and worst all at the same time...

A revitalized John Constantine navigates London's interstices as he sets his trap for Isabelle's killer. 'Haunted' part 5.

Iron Man's friendship with War Machine is strained to the breaking point, and his new team, Force Works, is still working out the kinks. And if that weren't enough, the Mandarin has located the ancient alien artifact known as the Heart of Darkness, and that spells trouble for Tony Stark! Determined to end the 'age of technology' and return the world to a feudal state, the Mandarin and his all-new Avatars begin an all-out assault on Hong Kong!

Dark Horse Books proudly presents this two-volume hardcover artbook collection showcasing the work of the legendary artist Dave McKean, who has created some of the most iconic images in modern comics, literature, film, and music. Featuring his visually-stunning work from Neil Gaiman’s The Sandman, Mirrormask, Arkham Asylum, Cages, Black Dog, Raptor, and so much more, as well as artwork featured in prose publications, film, music, and never-before-seen bonus material with commentary by Dave McKean. This deluxe two-volume set is collected into a gorgeous slipcase featuring original artwork by McKean, also including a satin ribbon marker in each volume, and a foreword by David Boyd Haycock.