I read No Exit in my early twenties, and I remember thinking hell might very well be other people, okay, sure, but under what far-fetched conditions would anyone ever actually be trapped forever in the company of strangers with no sleep or means of escape? Then I became a parent. From Deborah Copaken Kogan, the acclaimed author of the national bestseller Shutterbabe, comes this edgy, insightful, and sidesplitting memoir about surviving in the trenches of modern parenting. Kogan writes situation comedy in the style of David Sedaris and Spalding Gray with a dash of Erma-Bombeck-on-a-Vespa: wry, acutely observed, and often hilarious true tales, in which the narrator is as culpable as any character. In these eleven linked pieces, Kogan and her husband are almost always broke while working full-time and raising three children in New York City, one of the most expensive and competitive cities in the world. In one episode, exhausted from a particularly difficult childbirth, Kogan finds herself sharing a hospital room with a foul-mouthed teen mother and her partying posse. In another, Kogan manages to crawl her way to her own emergency appendectomy, which inconveniently strikes the same week her infant's babysitter is away on vacation, her adolescents are off from school, her New York Times editor needs his edit, and the whole family catches the flu. And in the book's capper essay, she drives twelve hours, solo, with a screaming toddler in a rent-a-car in a futile effort to catch a glimpse of her eldest child in his summer camp play. Yes, Shutterbabe is all grown up and slightly worse for the wear, but her clear-eyed vision while under fire has remained intact: You've never read funnier war stories.

The author discusses parenting as the greatest challenge of her life in a series of essays that describes her haphazard encounters with overprotective, competitive, and interfering fellow parents.

"A coming-of-age true story about what happens when you let your kids run feral--half Goodfellas, half Stand By Me, and three-quarters Dukes of Hazzard"--Page 4 of cover.

NATIONAL BESTSELLER • The remarkable memoir of an ambitious young photojournalist who went off to war as a twenty-two-year-old girl—and came back, four years and many adventures later, a woman “Eloquent and well observed, not only about the memoirist, but about the world: war, death, photojournalism and, of course, the worldwide battle between the sexes.” —The Washington Post Book World In 1988, fresh out of Harvard, Deborah Copaken Kogan moved to Paris with a small backpack, a couple of cameras, the hubris of a superhero, and a strong thirst for danger. She wanted to see what a war would look like when seen from up close. Naïvely, she figured it would be easy to filter death through the prism of her wide-angle lens. She was dead wrong. Within weeks of arriving in Paris, after begging to be sent where the action was, Kogan found herself on the back of a truck in Afghanistan, her tiny frame veiled from head to toe, the only woman—and the only journalist—in a convoy of rebel freedom fighters. Kogan had not actually planned on shooting the Afghan war alone. However, the beguiling French photographer she’d entrusted with both her itinerary and her heart turned out to be as dangerously unpredictable as, well, a war. Kogan found herself running from one corner of the globe to another, each linked to the man she was involved with at the time. From Zimbabwe to Romania, from Russia to Haiti, Kogan takes her readers on a heartbreaking yet surprisingly hilarious journey through a mine-strewn decade, her personal battles against sexism, battery, and even rape blending seamlessly with the historical struggles of war, revolution, and unfathomable abuse it was her job to record. In the end, what was once adventurous to the girl began to weigh heavily on the woman. Though she had finally been accepted into photojournalism’s macho fraternity, her photographs splashed across the front pages of international newspapers and magazines, Kogan began to feel there was something more she was after. Ultimately, what she discovered in herself was a person—a woman—for whom life, not death, is the one true adventure to be cherished above all.

A wrenching and layered debut novel about a gay teen’s coming-of-age in the aftermath of his father’s suicide Colin’s family is dissolving in the aftermath of his father’s suicide. While his mother, Diane, retreats into therapy and cynicism, Colin clings to every shred of normal life. Awash with guilt, he casts about for someone to confide in: first his estranged grandfather, then a predatory science teacher. Shunned by his siblings and rejected by his homophobic best friend, Colin immerses himself in the notebooks his father left behind. Full of strange facts, lists, and historical anecdotes that neither Colin nor Diane can understand, the notebooks infect their worldview until they can no longer tell what’s real and what’s imagined. A novel of aching intensity, Some Hell shows how unspeakable tragedy shapes a life, and how imagination saves us from ourselves.

A New York Times Book Review Editors’ Choice "Inferno is a disturbing and masterfully told memoir, but it’s also an important one that pushes back against powerful taboos. . ." --The New York Times Book Review "Explosive" --Good Morning America "Sublime" --Bookpage (starred review) When Catherine Cho and her husband set off from London to introduce their newborn son to family scattered across the United States, she could not have imagined what lay in store. Before the trip’s end, she develops psychosis, a complete break from reality, which causes her to lose all sense of time and place, including what is real and not real. In desperation, her husband admits her to a nearby psychiatric hospital, where she begins the hard work of rebuilding her identity. In this unwaveringly honest, insightful, and often shocking memoir Catherine reconstructs her sense of self, starting with her childhood as the daughter of Korean immigrants, moving through a traumatic past relationship, and on to the early years of her courtship with and marriage to her husband, James. She masterfully interweaves these parts of her past with a vivid, immediate recounting of the days she spent in the ward. The result is a powerful exploration of psychosis and motherhood, at once intensely personal, yet holding within it a universal experience – of how we love, live and understand ourselves in relation to each other.

Thrust into the media spotlight with her son Sean Wilsey's searing portrayal of her in his New York Times bestseller Oh the Glory of It All, the former queen of San Francisco society shares her own candid take on the fascinating events of her life. Once dubbed San Francisco's "Golden Girl," Montandon socialized with the cream of San Francisco society, including Danielle Steel, Alex Haley, and the Gettys. Immortalized as a character in Armistead Maupin's Tales of the City, she lived a seemingly perfect life in a penthouse above the San Francisco Bay, complete with her marriage to multimillionaire Al Wilsey and the birth of her son, Sean. From her lavish parties to her legendary Roundtable lunches, Montandon was always the talk of the town. Then, less than a decade later, Wilsey announced he was divorcing her, and Sean abandoned her as well—both for the affections of her once-close friend, Dede Traina. Left penniless and virtually suicidal, Montandon once again had to reinvent herself, this time as a humanitarian for peace. From Berlin to Beslan, she made it her life's mission to give a voice to the world's children and spread a message of hope in times of crisis. Oh the Hell of It All is a rich feast of a story: that of a poor girl turned rich turned poor again, in and out of love and betrayed by those closest to her, who has achieved peace in her life through devotion to something outside herself.