The Austro-Hungarian Stormtroopers and the Italian Arditi of World War I were elite special forces charged with carrying out bold raids and daring attacks. These units were comprised of hand-picked soldiers that possessed above-average courage, physical prowess as well as specific combat skills. Many military historians have argued that the First World War was mainly a static conflict of positional attrition, but these shock troops were responsible for developing breakthrough tactics of both fire and movement that marked a significant change to the status quo. Both armies used special assault detachments to capture prisoners, conduct raids behind enemy lines and attack in depth in order to prepare the way for a broad infantry breakthrough. This account traces the development of Austrian and Italian assault troop tactics in the context of trench warfare waged in the mountainous front of the Alps and the rocky hills of the Carso plateau. It not only examines their innovative tactics but also their adoption of vastly improved new weapons such as light machine-guns, super-heavy artillery, flamethrowers, hand grenades, daggers, steel clubs and poison gas. This book offers a narrative of the organizational development of the shock and assault troops, of their military operations and their combat methods. The bulk of the chapters are devoted to a historical reconstruction of the assault detachments' combat missions between 1917-18 by utilizing previously unreleased archival sources such as Italian and Austrian war diaries, official manuals, divisional and High Command reports and the soldiers' own recollections of the war. Finally, it offers a comprehensive description of their uniforms, equipment, and weapons, along with a large number of illustrations, maps and period photographs rarely seen. This epic trial of military strength of these special stormtroops cannot be properly understood without visiting, and walking, the battlefields. The appendix thus offers the reader a series of walks to visits key high mountain fortifications in the Italian Dolomites, many of which have attained almost legendary status.

A detailed reconstruction of life and death in the trenches of World War I, describing the construction and physical and spiritual environment of the trenches and the soldiers' daily routine.

From bestselling author Max Brooks, the riveting story of the highly decorated, barrier-breaking, historic black regiment—the Harlem Hellfighters In 1919, the 369th infantry regiment marched home triumphantly from World War I. They had spent more time in combat than any other American unit, never losing a foot of ground to the enemy, or a man to capture, and winning countless decorations. Though they returned as heroes, this African American unit faced tremendous discrimination, even from their own government. The Harlem Hellfighters, as the Germans called them, fought courageously on—and off—the battlefield to make Europe, and America, safe for democracy. In THE HARLEM HELLFIGHTERS, bestselling author Max Brooks and acclaimed illustrator Caanan White bring this history to life. From the enlistment lines in Harlem to the training camp at Spartanburg, South Carolina, to the trenches in France, they tell the heroic story of the 369th in an action-packed and powerful tale of honor and heart.

The experiences of World War I from the perspectives of soldiers on the battle field and their families at home.

Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists’ commissions, however, were as captains for their patron: the US Army. The eight men—William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent—arrived in France early in 1918 with the American Expeditionary Forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the US Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not.

Chronicles the experiences Warren Jackson had while serving as a marine in France during World War I.

'Dealing With The Boss From Hell' is a survival guide, with real-life strategies, for dealing with a difficult person in charge, including advice on how to stand up to them, talk honestly and directly, and if nothing works, how to get out quickly and cleanly.