Seb Hunter wasn't just a heavy metal fan. He was a blind devotee who threw away his education and future prospects to become a rock star. In Hell Bent for Leather, he reaches into the most embarrassing depths of the family photo album to reveal his Wayne's World-esque teen years, taking readers on a (very loud) musical journey from his first guitar to his first gig and on, through groupies, girlfriends, too many drugs, spiraling egos, musical differences, and finally, the end of the dream -- and a much-needed haircut.In this nostalgic look at heavy metal culture, Seb Hunter has given us a moving portrait of adolescence and chasing your dream, reminding us all that it's better to have lost in rock than never to have rocked at all. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Nostalgic black-and-white and period color photos depict the legendary Army Air Corps and Air Force jacket as worn by airmen in World War II and the Korean War. Anecdotes and a history of the jacket's service are accompanied by marvelous images of the hand-painted art that more often than not adorned the backs of these garments. *This is a paperback re-issue of Hell Bent for Leather.*

2021 Top Ten Finalist for the Locus Awards in Nonfiction Joshua Smith’s chapter “Uncle Tom’s Cabin Showdown” won the 2021 Don D. Walker Prize from the Western Literature Association Weird Westerns is an exploration of the hybrid western genre—an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy. Despite frequent declarations of the western’s death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms. The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders (Cherokee); the cult television series Firefly and The Walking Dead; the mainstream feature films Suicide Squad and Django Unchained; the avant-garde and bizarre fiction of Joe R. Lansdale; the tabletop roleplaying game Deadlands: The Weird West; and the comic book series Wynonna Earp. The essays explore how these weird westerns challenge conventional representations by destabilizing or subverting the centrality of the heterosexual, white, male hero but also often surprisingly reinforce existing paradigms in their inability to imagine an existence outside of colonial frameworks.

An unspeakable evil is stalking the territory. Civil war veteran and bounty hunter Tyler Cabe, who is tracking a merciless murderer, must find a way to battle something beyond the imagination of living man. "Tim Curran goes hell-bent for leather in this supernatural thriller set in the Wild West, and he scores a big, bloody bullseye. Writing in the rich language of a Dark Angel on hell brewed whiskey, Curran gives us the scariest beasts ever to fork legs over a horse. Skin Medicine is a wild ride into the Dark Frontier." Randy Chandler Author of Bad Juju

(Guitar Recorded Versions). Note-for-note guitar transcriptions with tab for 15 hard, fast & loud hits spanning the illustrious career of this menacing Birmingham metal band. Includes: Breaking the Law * Burn in Hell * Cathedral Spires * Electric Eye * Freewheel Burning * The Green Manalishi * Heading Out to the Highway * Hell Bent for Leather * The Hellion * Hot Rockin' * Living After Midnight * Ram It Down * Some Heads Are Gonna Roll * Turbo Lover * You've Got Another Thing Comin'.

When the world thinks of heavy metal in its pure, potent, undiluted form, it is none other than the Metal Gods, Judas Priest, that instantly come to mind. Chrome and black leather, studs and whips and chains, a chopper on stage to announce the coming... these are the tools of the trade for Rob Halford and his legendary band of Birmingham bashers. Indeed, the Priest are the bringers of metal's biggest anthems. "Breaking the Law," "Living after Midnight," "Exciter," "Electric Eye," "Victim of Changes," and especially "You've Got Another Thing Comin'"... these are songs woven into the fabric of metal's wild ride, Priest having been there since its origins, revving up crowds as superstars certainly for 30 years of that run. Lifelong fan and preeminent metal historian Martin Popoff examines the Priest's rich legacy from 1974 to 1984, album by album, anthem by anthem, in this hugely expanded update on the early years portion of his long out-of-print Heavy Metal Painkillers book. Having interviewed all the principals in the band repeatedly over the years, Popoff gives a first-hand account of Priest's rocky, often comical ride through the '70s, and through the gold and platinum records of the '80s, expertly detailing the long road to the arena headline status the band now enjoys as heavy metal's proudest ambassadors. Judas Priest: Decade of Domination includes extensive commentary from reclusive drummer Les Binks, along with new interview footage from Tom Allom, Chris Tsangarides, K.K. Downing, Glenn Tipton, Ian Hill, Rob Halford, and various other insiders who are part of the Priest saga during this hallowed, golden era. Also included are tons of memorabilia shots, live photography and two tipped-in colour sections. To reiterate, this is the most extensive analysis ever in book form of: Rocka Rolla, Sad Wings of Destiny, Sin After Sin, Killing Machine/Hell Bent for Leather, Unleashed in the East, British Steel, Point of Entry, Screaming for Vengeance and Defenders of the Faith-song by song, lots of stories, looking at licks and fills, and what's in the right channel and left, lyric analysis... the deepest dive ever on these records.

Decket had a tiger by the tail when he arrested notorious killer Shotgun Travers. But Decket had asked for it. He had been wearing a U.S. marshal’s badge when he was nothing of the sort. He was a small-town peace officer who had used the badge to his own ends, forcing bigger men than he to bend to his will. But now the tables had turned …