A riveting history of the Mount St. Helens eruption that will "long stand as a classic of descriptive narrative" (Simon Winchester). For months in early 1980, scientists, journalists, sightseers, and nearby residents listened anxiously to rumblings in Mount St. Helens, part of the chain of western volcanoes fueled by the 700-mile-long Cascadia fault. Still, no one was prepared when an immense eruption took the top off of the mountain and laid waste to hundreds of square miles of verdant forests in southwestern Washington State. The eruption was one of the largest in human history, deposited ash in eleven U.S. states and five Canadian providences, and caused more than one billion dollars in damage. It killed fifty-seven people, some as far as thirteen miles away from the volcano’s summit. Shedding new light on the cataclysm, author Steve Olson interweaves the history and science behind this event with page-turning accounts of what happened to those who lived and those who died. Powerful economic and historical forces influenced the fates of those around the volcano that sunny Sunday morning, including the construction of the nation’s railroads, the harvest of a continent’s vast forests, and the protection of America’s treasured public lands. The eruption of Mount St. Helens revealed how the past is constantly present in the lives of us all. At the same time, it transformed volcanic science, the study of environmental resilience, and, ultimately, our perceptions of what it will take to survive on an increasingly dangerous planet. Rich with vivid personal stories of lumber tycoons, loggers, volcanologists, and conservationists, Eruption delivers a spellbinding narrative built from the testimonies of those closest to the disaster, and an epic tale of our fraught relationship with the natural world.

Mihoko Suzuki sheds light on a literary tradition that seemingly holds Helen of Troy and her descendants responsible for causing epic conflicts, while it appropriates the woman's perspective as a source of insight and poetic power. "A superb study of...

Here Stephen Tracy offers a vivid, fast-paced narrative that serves as a reading guide to Homer's monumental epic. He not only provides translations of key passages and traces the evolution of major themes in the Odyssey, but also helps new readers to understand the artistry of one of the best tales ever told. Aimed at advanced readers as well, this book stresses an appreciation of how Homer has ordered his narrative, covering such topics as character interaction, family relationships, elements of poetic language, and the symbolic treatment of death, rebirth, growth, and knowledge. Given the controversy over the way the Odyssey was composed and handed down, Tracy concentrates on presenting the poem as a highly unified work. His analysis of the narrative structure reveals the epic to be arranged as a series of parallel journeys. The journey, seen here as a symbol of growth and self-knowledge, is among the major themes discussed in detail, along with the importance of women as overseers of life's journeys and the need for the sons of heroes to grow up worthy of their fathers.

Mark Hellinger, beloved newspaperman, whose Broadway column was read daily by 22,000,000 people, and whose years as a Hollywood producer were marked by such outstanding successes as “High Sierra,” “The Killers,” and “Naked City,” died in 1947 in his forty-fifth year. In this book, Jim Bishop, who was his secretary, takes us behind the scenes to live again, the life of a man who “went everywhere, saw everything, and did everything—without exultation or remorse.” Rich with the nostalgic echoes of a note-too-distant past, THE MARK HELLINGER STORY is a magnificent account of a fabulous era—Broadway of the twenties and thirties, from the colossal glamour of the Follies, Vanities, and Scandals to the trenchant wit and lilting tunes of the Little Shows, with the heady smell of printer’s ink and the roar of the night presses; the vast canvas of Hollywood in the silent days, and its sudden rebirth with sound. It is the story, too, of a man who crammed into a lifetime more living than most people will ever know. In the words of Jim Bishop, Hellinger “spent time as though he had stolen it and couldn’t find a fence.”

M. David Litwa tells the stories of the early Christians whose religious identity was either challenged or outright denied. In the second century many different groups and sects claimed to be the only Orthodox or authentic version of Christianity, and Litwa shows how those groups and figures on the side of developing Christian Orthodoxy often dismissed other versions of Christianity by refusing to call them “Christian”. However, the writings and treatises against these groups contain fascinating hints of what they believed, and why they called themselves Christian. Litwa outlines these different groups and the controversies that surrounded them, presenting readers with an overview of the vast tapestry of beliefs that made up second century Christianity. By moving beyond notions of “gnostic”, “heretical” and “orthodox” Litwa allows these “lost Christianities” to speak for themselves. He also questions the notion of some Christian identities “surviving” or “perishing”, arguing that all second century "Catholic" groups look very different to any form of modern Roman Catholicism. Litwa shows that countless discourses, ideas, and practices are continually recycled and adapted throughout time in the building of Christian identities, and indeed that the influence of so-called “lost” Christianities can still be felt today.

This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.

This is the first book-length study to read women of the Beat Generation as feminist writers. The book focuses on one author from each of the three generations that comprise the groups of female writers associated with the Beats – Diane di Prima, ruth weiss and Anne Waldman – as well as on experimental and multimedia artists, such as Laurie Anderson and Kathy Acker, who have not been read through the prism of Beat feminism before. This book argues that these writers’ feminism evolved over time but persistently focussed on intertextuality, transformation, revisionism, gender, interventionist poetics and activism. It demonstrates how these Beat feminisms counteract the ways in which women have been undermined, possessed or silenced.