Helen of Troy: From Homer to Hollywood is a comprehensive literary biography of Helen of Troy, which explores the ways in which her story has been told and retold in almost every century from the ancient world to the modern day. Takes readers on an epic voyage into the literary representations of a woman who has wielded a great influence on Western cultural consciousness for more than three millennia Features a wide and diverse variety of literary sources, including epic, drama, novels, poems, film, comedy, and opera, and works by Homer, Euripides, Chaucer, Shakespeare Includes an analysis of a radio play by the prize-winning author of The Curious Incident of the Dog in the Night-time and a Faust play by a contemporary Scottish playwright Explores themes such as narrative difficulties in portraying Helen, how legal history relates to her story, and how writers apportion blame or exculpate her Considers the aesthetic and narrative difficulties that ensue when literature translates myth

Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own.

This book interprets films as visual texts and demonstrates the affinities between Greco-Roman literature and the cinema.

As soon as men began to write, they made Helen of Troy their subject; for close on three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for an enduring enmity between East and West. For millennia she has been viewed as ane xquisite agent of extermination. But who was she?

"This book explores the representation of Helen of Troy in Hollywood film and television, with a particular focus on her defining features: transcendent beauty and transgressive erotic agency. The first chapter, on early Hollywood, sets the scene by explaining the importance of ideas about Greek beauty at the beginning of cinema and highlighting some of the problems that continue to bedevil this topic, especially "realism" and the representation of supreme beauty. Blondell argues that the problem of Helen is baked into Hollywood from the start. In subsequent chapters Blondell examines specific screen adaptations in which Helen is featured. Each of these case studies locates a particular work in its historical, cultural, and generic context, as a framework for addressing the ways in which it approaches a range of interlocking questions about beauty, its representation, and the cinematic uses of myth. The second chapter is devoted to the sole Helenic feature film of the silent period, Alexander Korda's Private Life of Helen of Troy (1927). Part II moves to the big screen epic, pairing one film from each of the two great waves of ancient world epic spanning the latter half of the 20th century: Robert Wise's 1956 epic Helen of Troy and Wolfgang Petersen's more recent extravaganza, Troy (2004). In Part III she turns to television, with a chapter on episodic tele-fantasy followed by a study of the 2003 miniseries Helen of Troy. In some of these works Helen is the central character (or "hero"); in others she is at the periphery of a masculine adventure. But in all of them she represents the threat of superhuman beauty as an inheritance from classical Greece"--

Anne Carson’s new work that reconsiders the stories of two iconic women—Marilyn Monroe and Helen of Troy—from their point of view Winner of the Governor General Award in Poetry Norma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed’s Griffin Theater in New York, starring actor Ben Whishaw and soprano Renée Fleming and directed by Katie Mitchell.

The former girlfriend of rap star Nas and mother of his daughter discusses their relationship, her part in his famous feud with rival rapper Jay-Z, and her struggle to maintain independence and find love as a single mother in the projects.