This is the fifth title in "The Masterclass Embroidery Series" showing how to create stunning embroideries designed by internatio- nally acclaimed textile artist Helen M. Stevens.Helen explores a range of beautiful garden settings, from the intimate and personal cottage garden, to the stately splendour of the formal country park, using pure silk embroidery threads to achieve astonishingly realistic effects.Each of the five chapters builds toward an in-depth masterclass project including landscape templates and close-up detailed colour templates of garden wildlife, as well as colour keys and step-by-step stitching instructions.Easy-to-follow colour photographs illustrate the working stages of each masterclass embroidery, ensuring that perfect results can be achieved when recreating the picturesque designs.

Embroidery artist Helen M. Stevens lives and works in the heart of the Suffolk countryside, which inspires her embroideries of wild animals, birds and flowers. This book reproduces in colour a collection of 75 examples of her work, and also contains a discussion of the techniques used.

Celebrates the diverse beauty of nature from around the globe.

Drawing inspiration from over 1200 years of history, this book provides a collection of 75 embroideries alongside sketches from the author's workbook. It includes full instructions for all techniques and stitches.

From ancient times, embroidery and other textile arts have been associated with myths and legends, fables and fairy tales, high drama and folklore, from Ancient Greece to modern Europe. This book explores the use of embroidery in such rituals. The Myth and Magic of Embroidery contains embroidered pictures inspired by nature, including plant life, animals, landscapes and sacred places from many origins such as Celtic, Anglo-Saxon, Norse and Old English. Each chapter contains an adaptation of a legend or fable with illustrations taken from the author's own workbook. The book includes detailed working methods and new design techniques, such as the transformation of traditional ethnic stitches and the translation of designs from ceramics and architecture into motifs for embroidery, enabling the reader to create stunning embroidery pieces of their own.

Embroidery artist Helen M. Stevens lives and works in the heart of the Suffolk countryside, which inspires her embroideries of wild animals, birds and flowers. This book reproduces examples of her work, and discusses the techniques used.

The subject of In the Frame is poetic ekphrasis: poems whose starting point or source of inspiration is a work of visual art. The authors of these sixteen essays, several of whom are poets as well as critics, have a twofold purpose: calling attention to the contribution women poets have made to this important genre of poetic writing and re-thinking ekphrastic poetry's motives and purposes. From Marianne Moore and Elizabeth Bishop to Mary Jo Salter, C. D. Wright, and Susan Wheeler, many of our best women poets have done important work in this genre, and when they describe, confront, or speak for an image that is itself wordless, their motives are not only formal but aesthetic. Their poems also raise important questions, from a perspective that is often, but not always, gender-inflected about how art is made and displayed, experienced and valued, celebrated and commodified. Jane Hedley is K. Laurence Stapleton Professor of English at Bryn Mawr College. Willard Spiegelman is the Hughes Professor of English at Southern Methodist University, and editor-in-chief of the Southwest Review. Nick Halpem is an associate professor in the English Department at North Carolina State University.