For the first time, a great-granddaughter of Henry Clay Frick, world famous art collector and steel tycoon, has assembled an intimate, pictorial biography that reveals the triumphs and tragedies of Frick's life. 370 illustrations, 225 in color.

Chronicles Helen Clay Frick's lifelong commitment to social welfare, the environment, and her purchase of many significant works of art for her private collection, the Frick Collection in New York, the University of Pittsburgh teaching collection, and the Frick Art Museum.

Best remembered today for his fierce opposition to labor, especially during the Homestead Strike of 1892, Henry Clay Frick was also one of the most powerful and innovative industrialists of the nineteenth century.After consolidating the vital bituminous coke fields of the Connellsville region in western Pennsylvania, Frick became the most important of Andrew Carnegie's partners and the manager of Carnegie's steel interests. Later, his bitter oppositon to Carnegie was one factor in the events leading to the 1901 purchase of the Carnegie Steel Company by J. P. Morgan and the formation of the Unites States Steel Corporation.Kenneth Warren is the first historian to be given unrestricted access to the extensive Frick archives in Pittsburgh. Drawing on Frick's personal and business papers, as well as the records of the H. C. Frick Coal & Coke Company, the Carnegie Steel Company, and the U.S. Steel Corporation, Warren provides a wealth of new insights into Frick's relationship with such contemporaries as Carnegie, J. P. Morgan, Charles Schwab, and Elbert Gary. He describes and analyzes the key decisions that formed labor and industrial policy in the iron and steel industry during a period of growth that remains unparalled in American business history.Not only an industrial biography of a driving force in American industry and the organization of American business, Triumphant Capitolism, now available in paperback, makes a major contribution to our understanding of the history of the basic industries, the shaping of society, locality, and region - and thereby of laying the foundations for the value systems and landscapes of present-day America.

Traces the life of the brilliant and ruthless businessman who used leveraged buyouts, insider trading, stock manipulation, price fixing, and union busting to become one of the richest men in America

Catalog accompanying an exhibition at the Frick Collection, New York, of two paintings by Cimabue (Cenni di Pepo; ca. 1240-1302), called by some the founder of Italian Renaissance painting. The painter's Flagellation of Christ (Frick Collection, New York) and Virgin and Child Enthroned with Two Angels (National Gallery, London) were once part of a larger work, possibly a commission of Franciscan origin. Exhibited with the two panels are other examples of Italian devotional art of the late 13th and early 14th centuries from New York collections.

An architectural, personal, and historical account of one of the towering figures from America's Gilded Age First published in 2001, this acclaimed volume is back in print, shining a spotlight on the four major houses purchased or built and renovated for Henry Clay Frick, the world-famous art collector and steel tycoon. The most authoritative book available about Frick's houses, it contains exclusive content, including vintage photographs, documents, letters, original working drawings, artist's sketches, and designer's notes. With America's Gilded Age continuing to fascinate readers, this book provides a unique cross-section of the era with history, architecture, design, art, and biography. With priceless furnishings, interiors, and designed gardens by the most prestigious architects of the day, the houses featured in this book exemplify the great residences of the era: the late-Victorian Clayton in Pittsburgh, Pennsylvania houses the Frick Pittsburgh; the neoclassical Eagle Rock in Massachusetts was Frick's summer retreat; One East Seventieth Street in New York is home to the world-renowned Frick Collection; and the Clayton Estate in Roslyn, New York is a Georgian Revival masterpiece. The author--a great-granddaughter of Henry Clay Frick--provides privileged access to the subject, which results in a text that describes the rooms, artwork, furniture, and gardens in exacting detail, and interweaves stories of the lives of Frick and his family with the history of the houses.

INSTANT NEW YORK TIMES BESTSELLER! Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue, returns with a tantalizing novel about the secrets, betrayal, and murder within one of New York City's most impressive Gilded Age mansions. Eight months since losing her mother in the Spanish flu outbreak of 1919, twenty-one-year-old Lillian Carter's life has completely fallen apart. For the past six years, under the moniker Angelica, Lillian was one of the most sought-after artists' models in New York City, with statues based on her figure gracing landmarks from the Plaza Hotel to the Brooklyn Bridge. But with her mother gone, a grieving Lillian is rudderless and desperate—the work has dried up and a looming scandal has left her entirely without a safe haven. So when she stumbles upon an employment opportunity at the Frick mansion—a building that, ironically, bears her own visage—Lillian jumps at the chance. But the longer she works as a private secretary to the imperious and demanding Helen Frick, the daughter and heiress of industrialist and art patron Henry Clay Frick, the more deeply her life gets intertwined with that of the family—pulling her into a tangled web of romantic trysts, stolen jewels, and family drama that runs so deep, the stakes just may be life or death. Nearly fifty years later, mod English model Veronica Weber has her own chance to make her career—and with it, earn the money she needs to support her family back home—within the walls of the former Frick residence, now converted into one of New York City's most impressive museums. But when she—along with a charming intern/budding art curator named Joshua—is dismissed from the Vogue shoot taking place at the Frick Collection, she chances upon a series of hidden messages in the museum: messages that will lead her and Joshua on a hunt that could not only solve Veronica's financial woes, but could finally reveal the truth behind a decades-old murder in the infamous Frick family.