Ever since Faye moved to Paradise Cove to take over her aunt's metaphysical bookstore, her normal life as a PhD student has become anything but. Barely escaping a close brush with death and with their magical cat familiar happily recuperating in a nearby feline-spa of a hospital, Faye and Luke, her partner-in-crime-solving, are all set for some much deserved downtime. That is, until an invitation to a grand masquerade lands on their doorstep. Amidst the glitz and glamour, Faye discovers an uninvited guest under the catering table, and a priceless relic goes missing, causing paranoia and pandemonium. The mogul of Paradise Cove enlists Faye and Luke's help to investigate, much to the dismay of the police chief. Meanwhile, rumors ripple through the town, linking the mysterious disappearance of the relic to ancient native lore and whispers of a monstrous creature believed to be more than just legend. The plot thickens further as a palm reader emerges from the shadows and an eccentric man claiming to be the Count St. Germain adds another layer to the mystery. With the weight of ancestral myths looming, they've got their work cut out for them. Will Faye and Luke unmask the marauder and decipher the riddles of the past to save Paradise Cove's future?

A fun, fast-paced interracial romance full of banter, scandal, and devastating secrets, from a New York Times bestselling author: Entrepreneur Miss Unity Thorne helped two different men amass their fortunes—only to end up on the street. She’s scraping by at the theatre, but this isn’t the show she plans to star in. The next fortune Unity builds will be hers alone. Her masquerade-themed assembly rooms will rival the ton, but to do so, she’ll have to apprentice the most dangerous rake of all. The arrogant, sexy-and-he-knows-it Duke of Lambley’s weekly masquerade parties are decadent odes to excess: unlimited food, drink, dancing, romantic gardens, and private pleasure rooms upstairs. Everyone loves his balls, and he likes it that way. He’ll take a wife someday, but it certainly won’t be the pretty termagant who challenges him in the ballroom and the bedroom… In the Rogues to Riches historical romance series, Cinderella stories aren’t just for princesses!

Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this short work of nonfiction. “California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.” Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.” As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.

A woman accidentally kidnaps a duke in this fabulous Regency romp that Bridgerton author Julia Quinn hails as a "delight." Chloe Wynchester is completely forgettable—a curse that gives her the ability to blend into any crowd. When the only father she's ever known makes a dying wish for his adopted family of orphans to recover a missing painting, she's the first one her siblings turn to for stealing it back. No one expects that in doing so, she'll also abduct a handsome duke. Lawrence Gosling, the Duke of Faircliffe, is tortured by his father's mistakes. To repair his estate's ruined reputation, he must wed a highborn heiress. Yet when he finds himself in a carriage being driven hell-for-leather down the cobblestone streets of London by a beautiful woman who refuses to heed his commands, he fears his heart is hers. But how can he sacrifice his family's legacy to follow true love? "Erica Ridley's love stories are warm, witty and irresistible. I want to be a Wynchester!" —Eloisa James Publishers Weekly Best Books of 2021

To save the city from disaster, Drakonheim made a deal with a cabal of necromancers. Now this cabal, the Gray Society, holds the real power in the city.Drakonheim is a fantasy city full of intrigue and surrounded by dangers. Goblins dwell in the sewers, undead walk the streets, and aristocrats scheme for greater power. Hobgoblins ride across the northern plains, lizardfolk rule the southern swamps, and all manner of monsters hunt in the western mountains.Drakonheim is a system-free setting; you can use it with any fantasy roleplaying game. It can serve as a quick stopping point, or as the center of an entire campaign.

"Secrets of a Super Hacker" is an extraordinary manual on the methods of hacking. It covers brute force attacks, social engineering and reverse social engineering, spoofing, superuser abuser, screen stealing, data delivery, stair stepping, and more. The Super Hacker reveals all his secrets: Trojan horses, viruses, worms, trap doors, and dummy accounts. No system can withstand the assaults of The Knightmare. And no person concerned with computer security should miss this amazing manual of mayhem.

Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran's cinema, offering vivid descriptions of all key films. "Iranian Cinema" looks at recurring themes and tropes, such as the rural versus the 'corrupt' city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf's astonishing Kandahar to Saddiq Barmak's angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.