The Heifetz Collection
Title | The Heifetz Collection PDF eBook |
Author | Carl Fischer LLC |
Publisher | |
Pages | 0 |
Release | 2004 |
Genre | |
ISBN | 9780825841781 |
Heifetz plays Gershwin
Title | Heifetz plays Gershwin PDF eBook |
Author | George Gershwin |
Publisher | |
Pages | 92 |
Release | 2000 |
Genre | Operas |
ISBN |
Selections from Porgy and Bess (Songbook)
Title | Selections from Porgy and Bess (Songbook) PDF eBook |
Author | Jascha Heifitz |
Publisher | Hal Leonard Corporation |
Pages | 52 |
Release | 1990-03-01 |
Genre | Music |
ISBN | 1476857172 |
(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.
Heifetz as I Knew Him
Title | Heifetz as I Knew Him PDF eBook |
Author | Ayke Agus |
Publisher | Hal Leonard Corporation |
Pages | 264 |
Release | 2005 |
Genre | Biography & Autobiography |
ISBN | 9781574671216 |
For the last 15 years of Jascha Heifetz's life, Ayke Agus was his closest companion. She came to him as a violin student in his master class at the University of Southern California, but he singled her out when he heard her play the piano. She became his private accompanist and ultimately his assistant and confidante. A sensitive and astute observer, Agus takes up where previous biographers left off; her book is a loving yet unblinking portrait of an aging master by his disciple.
Selections from Porgy and Bess
Title | Selections from Porgy and Bess PDF eBook |
Author | George Gershwin |
Publisher | Hal Leonard Publishing Corporation |
Pages | 0 |
Release | 1990-03 |
Genre | Music |
ISBN | 9781480353145 |
(Fretted). Long out of print, these virtuoso transcriptions by the legendary violinist Jascha Heifetz date from 1947, and have previously been available only separately. These showpieces capture the excitement of Gershwin's score in a unique and fascinating way. Includes: It Ain't Necessarily So * Summertime * A Woman Is a Sometime Thing * I Got Plenty O' Nuttin' * Bess, You Is My Woman * Tempo Di Blues.
Dvorak's Prophecy: And the Vexed Fate of Black Classical Music
Title | Dvorak's Prophecy: And the Vexed Fate of Black Classical Music PDF eBook |
Author | Joseph Horowitz |
Publisher | W. W. Norton & Company |
Pages | 256 |
Release | 2021-11-23 |
Genre | Music |
ISBN | 0393881253 |
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”
The Performance Style of Jascha Heifetz
Title | The Performance Style of Jascha Heifetz PDF eBook |
Author | Dario Sarlo |
Publisher | Routledge |
Pages | 285 |
Release | 2016-03-03 |
Genre | Music |
ISBN | 1317021649 |
The violinist Jascha Heifetz (1901-1987) is considered among the most influential performers in history and still maintains a strong following among violinists around the world. Dario Sarlo contributes significantly to the growing field of analytical research into recordings and the history of performance style. Focussing on Heifetz and his under-acknowledged but extensive performing relationship with the Bach solo violin works (BWV 1001-1006), Sarlo examines one of the most successful performing musicians of the twentieth century along with some of the most frequently performed works of the violin literature. The book proposes a comprehensive method for analysing and interpreting the legacies of prominent historical performers in the wider context of their particular performance traditions. The study outlines this research framework and addresses how it can be transferred to related studies of other performers. By building up a comprehensive understanding of multiple individual performance styles, it will become possible to gain deeper insight into how performance style develops over time. The investigation is based upon eighteen months of archival research in the Library of Congress’s extensive Jascha Heifetz Collection. It draws on numerous methods to examine what and how Heifetz played, why he played that way, and how that way of playing compares to other performers. The book offers much insight into the ’music industry’ between 1915 and 1975, including touring, programming, audiences, popular and professional reception and recording. The study concludes with a discussion of Heifetz’s unique performer profile in the context of violin performance history.