Hedgehog in the Fog is an international hit which has already been published in many languages. The book is based on Francesca Yarbusova's sketches to the award-winning animated film directed by Yuri Norstein. It is about the adventures of the philosophical little Hedgehog on his way to meet with his friend Bear. Along the way Hedgehog enters into a mysterious fog in which he encounters a horse, a dog, an owl, and a fish. In 2003, an international film jury in Tokyo declared Hedgehog in the Fog to be the best animated film of all time. "I've loved the films of Yuri Norstein for years now. I first saw Hedgehog in the Fog as a film student in the early 1980s and became instantly enchanted. Like many I was immediately drawn into his sensual world by the richness of the aural and visual landscapes he creates. Norstein's films are magical and atmospheric, lovingly and masterfully executed. His story-telling and illustration style is earthy and rich in symbols which are beautiful in themselves - but one senses there is a lot more hidden behind them." Nick Park The creator of Wallace and Gromit and Chicken Run; Four times Oscar-winner

"The fox knows many things, but the hedgehog knows one big thing." This ancient Greek aphorism, preserved in a fragment from the poet Archilochus, describes the central thesis of Isaiah Berlin's masterly essay on Leo Tolstoy and the philosophy of history, the subject of the epilogue to War and Peace. Although there have been many interpretations of the adage, Berlin uses it to mark a fundamental distinction between human beings who are fascinated by the infinite variety of things and those who relate everything to a central, all-embracing system. Applied to Tolstoy, the saying illuminates a paradox that helps explain his philosophy of history: Tolstoy was a fox, but believed in being a hedgehog. One of Berlin's most celebrated works, this extraordinary essay offers profound insights about Tolstoy, historical understanding, and human psychology. This new edition features a revised text that supplants all previous versions, English translations of the many passages in foreign languages, a new foreword in which Berlin biographer Michael Ignatieff explains the enduring appeal of Berlin's essay, and a new appendix that provides rich context, including excerpts from reviews and Berlin's letters, as well as a startling new interpretation of Archilochus's epigram.

Widely acclaimed as the best animated film of all time, Tale of Tales is a poetic amalgam of Yuri Norstein's memories of his past and hopes and fears for the future: his post-war childhood, remnants of the personal tragedies of war, the little wolf character in the lullaby his mother used to sing, the neighbors in his crowded communal flat, the tango played in the park on summer evenings, and the small working-class boy's longing to emerge from the dark central corridor of the kommunalka into a luminous world of art and poetry. In Yuri Norstein and Tale of Tales: An Animator's Journey, Clare Kitson examines the passage of these motifs into the film and delves into later influences that also affected its genesis. More than merely a study of one animated film or a biography of its creator, Kitson's investigation encompasses the Soviet culture from which this landmark film emerged and sheds light on creative influences that shaped the work of this acclaimed filmmaker.

The acclaimed journalist’s New York Times–bestselling essay collection: “hilarious, nimble, and thoroughly illuminating” (Colson Whitehead, author of The Underground Railroad). In this highly anticipated debut collection, Brian Phillips demonstrates why he’s one of the most iconoclastic journalists of the digital age, beloved for his ambitious, off-kilter, meticulously reported essays that read like novels. The eight essays assembled here—five from Phillips’s Grantland and MTV days, and three new pieces—go beyond simply chronicling some of the modern world’s most uncanny, unbelievable, and spectacular oddities. They explore the interconnectedness of the globalized world, the consequences of history, the power of myth, and the ways people attempt to find meaning. Phillips searches for tigers in India, and uncovers a multigenerational mystery involving an oil tycoon and his niece turned stepdaughter turned wife in the Oklahoma town where he grew up. Dogged and self-aware, Phillips is an exhilarating guide to the confusion and wonder of the world today. If John Jeremiah Sullivan’s Pulphead was the last great collection of New Journalism from the print era, Impossible Owls is the first of the digital age.

The fox knows many things, the Greeks said, but the hedgehog knows one big thing. In his most comprehensive work, Ronald Dworkin argues that value in all its forms is one big thing: that what truth is, life means, morality requires, and justice demands are different aspects of the same large question. He develops original theories on a great variety of issues very rarely considered in the same book: moral skepticism, literary, artistic, and historical interpretation, free will, ancient moral theory, being good and living well, liberty, equality, and law among many other topics. What we think about any one of these must stand up, eventually, to any argument we find compelling about the rest. Skepticism in all its forms—philosophical, cynical, or post-modern—threatens that unity. The Galilean revolution once made the theological world of value safe for science. But the new republic gradually became a new empire: the modern philosophers inflated the methods of physics into a totalitarian theory of everything. They invaded and occupied all the honorifics—reality, truth, fact, ground, meaning, knowledge, and being—and dictated the terms on which other bodies of thought might aspire to them, and skepticism has been the inevitable result. We need a new revolution. We must make the world of science safe for value.

The Wizard of Oz meets The Wind in the Willows in this middle grade novel full of “old world charm and adventure” (Kirkus Reviews) in which a theater-dwelling, Oz-loving hedgehog goes on the journey of a lifetime to find his way home in this tale of loyalty, friendship, loss, and hope. Marcel the hedgehog used to live with his beloved owner Dorothy, but since getting hopelessly lost, he’s tried to forget the happy home he left behind. Now, Marcel lives a quiet life in the abandoned balcony of The Emerald City Theater where he subsists on dropped popcorn and the Saturday showings of The Wizard of Oz. But when he’s discovered, Marcel is taken far away from everything he knows and ends up lost once more. His quest to return to The Emerald City Theater leads him to Mousekinland, where he meets Scamp, a tiny mouse armed with enormous spirit (and a trusty sling-shooter). Before long, they’re joined by an old gray squirrel, Ingot, who suffers from bad memories and a broken heart, and Tuffy, a baby raccoon lost and afraid in the forest. And the travelers attract the attention of an owl named Wickedwing, who stalks them as they search for the old theater. From field to forest, glittering theater to the gutter, the animals’ road home is a dark and winding journey. But sometimes you need to get a little lost before you can be found.

From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road, here is the story of Cornelius Suttree, who has forsaken a life of privilege with his prominent family to live in a dilapidated houseboat on the Tennessee River near Knoxville. Remaining on the margins of the outcast community there—a brilliantly imagined collection of eccentrics, criminals, and squatters—he rises above the physical and human squalor with detachment, humor, and dignity. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.