Over 10,000 words of poetry inspired by heavy metal and rock 'n' roll music and presented as lyrics. This collection of rock 'n' roll themed poetry touches on subject matter that has fueled many a classic rock or metal song. Topics such as politics, the drinking and drugging lifestyle, suicide, the apocalypse, lost love, anger and many more themes and narratives fill this book of poetry. We all have music inside our heads and we are all capable of being poets. This book is many years in the making and captures everything that is best about the scene that I grew up in - the late 80's and early 90's metal scene.

Many metal songs incorporate poetry into their lyrics using a broad array of techniques, both textual and musical. This book develops a novel adaptation, appropriation, and quotation taxonomy that both expands our knowledge of how poetry is used in metal music and is useful for scholars across adaptation studies broadly. The text follows both a quantitative and a qualitative approach. It identifies 384 metal songs by 224 bands with intertextual ties to 146 poems written by fifty-one different poets, with a special focus on Edgar Allan Poe, John Milton's Paradise Lost and the work of WWI's War Poets. This analysis of transformational mechanisms allows poetry to find an afterlife in the form of metal songs and sheds light on both the adaptation and appropriation process and on the semantic shifts occasioned by the recontextualisation of the poems into the metal music culture. Some musicians reuse – and sometimes amplify – old verses related to politics and religion in our present times; others engage in criticism or simple contradiction. In some cases, the bands turn the abstract feelings evoked by the poems into concrete personal experiences. The most adventurous recraft the original verses by changing the point of view of either the poetic voice or the addressed actors, altering the vocaliser of the narrative or the gender of the protagonists. These mechanisms help metal musicians make the poems their own and adjust them to their artistic needs so that the resulting product is consistent with the expectations of the metal music culture.

A Tome of Lyrics, Poems and Anecdotes from the Hard Rockin' Days of Heavy Metal A memoir based on lyrics, poems and anecdotes from the glory days of heavy metal, when long hair, headbangers and metalheads ruled the earth! Now revised and updated with NEW songs, NEW poems and rockin' NEW anecdotes!

“A gloriously over-the-top scare fest that has hidden depths. Readers will root for Kris all the way to the explosive, poignant finale.”—Publishers Weekly From the New York Times best-selling author of The Southern Book Club’s Guide to Slaying Vampires. Only a girl with a guitar can save us all. Every morning, Kris Pulaski wakes up in hell. In the 1990s she was lead guitarist of Dürt Würk, a heavy-metal band on the brink of breakout success until lead singer Terry Hunt embarked on a solo career and rocketed to stardom, leaving his bandmates to rot in obscurity. Now Kris works as night manager of a Best Western; she’s tired, broke, and unhappy. Then one day everything changes—a shocking act of violence turns her life upside down, and she begins to suspect that Terry sabotaged more than just the band. Kris hits the road, hoping to reunite Dürt Würk and confront the man who ruined her life. Her journey will take her from the Pennsylvania rust belt to a celebrity rehab center to a satanic music festival. A spine-tingling horror novel, We Sold Our Souls is an epic journey into the heart of a conspiracy-crazed, pill-popping, paranoid country that seems to have lost its very soul.

The collaboratively written poems in this chapbook explore identity, masculinity, fame, and music. Partly a mythologized biography of heavy metal guitarist Slash, partly a fictionalized story of the complex relationship between Slash and his longtime bandmate Axl Rose, these poems dive into unanswerable questions. What does it mean to be larger than life? What matters more: the music you make or whether someone is listening? What is the difference between who you are and who you become?

This multi-disciplinary book explores the textual analysis of heavy metal lyrics written in languages other than English including Japanese, Yiddish, Latin, Russian, Hungarian, Austrian German, and Norwegian. Topics covered include national and minority identity, politics, wordplay, parody, local/global, intertextuality, and adaptation.