Billie, an ailing 26-year-old woman, meets a handsome missionary, Gideon, who promises her eternal happiness and health if she turns her life over to Jesus. Their instant attraction opens the door to her seduction, and he introduces her to his dreams and desires. Lured by his seeming devotion to her and to God, as well as his sizzling sexuality and yearning for a meaningful role in the world, she falls in love, both with Gideon and the spiritual promise he offers. Inducted into a bizarre, nominally Christian cult calling itself The Family International (Children of God), Billie is morphed into a diligent student, immersed daily in the rote memorization of Bible passages and the writings of their leader Moses David. Pressured to use her body to win souls for Jesus, Billie is caught in a whirlpool of love, sacred aspiration and unbridled sex, struggling to reconcile her feelings for her new lover, God, and the teachings of the cult's self-proclaimed prophet, Moses David.

This book traces the trajectory of traditional Chinese ethics from West Zhou Dynasty (1046-771 BC) through Qing Dynasty (1616—1912) and covers a myriad of Chinese philosophers who have expressed their ideas about the relationships between Heavenly Dao vs. Earthly Dao, Good vs. Evil, Morality vs. Legality, Knowledge vs. Behavior, Motive vs. Result, Righteousness vs. Profitability, Rationality vs. Animality. In this book, the readers can find Confucius’s discussion on Rite and Benevolence, Lao Zi’s meditation on Inaction of Great Dao, Zhuang Zi’s elaboration on “Transcendental Freedom”, Mohist utilitarian “Universal Love”, and Mencian theory of “Primordial Good Humanity”, to name just a few phenomenal figures. A compact yet elaborate, panoramic yet profound guidebook to traditional Chinese ethical thought, this book is an excellent window to showcase traditional Chinese mental and spiritual legacy. Composed, translated, and proofread by brilliant scholars, it produces a fluent and coherent English discourse of Chinese morality and ethics, nimbly spinning together the threads of Confucianism, Taoism, Buddhism, and other ideological schools with brief references to the historical situation. Consequently, it provides English readers, especially those curious about Chinese psychology and rationality, with thought-provoking and horizon-expanding perspectives, and provides Chinese readers, especially those of philosophy and translation, with a great number of typical and characteristic quotes of archaic Chinese that have never been translated before. Ultimately, it is a fundamental threshold to learning about Chinese people, Chinese culture, Chinese morality, Chinese mentality, Chinese policy, and Chinese diplomacy.

After the Heavenly Tune offers an expansive answer to the basic question central to the history of poetry and poetics: what do poets mean when they write "I sing?" Berley's chapters on Shakespeare and Milton unfold the remarkable development of these two "speculative musical poetics" who are central to the history of English poetry. And in his last two chapters on romanticism and modernism, he draws an intriguing line from Wordsworth to Stevens, in which the aspiration to song becomes a dazzling means of exploring, scrutinizing, and redefining the burdens and achievements--poetic, philosophical, social, and personal--for individual poets in their times. After the Heavenly Tune offers not only groundbreaking studies of The Merchant of Venice and Milton's theory of prophecy, but also compelling new readings of classical and medieval literary theory, the burdens of romanticism, and the resolutions of modernism. This work will appeal to a broad audience: Renaissance, classical, and romantic literary scholars; philosophers; musicologists; theologians; and general readers interested in English poetry and Literary Studies.

Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.