Like a mystical tome awaiting to be deciphered, a Gothic cathedral holds many secrets about the soul's yearning for God. In Heaven in Stone and Glass, Catholic priest and professor of theology at Mundelein Seminary in Chicago teaches us how to read these secrets, with beautiful reflections on aspects such as light and darkness, the labyrinth, the meaning of gargoyles and demons, and the imagery of vertical space. whether you are preparing for a pilgrimage to York Cathedral of Notre Dame in Paris, or looking ahead to inspirational bedside reading, this book is the perfect guide.

The Politics of Heaven and Hell makes an invaluable contribution to the understanding of classical, medieval, and modern political philosophy, while explaining the profound problem with modernity. Christianity "freed men from the overwhelming burden of ever thinking that their salvation will ultimately come from the political order", writes Fr. James Schall, S.J. Modernity, on the other hand, is a perversion of Christianity, which tries to achieve man's salvation in this world. It does this by politicizing everything, which results in the absolute state: "The distance from the City of God to the Leviathan is not at all far once the City of God is relocated on earth." The best defense against this tyranny is "the adequate description of the highest things, of what is beyond politics". Both reason and revelation are needed for this work, and they are eloquently and ably set forth in this book.

For a long time, Christians have tried to bridge the divide between Christianity and secular liberalism with philosophizing and theologizing. In The Priority of Christ, Father Robert Barron shows that the answer to this debate--and the way to move forward--lies in Jesus. Barron transcends the usual liberal/conservative or Protestant/Catholic divides with a postliberal Catholicism that brings the focus back on Jesus as revealed in the New Testament narratives. Barron's classical Catholic post-liberalism will be of interest to a broad audience including not only the academic community but also preachers and general readers interested in entering the dialogue between Catholicism and postliberalism.

Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance and bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.

Two worlds are intertwined in this hauntingly beautiful story as it moves from Toronto to the English moors and to Venice, Italy. The time frame shifts between present and past, linking the lives of a young Brontë scholar (a woman in the throes of a troubled love affair), a turn-of-the-century female balloonist, and an elusive explorer with the ghost – or the memory – of Emily Brontë. Urquhart reveals something about the act of artistic creation, the ways in which stories enter our lives, and about the cyclical nature of love throughout time. This is a novel of darkness and light, of intense weather and inner calm.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

“[A] lively biography of Chartres Cathedral . . . Ball’s account of its construction reveals fascinating details.” —The New Yorker Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries—and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic? In this work, Aventis Prize winner and National Book Critics Circle Award finalist Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction—and the creation of other Gothic cathedrals—represented a profound and dramatic shift in the way medieval thinkers perceived their relationship with their world. Beautifully illustrated, filled with astonishing insight, Universe of Stone embeds the magnificent cathedral in the culture of the twelfth century—its schools of philosophy and science, its trades and technologies, its politics and religious debates—enabling us to view this ancient architectural marvel with fresh eyes. “A terrific book . . . a lucid, thoughtful tour de force.” —The Christian Science Monitor “Engrossing . . . a resplendent account of the mysteries of Chartres Cathedral.” —Sunday Times “There is no better introduction to the subject.” —The Wall Street Journal