At the height of the sixties, a group of Texas writers stood apart from Texas’ conservative establishment. Calling themselves the Mad Dogs, these six writers—Bud Shrake, Larry L. King, Billy Lee Brammer, Gary Cartwright, Dan Jenkins, and Peter Gent—closely observed the effects of the Vietnam War; the Kennedy assassination; the rapid population shift from rural to urban environments; Lyndon Johnson’s rise to national prominence; the Civil Rights Movement; Tom Landry and the Dallas Cowboys; Willie Nelson, Jerry Jeff Walker, the new Outlaw music scene; the birth of a Texas film industry; Texas Monthly magazine; the flowering of “Texas Chic”; and Ann Richards’ election as governor. In Texas Literary Outlaws, Steven L. Davis makes extensive use of untapped literary archives to weave a fascinating portrait of writers who came of age during a period of rapid social change. With Davis’s eye for vibrant detail and a broad historical perspective, Texas Literary Outlaws moves easily between H. L. Hunt’s Dallas mansion and the West Texas oil patch, from the New York literary salon of Elaine’s to the Armadillo World Headquarters in Austin, from Dennis Hopper on a film set in Mexico to Jerry Jeff Walker crashing a party at Princeton University. The Mad Dogs were less interested in Texas’ mythic past than in the world they knew firsthand—a place of fast-growing cities and hard-edged political battles. The Mad Dogs crashed headfirst into the sixties, and their legendary excesses have often overshadowed their literary production. Davis never shies away from criticism in this no-holds-barred account, yet he also shows how the Mad Dogs’ rambunctious personae have deflected a true understanding of their deeper aims. Despite their popular image, the Mad Dogs were deadly serious as they turned their gaze on their home state, and they chronicled Texas culture with daring, wit, and sophistication.

Thanks to the classic Dolly Parton film The Best Little Whorehouse in Texas and ZZ Top's ode "La Grange," many people think they know the story of the infamous Chicken Ranch. The reality is more complex, lying somewhere between heartbreaking and absurd. For more than a century, dirt farmers and big-cigar politicians alike rubbed shoulders at the Chicken Ranch, operated openly under the sheriff's watchful eye. Madam Edna Milton and her girls ran a tight, discreet ship that the God-fearing people of La Grange tolerated if not outright embraced. That is, until a secret conspiracy enlisted an opportunistic reporter to bring it all crashing down on primetime television. Drawn from exclusive interviews and expanded with newly uncovered information, Jayme Lynn Blaschke's revelatory exposition of the Ranch illuminates the truth and lies surrounding this iconic brothel.

This intimate biography of the pioneering Texas governor is “required reading for political junkies—and for women considering a life in politics” (Booklist). When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President Bush—“Poor George, he can’t help it. He was born with a silver foot in his mouth”—she became an instant celebrity and triggered a rivalry that would alter the course of history. In 1990, she won the governorship of Texas, becoming the first ardent feminist elected to high office in America. Richards opened pathways for greater diversity in public service, and her achievements created a legacy that transcends her tenure in office. In Let the People In, Jan Reid offers an intimate portrait of Ann Richards’s remarkable rise to power as a liberal Democrat in a deeply conservative state. Reid draws on his long friendship with Richards, as well as interviews with family, personal correspondence, and extensive research to tell the story of Richards’s life, from her youth in Waco, through marriage and motherhood, her struggle with alcoholism, and her shocking encounters with Lyndon Johnson and Jimmy Carter. Reid shares the inside story of Richards’s rise from county office to the governorship, as well as her score-settling loss of the governorship to George W. Bush. Reid also describes Richards’s final years as a mentor to a new generation of public servants, including Hillary Clinton.

This honest memoir of the narrator ́s 100 lb. weight loss success departs from the typical food-focused diet book. Part autobiographical, part essay, sometimes a rant, it simply and clearly explains the science that effects body weight, and offers compelling reasons to get off the excess. Rather than sales pitches for exotic diet supplements, exercise contraptions or seldom used tapes, it gives tried and true strategies to stop overeating, served up with generous helpings of inspiration. It ́s an easy read with humorous moments and is filled with insights for choosing and using the foods you need. WHAT OTHERS WROTE: "This is not your ordinary weight loss book. A fresh approach, very well written, inspiring. I ́m living by it." Dwayne Holman, state association educational director "I thought it was going to be dull. Instead I found it engaging and readable--a real page turner." Helen Morton, newspaper book critic "Loved it. Using it. Want copies for all my friends!" Frieda Werden, radio producer W.I.N.G.S. Women ́s International News Gathering Service "My favorite line is: ́We are in really deep trouble when the least knowledgeable and the immature have taken over the lead dog position in deciding for the pack what ́s for dinner. ́" Bonnie Orr, screenwriter “Finally, a diet book that makes sense...a practical guide...made very easy to understand and implement ...quite entertaining. I recommend it highly...” Helen Dagley, RN

Though he never reached the lead actor status he labored so relentlessly to achieve, Warren Oates (1928–1982) is one of the most memorable and skilled character actors of the 1970s. With his rugged looks and measured demeanor, Oates crafted complex characters who were at once brazen and thoughtful, wild and subdued. Friends remember the hard-living, hard-drinking actor as kind and caring, but also sometimes as mean as a blue-eyed devil. Married four times, partial to road trips in his RV affectionately known as the “Roach Coach,” and famous for performances for directors ranging from Sam Peckinpah to Steven Spielberg, Warren Oates remained a Hollywood outsider perfectly suited to the 1960s and 1970s counterculture. Born in the small town of Depoy in rural western Kentucky and reared in Louisville, Oates began his career in the late 1950s with bit parts in television westerns. Though hardly lucrative work, it was during this time Oates met renegade director Sam Peckinpah, establishing the creative relationship and destructive friendship that produced some of Oates’s most unforgettable roles in Ride the High Country (1962), Major Dundee (1965), and The Wild Bunch (1969), as well as a leading part in Bring Me the Head of Alfredo Garcia (1974). Though Oates maintained a close association with Peckinpah, he had a penchant for working with a variety of visionary directors who understood his approach and were eager to enlist the subtle talents of the consummate character actor. With supporting roles in In the Heat of the Night (1967), The Hired Hand (1971), Badlands (1973), 1941 (1979), and Stripes (1981), Oates delivered solid performances for filmmakers as diverse and talented as Norman Jewison, Peter Fonda, Terrence Malick, Steven Spielberg, and Ivan Reitman. Oates’s offscreen personality was just as complex as his on-screen persona. Notorious for being a nightlife reveler, he was as sensitive and introspective as he was outgoing and prone to periods of exuberant, and at times illegal, excess. Though he never became a marquee name, Warren Oates continues to influence actors like Billy Bob Thornton and Benicio Del Toro, as well as directors such as Quentin Tarantino and Richard Linklater, all of whom have cited Oates as a major inspiration. In Warren Oates: A Wild Life, author Susan Compo skillfully captures the story of Oates’s eventful life, indulgent lifestyle, and influential career.

It happens once a year, creating a seismic divide throughout the country. It pits brother against brother. It breaks up business deals. It ruins relationships. And once it’s finished, all both sides want is for another year to pass by so they can do it again. It is the Texas/Texas A& M football game. And in the football-obsessed state that is Texas, no single game resonates more. Every year during the Thanksgiving holidays, the two teams meet for something that has become much more than just a game. It’s a blood feud that represents a tremendous cultural divide in the state. It’s city against country, a rural agricultural school against an urban university. And yet both sides come from the same family, warring cousins who roll up their sleeves once a year in the backyard to settle the question of who’s number one—at least for the time being. In Backyard Brawl, W. K. Stratton takes you through this rivalry and its history, covering the years when the game was postponed because the fans were just too violent, the branding of UT’s beloved steer, Bevo, by a renegade Aggie, the kidnapping of A&M’s beloved Reveille by boisterous UT students, the theft of UT’s cannon, Old Smokey, and its unceremonious dumping into the murky waters of Austin’s Town Lake, and the fistfights that broke out when celebrating UT fans rushed A&M’s nearly sacred Kyle Field after Texas won the last-ever Southwest Conference title on the Aggies’ home turf. Stratton also relates the more serious side of the rivalry, particularly the way both schools came together after tradition turned to tragedy in 1999, when the A&M bonfire collapse killed twelve students. And in a touching epilogue, he captures the angst that hit the College Station campus when officials decided to cancel the return of the bonfire in 2002. Stratton drew a bead on the 2001 season and followed both teams through their schedules leading up to the big clash in College Station. Taking you inside a renowned Aggie Yell practice and introducing you to fervid yet often zany orange-blooded Texas fans through their elaborate tailgating rituals, he creates revealing portraits of the two teams, including head coaches R. C. Slocum and Mack Brown, both of whom are legends in their own time, destined for the Hall of Fame. Backyard Brawl is a fascinating examination of the greatest war in college football, destined to become a classic for students of the game.