Banff Mountain Book Awards WINNER The spellbinding true story of retracing the extraordinary trek of Ewart "the Leopard" Grogan—the legendary British explorer who, in order to win the woman he loved, attempted to become the first person to cross Africa In 1898 the dashing British adventurer Ewart Grogan fell head-over-heels in love—but before he could marry, he needed the approval of his beloved's skeptical, aristocratic stepfather. Grogan, seeking to prove his worth and earn his love's hand, then set out on an epic quest to become the first man to cross the entire length of Africa, from Cape Town to Cairo, "a feat hitherto thought by many explorers to be impossible" (New York Times). A little more than a century later, American journalist Julian Smith also found himself madly in love with his girlfriend of seven years... but he was terrified by the prospect of marraige. Inspired by Grogan's story, which he discovered by chance, Smith decided to face his fears of commitment by retracing the explorer's amazing—but now forgotten—4,500-mile journey for love and glory through Africa. Crossing the Heart of Africa is the unforgettable account of these twin adventures, as Smith beautifully ineterweaves his own contemporary journey with Grogan's larger-than-life tale of cannibal attacks, charging elephants, deadly jungles, and romantic triumph. SOCIETY OF AMERICAN TRAVEL WRITERS WESTERN WRITING AWARDS WINNER: GOLD PRIZE (TRAVEL) BANFF MOUNTAIN BOOK COMPETITION WINNER: SPECIAL JURY MENTION AMERICAN SOCIETY OF JOURNALISTS AND AUTHORS AWARDS BEST-BOOK WINNER: MEMOIR

The controversy surrounding the significant "Into the Heart of Africa" exhibit at the Royal Ontario Museum in Canada is explored in this compelling and analytical text. The exhibit has become an international, controversial touchstone for issues surrounding the politics of visual representation, such as the challenges to curatorial and ethnographic authority in multicultural and postcolonial contexts. Asking why the museum's exhibit failed so many people, the author examines such issues as institutional politics, the broad political and intellectual climate surrounding museums, the legacies of colonialism and traditions of representation of Africa, and the politics of irony. By drawing upon anthropological and cultural criticism, the book offers a unique account of the ways in which an ambiguous exhibit about colonialism became the site of an expansiveInto the Heart of Africa."

Revealing the central yet intentionally obliterated role of Africa in the creation of modernity, Born in Blackness vitally reframes our understanding of world history. Traditional accounts of the making of the modern world afford a place of primacy to European history. Some credit the fifteenth-century Age of Discovery and the maritime connection it established between West and East; others the accidental unearthing of the “New World.” Still others point to the development of the scientific method, or the spread of Judeo-Christian beliefs; and so on, ad infinitum. The history of Africa, by contrast, has long been relegated to the remote outskirts of our global story. What if, instead, we put Africa and Africans at the very center of our thinking about the origins of modernity? In a sweeping narrative spanning more than six centuries, Howard W. French does just that, for Born in Blackness vitally reframes the story of medieval and emerging Africa, demonstrating how the economic ascendancy of Europe, the anchoring of democracy in the West, and the fulfillment of so-called Enlightenment ideals all grew out of Europe’s dehumanizing engagement with the “dark” continent. In fact, French reveals, the first impetus for the Age of Discovery was not—as we are so often told, even today—Europe’s yearning for ties with Asia, but rather its centuries-old desire to forge a trade in gold with legendarily rich Black societies sequestered away in the heart of West Africa. Creating a historical narrative that begins with the commencement of commercial relations between Portugal and Africa in the fifteenth century and ends with the onset of World War II, Born in Blackness interweaves precise historical detail with poignant, personal reportage. In so doing, it dramatically retrieves the lives of major African historical figures, from the unimaginably rich medieval emperors who traded with the Near East and beyond, to the Kongo sovereigns who heroically battled seventeenth-century European powers, to the ex-slaves who liberated Haitians from bondage and profoundly altered the course of American history. While French cogently demonstrates the centrality of Africa to the rise of the modern world, Born in Blackness becomes, at the same time, a far more significant narrative, one that reveals a long-concealed history of trivialization and, more often, elision in depictions of African history throughout the last five hundred years. As French shows, the achievements of sovereign African nations and their now-far-flung peoples have time and again been etiolated and deliberately erased from modern history. As the West ascended, their stories—siloed and piecemeal—were swept into secluded corners, thus setting the stage for the hagiographic “rise of the West” theories that have endured to this day. “Capacious and compelling” (Laurent Dubois), Born in Blackness is epic history on the grand scale. In the lofty tradition of bold, revisionist narratives, it reframes the story of gold and tobacco, sugar and cotton—and of the greatest “commodity” of them all, the twelve million people who were brought in chains from Africa to the “New World,” whose reclaimed lives shed a harsh light on our present world.

Connecting a tumultuous past with an uncertain present, this is the complete story of a region whose fate will affect an entire continent. photo insert.

"This is an eloquently curated anthology. All manner of endearment, passion and erotic pursuits are expressed. The dark matter of loss, betrayal and tragic jealousy are woven in with fidelity, beauty and tenderness to reveal love's infinitely varied and detailed fabric." -- Back cover.