Hearing Islam introduces the global religious tradition of Islam through its rich history of sounds and music. The book explores how the centrality of sonic practices and experiences within Islamic traditions stems largely from the orality of the Qur’an and the importance of recitation, while arguing that sound can provide a productive point of entry to human cultures in general. Its tripartite structure guides the reader through the foundations of Islamic traditions and sounds; theoretical frameworks of orality, listening, and deafness; and some of the major types of sonic practices and genres related to Islam, such as chanting the Islamic poetic tradition, South Asian qawwali, and hip-hop. This cutting-edge textbook is the go-to volume for students of Islam and sound, Islamic studies, religion and sound, and the practice of Islam.

The Qur'an is God's verbatim speech for most traditional Muslims. Qur'an in Conversation reflects how this sacred text of Islam comes into dialogue with the contemporary world through the voices of the eloquent interpreters gathered in this volume. In Qur'an in Conversation, author Michael Birkel engages North American Muslim religious leaders and academics in conversations of scriptural interpretation. Scholars, practicing imams, and younger public intellectuals wrestle with key suras of the Qur'an. Qur'an in Conversation demonstrates a wide spectrum of interpretation and diversity of approaches in reading Islam's scripture. The discussions directly address key issues in Muslim theology--good versus evil, the nature of God, and the future of Islam. Younger North American Muslims read the Qur'an in varied ways; this is analogous to the diverse ways in which Jews and Christians have interpreted their own holy books. Michael Birkel welcomes people of goodwill into a public conversation about the current role of Western Muslims in Islam. Qur'an in Conversation encourages non-specialists and Muslim scholars alike to imagine how the Qur'an will be interpreted among North American Muslims in years to come. --Omid Safi, Professor of Islamic Studies, University of North Carolina "Publishers Weekly"

In much of the Muslim world, religion is the central foundation upon which family, community, morality, and identity are built. The inextricable embedment of religion in Muslim culture has forced a new generation of non-believing Muslims to face the heavy costs of abandoning their parents’ religion: disowned by their families, marginalized from their communities, imprisoned, or even sentenced to death by their governments. Struggling to reconcile the Muslim society he was living in as a scientist and physician and the religion he was being raised in, Ali A. Rizvi eventually loses his faith. Discovering that he is not alone, he moves to North America and promises to use his new freedom of speech to represent the voices that are usually quashed before reaching the mainstream media—the Atheist Muslim. In The Atheist Muslim, we follow Rizvi as he finds himself caught between two narrative voices he cannot relate to: extreme Islam and anti-Muslim bigotry in a post-9/11 world. The Atheist Muslim recounts the journey that allows Rizvi to criticize Islam—as one should be able to criticize any set of ideas—without demonizing his entire people. Emotionally and intellectually compelling, his personal story outlines the challenges of modern Islam and the factors that could help lead it toward a substantive, progressive reformation.

John L. Esposito is one of America's leading authorities on Islam. Now, in this brilliant portrait of Islam today--and tomorrow--he draws on a lifetime of thought and research to sweep away the negative stereotypes and provide an accurate, richly nuanced, and revelatory account of the fastest growing religion in the world. Here Esposito explores the major questions and issues that face Islam in the 21st century and that will deeply affect global politics. Are Islam and the West locked in a deadly clash of civilizations? Is Islam compatible with democracy and human rights? Will religious fundamentalism block the development of modern societies in the Islamic world? Will Islam overwhelm the Western societies in which so many Muslim immigrants now reside? Will Europe become Eurabia or will the Muslims assimilate? Which Muslim thinkers will be most influential in the years to come? To answer this last question he introduces the reader to a new generation of Muslim thinkers--Tariq Ramadan, Timothy Winter, Mustafa Ceric, Amina Wadud, and others--a diverse collection of Muslim men and women, both the "Martin Luthers" and the "Billy Grahams" of Islam. We meet religious leaders who condemn suicide bombing and who see the killing of unarmed men, women, and children as "worse than murder," who preach toleration and pluralism, who advocate for women's rights. The book often underscores the unexpected similarities between the Islamic world and the West and at times turns the mirror on the US, revealing how we appear to Muslims, all to highlight the crucial point that there is nothing exceptional about the Muslim faith. Recent decades have brought extraordinary changes in the Muslim world, and in addressing all of these issues, Esposito paints a complex picture of Islam in all its diversity--a picture of urgent importance as we face the challenges of the coming century.

This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations. Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibility anchored in medieval geocentrism. Within this geometrically defined and ordered universe, nothing stands in isolation or ambiguity; everything is interrelated and carefully positioned in an intricate hierarchy. Through detailed mapping of this intricate order, the book shows the significance of this mode of seeing the world for those who lived in the premodern Islamic era and how cosmological ideas became manifest in the buildings and spaces of their everyday lives. This is a highly original work that provides important insights on Islamic aesthetics and culture, on the history of architecture, and on the relationship of art and religion, creativity and spirituality.

Hearing Allah’s Call changes the way we think about Islamic communication. In the city of Bandung in Indonesia, sermons are not reserved for mosques and sites for Friday prayers. Muslim speakers are in demand for all kinds of events, from rites of passage to motivational speeches for companies and other organizations. Julian Millie spent fourteen months sitting among listeners at such events, and he provides detailed contextual description of the everyday realities of Muslim listening as well as preaching. In describing the venues, the audience, and preachers—many of whom are women—he reveals tensions between entertainment and traditional expressions of faith and moral rectitude. The sermonizers use in-jokes, double entendres, and mimicry in their expositions, playing on their audiences’ emotions, triggering reactions from critics who accuse them of neglecting listeners’ intellects. Millie focused specifically on the listening routines that enliven everyday life for Muslims in all social spaces—imagine the hardworking preachers who make Sunday worship enjoyable for rural as well as urban Americans—and who captivate audiences with skills that attract criticism from more formal interpreters of Islam. The ethnography is rich and full of insightful observations and details. Hearing Allah’s Call will appeal to students of the practice of anthropology as well as all those intrigued by contemporary Islam.

Why did non-Muslims convert to Islam during Muhammad's life and under his immediate successors? How did Muslim historians portray these conversions? Why did their portrayals differ significantly? To what extent were their portrayals influenced by their time of writing, religious inclinations, and political affiliations? These are the fundamental questions that drive this study. Relying on numerous works, including primary sources from over a hundred classical Muslim historians, Conversion to Islam is the first scholarly study to detect, trace, and analyze conversion themes in early Muslim historiography, emphasizing how classical Muslims remembered conversion, and how they valued and evaluated aspects of it. Ayman S. Ibrahim examines numerous early Muslim sources and wrestles with critical observations regarding the sources' reliability and unearths the hidden link between historical narratives and historians' religious sympathies and political agendas. This study leads readers through a complex body of literature, provides insights regarding historical context, and creates a vivid picture of conversion to Islam as early Muslim historians sought to depict it.