Ichabod Crane is a quiet young boy at the Sleepy Hollow Academy in the countryside of New York State. After finding a mysterious lost horse in the woods, while under the pursuit of the merciless school bully Brom Bones and her Sleepy Hollow Boys gang, and returning it to the stables he now finds himself under the protection and affections of the legendary Headless Horseman of Sleepy Hollow.

The complete collection of all of Perfect Commando productions’ its imprints, product lines and other labels product offerings for the calendar year of 2019. From graphic novels, manga, hentai, and t-shirts it’s all here each item link to where they can be purchased.

Despite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that the history, techniques, and complex visual language of animation, particularly Japanese animation, demands serious and sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media. The Anime Machine defines the visual characteristics of anime and the meanings generated by those specifically “animetic” effects—the multiplanar image, the distributive field of vision, exploded projection, modulation, and other techniques of character animation—through close analysis of major films and television series, studios, animators, and directors, as well as Japanese theories of animation. Lamarre first addresses the technology of anime: the cells on which the images are drawn, the animation stand at which the animator works, the layers of drawings in a frame, the techniques of drawing and blurring lines, how characters are made to move. He then examines foundational works of anime, including the films and television series of Miyazaki Hayao and Anno Hideaki, the multimedia art of Murakami Takashi, and CLAMP’s manga and anime adaptations, to illuminate the profound connections between animators, characters, spectators, and technology. Working at the intersection of the philosophy of technology and the history of thought, Lamarre explores how anime and its related media entail material orientations and demonstrates concretely how the “animetic machine” encourages a specific approach to thinking about technology and opens new ways for understanding our place in the technologized world around us.

When Yuiji accidentally overhears his classmate Yamato confessing to another friend that he's gay, his perspective shifts. Seeing Yamato in a new light, Yuiji does his best not to let prejudice color his view, but he still finds himself overthinking his classmates' interactions now. He especially notices the way Yamato looks at one particular boy: Yuiji's own best friend. Even though he tells himself he shouldn't get involved, Yuiji finds he just can't help it; watching Yamato's one-sided love draws him in a way he never expected. At first, it's empathy, knowing that the boy Yamato has his sights on is definitely straight and has no idea. But as his own friendship with Yamato develops and the two of them grow closer through a mutual study group, Yuiji comes to truly care about Yamato as a person, regardless of his sexuality. He only wants Yamato to be happy, and to be able to express his true self.

Prepare for a monstrously good time with this action-packed mystery about a detective and a supernatural boy investigating the occult--which inspired the anime! In a quiet rural village, livestock has been dying off in a strange manner. Inugami, a detective of the occult, is summoned from Tokyo to solve the mystery. He meets a boy scorned by the villagers, who call him Dorotabo after a yokai that dwells in the muddy fields. Inugami soon learns that there is more to the boy than meets the eye…and vice-versa.

When Asaichi decides to start up a band to pick up chicks, he soon realizes his band's in trouble. He's a bad singer. Thankfully his bassist Yoru is there to help but Asa isn't interested in his help or his advances. Will the stubborn Asa open up to Yoru or will their relationship be nothing but screaming and violence?!