A corrosive drama about a self-destructive family by the award-winning playwright of The Brother/Sister Plays.

“Guirgis, a lifelong New Yorker and a properly profane bard of the city, is a wizard at getting language to flow hot, funny, and fast…Guirgis’s rough-cut gem of a play is rich with revelation and barbed empathy.” —Alexandra Schwartz, New Yorker Stephen Adly Guirgis brings his prodigious gifts for exploring the lives of social outcasts to new heights in this play about the inner workings of a women’s halfway house in New York City, where the unmoored residents struggle with addiction, abuse, and mental illness. Between daily therapy sessions, they clash with the staff and each other, form alliances, and fall in love. Harrowing, humorous, and heartbreaking, Halfway Bitches Go Straight to Heaven roaringly brings to life the experiences of women who society has tried to shuffle out of sight and out of mind.

“Gloria: A Life is a unique, deeply moving performance created in the hopeful, conversational spirit of its extraordinary subject.” —Sara Holdren, New York Magazine’s Vulture “One part theater, one part consciousness-raising group therapy session, Gloria: A Life offers an experience that promises to be a more intimate recollection of Steinem’s journey, not only because it’s been singularly shaped by the hands of women.” —Noor Brara, Vogue Five decades after Gloria Steinem began raising her voice for equality and championing the voices of others, she remains a leader of the American feminist movement. Emily Mann’s new play traces the progress of Steinem’s extraordinary life, from her undercover Playboy Bunny exposé in the 1960s, through her founding of Ms. Magazine in the 1970s, to her activism in today’s women’s movement.

Winner of the 2016 Tony Award for Best Play Finalist for the 2016 Pulitzer Prize for Drama Winner of the Outer Critics Circle Award for Outstanding New Broadway Play Winner of the New York Drama Critics’ Circle Award for Best Play “THE BEST PLAY OF THE YEAR” --The New York Times, The Washington Post, New York Magazine, Chicago Tribune, The Hollywood Reporter, Time Out New York, NPR "Drawn in subtle but indelible strokes, Mr. Karam's play might almost qualify as deep-delving reportage, so clearly does it illuminate the current, tremor-ridden landscape of contemporary America. The finest new play of the Broadway season so far — by a long shot."—Charles Isherwood, The New York Times Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate Thanksgiving at his daughter's apartment in lower Manhattan. Unfolding over a single scene, this "delirious tragicomedy" (Chicago Sun-Times) by acclaimed young playwright Stephen Karam "infuses the traditional kitchen-sink family drama with qualities of horror in his portentous and penetrating work of psychological unease" (Variety), creating an indelible family portrait. Stephen Karam's plays include Speech & Debate and Sons of the Prophet, a finalist for the 2012 Pulitzer Prize and the winner of the 2012 Drama Critics Circle, Outer Critics Circle, Lucille Lortel and Hull-Warriner awards for Best Play. Born and raised in Scranton, Pennsylvania, he now lives in New York City, New York.

Compiled from dozens of interviews conducted by the author, Anna Deavere Smith’s Let Me Down Easy is a bracing, tender, melancholy, and triumphant exploration of death and dying. The speakers Smith inhabits include healthcare professionals, theologians, artists, athletes, and activists. They speak of the body as a battleground, a tool, a weapon, a joy, a burden. Smith’s great gift has always been her ability to break down her subjects’ defenses and present them in their full, complicated beauty. Whether channeling Lance Armstrong, Lauren Hutton, Peter Gomes, or others who are not in the public eye, Smith reminds us again and again that in learning to die we learn to live.

"Wallace Shawn is up to his old tricks again: pricking the conscience of right-on, left-leaning theatergoers. No one does that better than this impish, idiosyncratic polymath, who, at seventy-two, still comes across as precocious—probably because we resent him flagging our complacent complicity in all the world's ills."—Variety "The play stops, but has no ending. It is for us to try to answer its bleak questions, to see what it might mean to be undeluded."—The Guardian Gathering around a table at the Talk House, an old haunt, a group of friends and theatre artists reunite after ten years to reminisce and catch-up on each other's lives. At first, the conversation is fairly run-of-the-mill: current TV shows and where their careers have taken them. Eventually, the discussion's tone takes a turn when they mention supplementing their incomes through the government-led program to enlist unemployed artists for drone strikes and carrying out violent attacks on foreign land. As is typical of Shawn's plays, the premise at once amuses and unsettles, forcing the viewer to wonder whether being too idle makes all of us complicit in the world's ongoing destruction. Wallace Shawn is a noted actor and writer. His often politically-charged and controversial plays include The Fever, Aunt Dan and Lemon, Marie and Bruce, and The Designated Mourner. With Andre´ Gregory, he co-wrote My Dinner with Andre´, in which he also starred. He adapted the classic Ibsen play A Master Builder for film.

The search for a means to an end to apartheid erupts into conflict between a black township youth and his "old-fashioned" black teacher.