In this second installment of Persson’s trilogy of police procedurals featuring the "small, fat and primitive" Evert Bäckström, the grand master’s most appallingly repulsive (and funniest) character is finally given his fifteen minutes of fame by way of his patented combination of laziness, luck, and an unbelievable sense of timing. A seemingly ordinary murder puzzles Bäckström, who is struggling with strict orders from his doctor to lead a healthier life. His gut feeling proves him right: within days, his team has another murder linked to the first on their hands, and reports of alleged ties to a Securicor heist gone out of control, killing two. The nation needs a hero, and the newly appointed head of the Västerort police force Anna Holt needs somebody to kill the dragon for her. Who better to heed to the task than Evert Bäckström: self-sufficient, ostentatious, devoid of moral, Hawaii shirt-clad, and, latterly, armed?

In How to Kill a Dragon Calvert Watkins follows the continuum of poetic formulae in Indo-European languages, from Old Hittite to medieval Irish. He uses the comparative method to reconstruct traditional poetic formulae of considerable complexity that stretch as far back as the original common language. Thus, Watkins reveals the antiquity and tenacity of the Indo-European poetic tradition. Watkins begins this study with an introduction to the field of comparative Indo-European poetics; he explores the Saussurian notions of synchrony and diachrony, and locates the various Indo-European traditions and ideologies of the spoken word. Further, his overview presents case studies on the forms of verbal art, with selected texts drawn from Indic, Iranian, Greek, Latin, Hittite, Armenian, Celtic, and Germanic languages. In the remainder of the book, Watkins examines in detail the structure of the dragon/serpent-slaying myths, which recur in various guises throughout the Indo-European poetic tradition. He finds the "signature" formula for the myth--the divine hero who slays the serpent or overcomes adversaries--occurs in the same linguistic form in a wide range of sources and over millennia, including Old and Middle Iranian holy books, Greek epic, Celtic and Germanic sagas, down to Armenian oral folk epic of the last century. Watkins argues that this formula is the vehicle for the central theme of a proto-text, and a central part of the symbolic culture of speakers of the Proto-Indo-European language: the relation of humans to their universe, the values and expectations of their society. Therefore, he further argues, poetry was a social necessity for Indo- European society, where the poet could confer on patrons what they and their culture valued above all else: "imperishable fame."

In the epic finale to New York Times bestselling author Julie Kagawa’s Shadow of the Fox trilogy, the scroll has been taken, and no one is safe. To save everyone she loves from imminent death, kitsune shapeshifter Yumeko gave up the final piece of the Scroll of a Thousand Prayers. Now she and her ragtag band of companions must make one desperate final effort to stop the Master of Demons from using the scroll to call the Great Kami Dragon and make the wish that will plunge the empire into chaos. Shadow clan assassin Kage Tatsumi has regained control of his body and agreed to a true deal with the devil—the demon inside him, Hakaimono. They will share his body and work with Yumeko to stop a madman, and to separate Hakaimono from Tatsumi and the cursed sword that trapped the demon for nearly a millennium. But even with their combined skills and powers, this unlikely team of heroes knows the forces of evil may be impossible to overcome. And there is another player in the battle for the scroll, a player who has been watching, waiting for the right moment to pull strings that no one even realized existed…until now. Books in the Shadow of the Fox trilogy: Shadow of the Fox Soul of the Sword Night of the Dragon

There is a story about Kara and dragons. When she was four, she came down with vermillion fever. Her parents, thinking there was no cure, left her in a cave to die. A month, later she walked back into her parents’ home as healthy as if she had never been sick. It is said that a mother dragon lived in that cave, and she nursed young Kara back to life. Now, eleven years later, the only reminder of Kara’s illness is a small scar on her cheek. Of her contact with the dragon, there is more. Her eyes, which once were blue, are now green. And she can call down birds, which many believe is a sign that she can also call down dragons, for the two are distant cousins. Only Kara has her doubts. How can a beast as huge and terrifying as a dragon be related to a sweet, gentle bird? But could this explain why the king has sent for her? Does he think she has power over dragons? For Kara, the answer to this question means life or death—not only for her, but for all the dragons.

Three years after an accident took eleven of her classmates and the use of her legs, fourteen-year-old Lacy, a classmate, their siblings, and a neighbor must battle evil incarnate.

Game of Thrones meets Gladiator in this blockbuster debut epic fantasy about a world caught in an eternal war, and the young man who will become his people's only hope for survival. ONE OF TIME MAGAZINE'S TOP 100 FANTASY BOOKS OF ALL TIME Winner of the Reddit/Fantasy Award for Best Debut Fantasy Novel The Omehi people have been fighting an unwinnable war for almost two hundred years. The lucky ones are born gifted. One in every two thousand women has the power to call down dragons. One in every hundred men is able to magically transform himself into a bigger, stronger, faster killing machine. Everyone else is fodder, destined to fight and die in the endless war. Young, gift-less Tau knows all this, but he has a plan of escape. He's going to get himself injured, get out early, and settle down to marriage, children, and land. Only, he doesn't get the chance. Those closest to him are brutally murdered, and his grief swiftly turns to anger. Fixated on revenge, Tau dedicates himself to an unthinkable path. He'll become the greatest swordsman to ever live, a man willing to die a hundred thousand times for the chance to kill the three who betrayed him. The Rage of Dragons launches a stunning and powerful debut epic fantasy series that readers are already calling "the best fantasy book in years." The BurningThe Rage of Dragons