“A classic Romeo and Juliet love story” spanning decades from the World War II Caribbean to modern-day Vancouver (The Washington Post Book World). At the dawn of the Second World War on the island of Guanagaspar, Harry, the son of a widowed maid, and Rose, the daughter of his mother’s well-to-do employer, are inseparable as children. Blissfully unaware, they form a connection that knows nothing of race or class hierarchies defining their society. Then one night, after American troops occupy Guanagaspar, their deep friendship is exposed and severed. When Harry and Rose meet again in Canada years later, the gulf separating them is not so apparent. As a passion long repressed is rekindled, Rose takes it upon herself to reroute their destinies. A “transcendent tale of souls wounded by circumstance and rehabilitated by love” (Booklist, starred review), He Drown She in the Sea is a lyrical, sensuous, and suspenseful story about the origins of desire and the sacrifice and euphoria that come with defying the life one is born into. With a “narrative pacing verg[ing] on genius . . . The worlds revealed are lush and brilliant. The journey is delightful” (Edmonton Journal).

"This book is a haunting multi-generational novel about the shifting faces of Mala - adventurer and protector, recluse and madwoman. The plot contains sexual violence and mature themes" -- Prové de l'editor.

LONGLISTED 2014 – Scotiabank Giller Prize From the author of Cereus Blooms at Night and Valmiki’s Daughter, both nominated for the Scotiabank Giller Prize, comes a haunting and courageous new novel. Written in vibrant, supple prose that vividly conjures both the tropical landscape of Trinidad and the muted winter cityscape of Toronto, Moving Forward Sideways Like a Crab is a passionate eulogy to a beloved parent, and a nuanced, moving tale about the struggle to embrace the complex realities of love and family ties. Jonathan Lewis-Adey was nine when his parents, who were raising him in a tree-lined Toronto neighbourhood, separated and his mother, Sid, vanished from his life. It was not until he was a grown man, and a promising writer with two books to his name, that Jonathan finally reconnected with his beloved parent—only to find, to his shock and dismay, that the woman he’d known as “Sid” had morphed into an elegant, courtly man named Sydney. In the decade following this discovery, Jonathan made regular pilgrimages from Toronto to visit Sydney, who now lived quietly in a well-appointed retreat in his native Trinidad. And on each visit, Jonathan struggled to overcome his confusion and anger at the choices Sydney had made, trying with increasing desperation to rediscover the parent he’d once adored inside this familiar stranger. As the novel opens, Jonathan has been summoned urgently to Trinidad where Sydney, now aged and dying, seems at last to offer him the gift he longs for: a winding story that moves forward sideways as it slowly peels away the layers of Sydney’s life. But soon it becomes clear that when and where the story will end is up to Jonathan, and it is he who must decide what to do with Sydney’s haunting legacy of love, loss, and acceptance.

By turns hilarious and heartfelt, dark and illuminative, Ben Marcus’s Leaving the Sea is a ground breaking collection of stories from one of the single most vital, extraordinary, and unique writers of his generation. In the heartfelt “I Can Say Many Nice Things,” a washed-up writer toying with infidelity leads a creative writing workshop on board a cruise ship. In the dystopian “Rollingwood,” a divorced father struggles to take care of his ill infant, as his ex-wife and colleagues try to render him irrelevant. In “Watching Mysteries with My Mother,” a son meditates on his mother’s mortality, hoping to stave off her death for as long as he sits by her side. And in the title story, told in a single breathtaking sentence, we watch as the narrator’s marriage and his sanity unravel, drawing him to the brink of suicide. Surreal and tender, terrifying and life-affirming, Leaving the Sea is the work of an utterly unique writer at the height of his powers.

"Richly-woven, evocative, and absolutely impossible to put down — I was hooked from the first lines! Dark Shores has everything I look for in a fantasy novel: fresh, unique settings, a cast of complex and diverse characters, and an unflinching boldness with the nuanced world-building. I loved every word." — Sarah J. Maas, #1 New York Times bestselling author of Throne of Glass The Celendor Empire has set its sights on conquering the far side of the world. And the secret to transporting its legions across the treacherous seas is held by seventeen-year-old Teriana. Teriana has always been taught that east must never meet west, but when her closest friend is forced into an unwanted betrothal, she breaks the rule. A decision Teriana comes to regret when her crew are imprisoned and she lands face-to-face with the Empire’s most ruthless—and secretive—commander, Marcus. To save her people, Teriana chooses to guide Marcus and his legions into a world of meddlesome gods and magic. But with dark forces rising on both sides of the seas, the consequences of her alliance with the enemy may be greater than she imagined . . . especially for her heart. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A novel reminiscent of the works of Herman Koch and Rachel Cusk, in which a lesbian couple attempts to escape the secrets of their pasts. “[Mootoo’s] unsettling latest examines how secrets always come back to haunt us—especially the ones we’ve managed to keep from ourselves.” —Globe & Mail, one of the 100 Favorite Books of 2020 One of Autostraddle‘s Best Queer Books of 2020 Polar Vortex is a seductive and tension-filled novel about Priya and Alex, a lesbian couple who left the big city to relocate to a bucolic countryside community. It seemed like a good way to leave their past behind and cement their newish, later-in-life relationship. But there’s leaving the past behind—and then there’s running away from awkward histories. Priya has a secret—a long-standing on-again, off-again relationship with a man, Prakash. In Priya’s mind Prakash is little more than an old friend, but in reality things are a bit complicated. Why has she never told Alex about him? Prakash has tracked Priya down in her new life, and before she realizes what she’s doing, she invites him to visit. Alex is not pleased, and soon the existing cracks in their relationship widen, revealing secrets Alex herself would have preferred to keep. Into the fissure walks Prakash, whose own agenda forces all three to face the inevitable consequences of their choices.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • An “extraordinary meditation on mortality, grief, death, childhood and memory" (USA Today) about a middle-aged Irishman who has gone back to the seaside to grieve the loss of his wife. In this luminous novel, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, gorgeously written novel—among the finest we have had from this masterful writer.