Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.

Exploring the intersection of religious sensibility and creativity in the poetry and prose of the American modernist writer, H.D., this volume explores the nexus of the religious, the visionary, the creative and the material. Drawing on original archival research and analyses of newly published and currently unpublished writings by H.D., Elizabeth Anderson shows how the poet's work is informed by a range of religious traditions, from the complexities and contradictions of Moravian Christianity to a wide range of esoteric beliefs and practices. H.D and Modernist Religious Imagination brings H.D.'s texts into dialogue with the French theorist Hélène Cixous, whose attention to writing, imagination and the sacred has been a neglected, but rich, critical and theological resource. In analysing the connection both writers craft between the sacred, the material and the creative, this study makes a thoroughly original contribution to the emerging scholarly conversation on modernism and religion, and the debate on the inter-relation of the spiritual and the material within the interdisciplinary field of literature and religion.

The publication of this anthology marks the first survey that collects, substantiates, and demonstrates the importance of the religious and spiritual imagination within Western Modern and contemporary architecture. Going beyond the ideas of "sacredness" and "sacred place making" that are a common theme for symposia, conferences, and architectural periodicals, the essays, interviews, and meditations offered here take a critical look at the relationship between religion and architecture in the twentieth century. --

This book inquires into the controversies over miracles that have fascinated Christians from the Reformation to the twentieth century. Focusing on the period from 1860 to 1930, Robert Bruce Mullin explores the ways preachers, faith healers, psychic researchers, scientists, historians, philosophers, and writers have grappled with issues of the miraculous. He shows how transforming attitudes toward miracles have changed the Anglo-American religious landscape. "Fascinating. . . . [An] in-depth study of how the notion of the miraculous has evolved in the modern age."-Publishers Weekly "In this thoughtful, wide-ranging study, Robert Bruce Mullin examines the changing fate of belief in the miraculous. . . . A well-crafted study that no serious student of the age or the issue should fail to engage."-Daniel L. Pals, Church History "This is an extremely important and well-written study, and contributes in significant ways to reshaping the discussion of religion in the North Atlantic world in the Gilded Age."-Mark S. Massa, Catholic Historical Review "Mullin's work is remarkably intelligent. . . . [An] excellent book."-Andrew Greeley, History of Religions "How and why the notion of a limited age of miracles lost its commanding place in religious discourse is one of the main themes of Mullin's superbly researched and finely nuanced study. . . . An innovative intellectual history of high caliber."-James H. Moorhead, Theology Today "Mullin has managed to spin an impressively thorough account of his subject in such a way that breathes new life into familiar ideas, figures, and developments (while introducing not a few unfamiliar ones) and freshly illumines their ongoing importance in twentieth-century versions of the miracle debate."-R. Marie Griffith, Journal of the American Academy of Religion

The focus of Through Your Eyes: Religious Alterity and the Early Modern Western Imagination is the (mostly Western) understanding, representation and self-critical appropriation of the "religious other" between the sixteenth and eighteenth centuries. Mutually constitutive processes of selfing/othering are observed through the lenses of creedal Jews, a bhakti Brahmin, a widely translated Morisco historian, a collector of Western and Eastern singularia, Christian missionaries in Asia, critical converts, toleration theorists, and freethinkers: in other words, people dwelling in an 'in-between' space which undermines any binary conception of the Self and the Other. The genesis of the volume was in exchanges between eight international scholars and the two editors, intellectual historian Giovanni Tarantino and anthropologist Paola von Wyss-Giacosa, who share an interest in comparatism, debates over toleration, and history of emotions. Contributors are: Daniel Barbu, Vincent Carretta, Ananya Chakravarti, Talya Fishman, Rolando Minuti, Fernando Rodríguez Mediano, Paul Rule, Knut Martin Stünkel, Giovanni Tarantino, and Paola von Wyss-Giacosa.

Reclaims Flannery O'Connor's Catholic identity and culture as the key to interpreting her stories and novels.

This book offers a radical new reading of William James’s work on the idea of ‘religion.’ Moving beyond previous psychological and philosophical interpretations, it uncovers a dynamic, imaginative, and critical use of the category of religion. This work argues that we can only fully understand James’s work on religion by returning to the ground of his metaphysics of relations and by incorporating literary and historical themes. Author Jeremy Carette develops original perspectives on the influence of James’s father and Calvinism, on the place of the body and sex in James, on the significance of George Eliot’s novels, and Herbert Spencer’s ‘unknown,’ revealing a social and political discourse of civil religion and republicanism and a poetic imagination at the heart of James understanding of religion. These diverse themes are brought together through a post-structural sensitivity and a recovery of the importance of the French philosopher Charles Renouvier to James’s work. This study pushes new boundaries in Jamesian scholarship by reading James with pluralism and from the French tradition. It will be a benchmark text in the reshaping of James and the nineteenth-century foundations of the modern study of ‘religion.’