A richly textured account of the writer’s three sojourns in New England “illuminates Hawthorne’s art and the intellectual ferment originating in that small, bucolic town” (Publishers Weekly). On his wedding day in 1842, Nathaniel Hawthorne escorted his new wife, Sophia, to their first home, the Old Manse in Concord, Massachusetts. There, enriched by friendships with Thoreau and Emerson, he enjoyed an idyllic time. But three years later, unable to make enough money from his writing, he returned ingloriously, with his wife and infant daughter, to live in his mother’s home in Salem. In 1853, Hawthorne moved back to Concord, now the renowned author of The Scarlet Letter and The House of the Seven Gables. Eager to resume writing fiction at the scene of his earlier happiness, he assembled a biography of his college friend Franklin Pierce, who was running for president. When Pierce won the election, Hawthorne was appointed the lucrative post of consul in Liverpool. Coming home from Europe in 1860, Hawthorne settled down in Concord once more. He tried to take up writing one last time, but deteriorating health found him withdrawing into private life. In Hawthorne in Concord, acclaimed historian Philip McFarland paints a revealing portrait of this well-loved American author during three distinct periods of his life, spent in the bucolic village of Concord, Massachusetts. “I don’t know when I have read a book as satisfying as Hawthorne in Concord.” —David Herbert Donald

"We will walk on our own feet; we will work with our own hands; we will speak our own minds." --Ralph Waldo Emerson, "The American Scholar," 1837 From the start of transcendentalism and America's intellectual renaissance in the 1830s, to the Civil War and beyond, the story of four extraordinary friends whose lives shaped a nation "Beginning in the 1830s, coincidences that seem almost miraculous in retrospect brought together in Concord as friends and neighbors four men of very different temperaments and talents who shared the same conviction that the soul had 'inherent power to grasp the truth' and that the truth would make men free of old constraints on thought and behavior. In addition to Emerson, a philosopher, there was Amos Bronson Alcott, an educator; Henry David Thoreau, a naturalist and rebel; and Nathaniel Hawthorne, a novelist. This book is the story of that unique and influential friendship in action, of the lives the friends led, and their work that resulted in an enduring change in their nation's direction." --From the Prologue

This 304 page coffee table book takes a look at 26 of America s great authors and the places that inspired them. Unique to this book of literary biography is the element of the photograph. With over 140 photographs throughout, the images add mood and dimension to the writing and they are often shockingly close to what the featured authors described in their own words. Lushly illustrated, and beautifully designed, the book is as much of a pleasure to look at as it is to read. Rags to riches. Forbidden loves. Supernatural experiences. Narrow escapes. Some of the greatest stories of American literature are the stories of the scribes themselves and of the places that sparked their imaginations. In 2007, writer Thomas Hummel and photographer Tamra Dempsey set out in search of the sources of inspiration for 26 of this country's greatest authors. Two years and twenty thousand miles later, the result is A Journey Through Literary America -- a literary pilgrimage in photography and prose. In the words of one reviewer, "this is a beautiful and necessary book."

Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.

A portrait of five Concord, Massachusetts, writers whose works were at the center of mid-nineteenth-century American thought and literature evaluates their interconnected relationships, influence on each other's works, and complex beliefs.

The epic wisdom contained in a lost library helps the author turn his life around John Kaag is a dispirited young philosopher at sea in his marriage and his career when he stumbles upon West Wind, a ruin of an estate in the hinterlands of New Hampshire that belonged to the eminent Harvard philosopher William Ernest Hocking. Hocking was one of the last true giants of American philosophy and a direct intellectual descendent of William James, the father of American philosophy and psychology, with whom Kaag feels a deep kinship. It is James’s question “Is life worth living?” that guides this remarkable book. The books Kaag discovers in the Hocking library are crawling with insects and full of mold. But he resolves to restore them, as he immediately recognizes their importance. Not only does the library at West Wind contain handwritten notes from Whitman and inscriptions from Frost, but there are startlingly rare first editions of Hobbes, Descartes, and Kant. As Kaag begins to catalog and read through these priceless volumes, he embarks on a thrilling journey that leads him to the life-affirming tenets of American philosophy—self-reliance, pragmatism, and transcendence—and to a brilliant young Kantian who joins him in the restoration of the Hocking books. Part intellectual history, part memoir, American Philosophy is ultimately about love, freedom, and the role that wisdom can play in turning one’s life around.