Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.

The best use we can make of good fortune is to share it with our fellows. Those to whom good things come by way of inheritance however are often among the latest to comprehend their own advantage; they suppose it to be the common condition.

An injury at birth left Audrey with a wandering eye. Though flawed, the bad eye functions well enough to permit her an idiosyncratic view of the world, one she welcomes in the stifling postwar Brooklyn of the 1950s. During a journey to Manhattan to see a doctor about her sight, she begins to explore the sexual rites of adulthood. But can her romance last? In this beautifully observed novel, Lynne Sharon Schwartz raises themes of innocence and escape while illuminating the rich inner life of a singular girl.

Hawthorne and His Circle by Julian Hawthorne The best use we can make of good fortune is to share it with our fellows. Those to whom good things come by way of inheritance, however, are often among the latest to comprehend their own advantage; they suppose it to be the common condition. And no doubt I had nearly arrived at man's estate before it occurred to me that the lines of few fishers of men were cast in places so pleasant as mine. I was the son of a man of high desert, who had such friends as he deserved; and these companions and admirers of his gave to me in the beginning of my days a kindly welcome and encouragement generated from their affection and reverence for him. Without doing a stroke of work for it, I found myself early in the enjoyment of a principality of good will and fellowship-a species of freemasonry, I might call it, though the secret was patent enough-for the rights in which, unaided, I might have contended my lifetime long in vain. Men and women whose names are consecrated apart in the dearest thoughts of thousands were familiars and playmates of my childhood; they supported my youth and bade my manhood godspeed. But to me, for a long while, the favor of these gracious giants of mind and character seemed agreeable indeed, but nothing out of the ordinary; my tacit presumption was that other children as well as I could if they would walk hand in hand with Emerson along the village street, seek in the meadows for arrow-heads with Thoreau, watch Powers thump the brown clay of the "Greek Slave," or listen to the voice of Charlotte Cushman, which could sway assembled thousands, modulate itself to tell stories to the urchin who leaned, rapt, against her knees. Were human felicity so omnipresent as a happy child imagines it, what a world would this be! We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

How do language and thought connect to things in the world? John Hawthorne and David Manley offer an original and ambitious treatment of the semantic phenomenon of reference and the cognitive phenomenon of singular thought, leading to a new unified account of definite and indefinite descriptions, names, and demonstratives.