A splendid and luminous celebration of one of nature’s most perfect and mysterious creatures—the hawk—from the New York Times bestselling author of the “astoundingly beautiful” (NPR) The Soul of an Octopus. When Sy Montgomery went to spend a day at falconer Nancy Cowan’s farm, home to a dozen magnificent birds of prey, it was the start of a deep love affair. Nancy allowed her to work with Jazz, a feisty, four-year-old, female Harris’s hawk with a wingspan of more than four feet. Not a pet, Jazz was a fierce predator with talons that could pierce skin and bone and yet, she was willing to work with a human to hunt. From the first moment Jazz swept down from a tree and landed on Sy’s leather gloved fist, Sy fell under the hawk’s magnetic spell. Over the next few years, Sy spent more time with these magnificent creatures, getting to know their extraordinary abilities and instincts. They are deeply emotional animals, quick to show anger and frustration, and can hold a grudge for years. But they are also loyal and intensely aware of their surroundings. In this mesmerizing account, featuring sixteen pages of gorgeous color photographs, Sy passionately and vividly reveals the wonderous world of hawks and what they can teach us about nature, life, and love.

Based on the teachings of Kenneth Little Hawk, the renowned Mi’Kmaw First Nation storyteller, this book uses stories to explain how to tell stories. Each of the practical skills needed for storytelling is clearly illustrated through relevant stories from native tribes—“What the Fire Taught Us” teaches special effects, “Our Many Children” shows voice modulation, and “Little Thunder’s Wedding” offers techniques for formal stories. Business people looking to enhance their public speaking, librarians wanting to enliven children’s programs, and teachers trying to instill a love of story in their students will find the entertaining and educative methods in this guide both inspiring and effective.

Anyone who's tuned in to a White Sox game during the past four decades has heard his calls and catchphrases: "Mercy " "Rack 'em up " "He gone " Ken Harrelson is a man who knows how to talk and is brimming with stories, but even the most dedicated fans haven't heard them all; many of "Hawk's" most memorable tales are simply not suitable for television broadcasts. Now, in his memoir, Harrelson opens up on a wide variety of topics, from his volatile childhood, to life in the major leagues, to stints as a professional golfer and MLB general manager, and of course his storied years in the broadcast booth. He minces no words when reflecting on brawls, blowups, and encounters with figures ranging from Mickey Mantle and Arnold Palmer to Frank Sinatra and Bobby Kennedy. Packed with the enthusiasm and candor audiences have come to expect, Hawk is a no-holds-barred look at a singular life and career.

After reading J. A. Baker’s fifty-year-old British nature classic The Peregrine, John Lane found himself an ocean away, stalking resident red-shouldered hawks in his neighborhood in Spartanburg, South Carolina. What he observed was very different from what Baker deduced from a decade of chronicling the lives of those brooding migratory raptors. Baker imagined a species on the brink of extinction because of the use of agricultural chemicals on European farms. A half century later in America, Lane found the red-shouldered hawks to be a stable Anthropocene species adapted to life along the waterways of a suburban nation. Lane watched the hawks for a full year and along the way made a pledge to himself: Anytime he heard or saw the noisy, nonmigratory hawks in his neighborhood, he would drop whatever he was doing and follow them on foot, on bike, or in his truck. The almanac that results from this discipline considers many questions any practiced amateur naturalist would ask, such as where and when will the hawks nest, what do they eat, what are their greatest threats, and what exactly are they communicating through those constant multinoted cries? Lane’s year following the hawks also led him to try to answer what would become the most complex question of all: why his heart, like Baker’s, goes out so fully to wild things.

A trio of timeless romances follows the three Whitelaw children as they find love and passion and includes The Headstrong Bride in which Sam Longstreet marries Callen Whitelaw, the daughter of his enemy, to seek revenge, but instead falls in love with the spirited beauty. Reprint.

Three of New York Times bestselling author Joan Johnston’s readerfavorite Western romances Hawk’s Way: Garth previously published in June 1993 as The Wrangler and the Rich Girl Hawk’s Way: Carter previously published in March 1994 as The Cowboy Takes a Wife Hawk’s Way: Falcon previously published in February 1995 as The Unforgiving Bride In Hawk’s Way: Garth, Garth Whitelaw can’t understand why a rich Texas debutante like Candy Baylor would want to stomp around a dusty ranch and learn to train horses. But he can’t help noticing how great she looks in tight, worn jeans… All cowboy Carter Prescott has to do to own a piece of Texas is say "I do" and live with a pretty woman and her cute kid. Carter thinks he’s gotten a sweet deal. At least, until his new wife learns the truth in Hawk’s Way: Carter. And in Hawk’s Way: Falcon, rancher Falcon Whitelaw always swore he’d never get married, until he found himself saying "I do" to widowed mother Mara Ainsworth. But he’s never become so invested in a child’s life before, or loved a woman like this…

Angela Taylor owes her life to the Texas Ranger who rescued her from a band of no-good renegades. The problem is that he'd pulled her out of danger--and straight into the twentieth century. Now Angela's as far from Texas, 1864, as she could be, stuck with a disbelieving man too handsome from her own good. She's either a woman out of time...or completely out of her mind. Dallas Masterson isn't sure what to believe. From her crazy clothes to her feisty ways, he's almost convinced that this sassy, smart-mouthed woman fought Comanches, buried her fiance, ran from the law and stole to survive...especially when she steals his horse to try and get back to the cave where he found her. Now, both Angela and Dallas are discovering that when it comes to things like the past--and falling in love--there's no place to go but the future.