Ben Butterfield, ex-circus performer, is living out his days in a small backwater town. He spends much of his time dwelling on the past, pondering his glory days with the circus, and his first grand adventure—an odyssey across Missouri and Illinois to Bright Star, Indiana, during the Civil War. It was a journey that laid the groundwork for the man he would become, and on which he got to know the two people who meant the world to him, and still do. In 1862, Ben sets out to help Johnny Hawkes, a resourceful Texican, drive two camels to the farm home of a Yankee officer who has taken possession of the desert beasts as contraband of war. But when Johnny is imprisoned by the Yankees and charged with horse theft, it is up to Ben to complete the task without his friend and mentor. On the threshold of manhood, he has only the help of a young girl, nicknamed Princess, who spends most of the time masquerading as a boy to avoid drawing unwanted attention. Johnny and Princess must stand together and persevere against the odds if they are to overcome every obstacle placed before them on the winding way to Bright Star. A magnificent tour of 1860s heartland America, The Way to Bright Star is a grand coming-of-age novel, in the tradition of Huckleberry Finn, and destined to become an American classic. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Further developing the line of argument put forward in his Literature as Communication (2000) and Mediating Criticism (2001), Roger D. Sell now suggests that when so-called literary texts stand the test of time and appeal to a large and heterogeneous circle of admirers, this is because they are genuinely dialogical in spirit. Their writers, rather than telling other people what to do or think or feel, invite them to compare notes, and about topics which take on different nuances as seen from different points of view. So while such texts obviously reflect the taste and values of their widely various provenances, they also channel a certain respect for the human other to whom they are addressed. So much so, that they win a reciprocal respect from members of their audience. In Sell’s new book, this ethical interplay becomes the focus of a post-postmodern critique, which sees literary dialogicality as a possible catalyst to new, non-hegemonic kinds of globalization. The argument is illustrated with major reassessments of Shakespeare, Pope, Wordsworth, Dickens, Churchill, Orwell, and Pinter, and there are also studies of trauma literature for children, and of ethically oriented criticism itself.

The legendary author of The Outsiders returns with her first new novel in more than fifteen years! An orphan and a bastard, Jamie grew up tough enough to handle almost anything. He survived foreign prisons, smugglers, pirates, gunrunners, and shark attacks. But what he finds in the quote town of Hawkes Harbor, Delaware, was enough to drive him almost insane—and change his life forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.