Two sisters come to terms with their extraordinary powers in a new middle grade fantasy from Supergirl’s Melissa Benoist and her sister, the writer Jessica Benoist, with the New York Times bestselling author, Mariko Tamaki Ellie McFadden has intuitive gifts. She can sense what other living things are feeling. She can even talk to animals! Too bad she can’t connect with her twin sister, Parker. Parker McFadden has kinetic gifts. She can cause shocks to the earth and produce heat energy that explodes from her body like fire, especially when she is angry. The sisters aren’t aware of the legacy they inherited from their mother until, on their thirteenth birthday, two mysterious relatives on the Power side whisk them off to an isolated sanctuary called Haven. Ellie immediately adapts to their new routine, but Parker has one impulse: to get back to her normal life of friends and sports, fast. Unlocking Haven’s secrets is just the beginning of what Ellie and Parker can do if they choose to work together to harness their abilities. But the sinister force that took their mother has other plans; and if the sisters’ fragile relationship succumbs to The Danger, a terrible fate may befall the people they love. This epic tale of two remarkable girls and the powers they wield is sure to appeal to fans of Chris Colfer, Rick Riordan, and Tui T. Sutherland.

Written in a theopoetic key, this book challenges Christian reliance on the motif of promise, especially where promise is regarded as a prerequisite for the experience of hope. It pursues instead an unpromising hope available to the agnostic or belief-fluid members and leaders of faith communities. The book rejects any theological judgement about doubt and hopelessness being sinful. It also rejects any hope which is grounded in a sense of Christian supremacy. Chapter 1 focuses on Ernst Bloch’s antifascist concept of utopian surplus, putting Bloch in conversation with queer theorist José Esteban Muñoz and womanist theologian M. Shawn Copeland. Chapter 2 explores the saudadic and theopoetic hope of Rubem Alves. Chapter 3 turns to the womanist theologies of Delores Williams, Emilie Townes, and A. Elaine Brown Crawford. Finally, chapter 4 engages the post-colonial eschatology of Vítor Westhelle, framing hope as nearby in space, rather than nearby in time. Each chapter offers an unpromising hope that may be tapped into by those who wish to affirm belief-fluidity in their own communities, and by those who wish to speak of hope honestly, whether or not, at any given moment, they believe in God or in the promises of a god.

An intellectual history of the philosophers who grappled with the problem of evil, and the case for why pessimism still holds moral value for us today In the seventeenth and eighteenth centuries, philosophers engaged in heated debates on the question of how God could have allowed evil and suffering in a creation that is supposedly good. Dark Matters traces how the competing philosophical traditions of optimism and pessimism arose from early modern debates about the problem of evil, and makes a compelling case for the rediscovery of pessimism as a source for compassion, consolation, and perhaps even hope. Bringing to life one of the most vibrant eras in the history of philosophy, Mara van der Lugt discusses legendary figures such as Leibniz, Hume, Voltaire, Rousseau, Kant, and Schopenhauer. She also introduces readers to less familiar names, such as Bayle, King, La Mettrie, and Maupertuis. Van der Lugt describes not only how the earliest optimists and pessimists were deeply concerned with finding an answer to the question of the value of existence that does justice to the reality of human suffering, but also how they were fundamentally divided over what such an answer should look like. A breathtaking work of intellectual history by one of today's leading scholars, Dark Matters reveals how the crucial moral aim of pessimism is to find a way of speaking about suffering that offers consolation and does justice to the fragility of life.

Lisa and Sol board the luxury ocean liner St. Louis in Hamburg, Germany on May 13, 1939. Lisa and her family are in first class; Sol and his parents are below in tourist class. Both children have mixed feelings Ð theyÕre excited to be beginning this voyage to a better life, but sad to be leaving their old lives behind. They are Jewish, as are almost all of the 937 passengers on board, and although war has not been officially declared in Europe, the Nazis have been persecuting Jews for years. As the ship sets sail for Cuba, the atmosphere is optimistic. The passengers feel fortunate to have been able to buy landing permits, and their German captain, Gustave Shršder, is determined to get them to safety. The captainÕs voice alternates with Sol and LisaÕs, revealing the details they didnÕt know. As HitlerÕs propaganda machine turns Cuba against them, the mood on board changes to despair. The St. Louis and its Jewish passengers are turned away Ð first from Cuba, then the United States, and then Canada. This was the tragic true history of the St. Louis. Denied entry from port after port, the captain was forced to return his passengers to Europe, where many died in the Holocaust. Through the eyes of Sol and Lisa Ð both of whom survived the war and shared their experiences with Kathy Kacer Ð we see the injustice and heartbreak that were caused by the prejudice and ignorance of so many.