Taking its title from Hemingway's The Old Man and the Sea, Leslie Sainz's Have You Been Long Enough at Table explores the personal and historical tragedies of the Cuban American experience through a distinctly feminine lens. Formally diverse--including prose poems, American sonnets, and persona poems--with echoes of Spanish throughout, this debut collection critiques power and patriarchy as weaponized by the governments of the United States and the Republic of Cuba. In investigating the realities of displacement and inherited exile, Sainz honors her imagined past, present, and future as a result of the "revolution within the revolution,"--the emancipation of Cuban women. Through lyric and associative meditations, Sainz anatomizes the unique grief of immigrant daughters, as the poems' speaker discovers how family can be a microcosm of the very violence that displaced them. What emerges is a spiritual blueprint for disinheritance, radical self-determination, and the nuanced examinations of myth, ritual, and resistance.

“Marvelous.”—Terrance Hayes Taking its title from Hemingway’s The Old Man and the Sea, Leslie Sainz’s Have You Been Long Enough at Table explores the personal and historical tragedies of the Cuban American experience through a distinctly feminine lens. Formally diverse with echoes of Spanish throughout, this debut collection critiques power and patriarchy as weaponized by the governments of the United States and the Republic of Cuba. In investigating the realities of displacement and inherited exile, Sainz honors her imagined past, present, and future as a result of the “revolution within the revolution”—the emancipation of Cuban women. Through lyric and associative meditations, Sainz anatomizes the unique grief of immigrant daughters, as her speakers discover how family can be a microcosm of the very violence that displaced them. What emerges is a spiritual blueprint for disinheritance, radical self-determination, and the nuanced examinations of myth, ritual, and resistance.

Louie Giglio helps you find encouragement, hope, and strength in the midst of any valley as you reject the enemy voices of fear, rage, lust, insecurity, anxiety, despair, temptation, or defeat. Scripture is clear: the Enemy is a liar who will stop at nothing to tempt you into poor decisions and self-defeating mindsets, making you feel afraid, angry, anxious, or defeated. It is all too easy for Satan to weasel his way into a seat at the table intended for only you and your King. But you can fight back. Don't Give the Enemy a Seat at Your Table outlines the ways to overcome those lies so you can find peace and security in any challenging circumstance or situation. With the same bold, exciting approach to Scripture as employed in Goliath Must Fall and his other previous works, pastor Louie Giglio examines Psalm 23 in fresh ways, highlighting verse 5: "You prepare a table before me in the presence of my enemies." You can find freedom from insecurity, temptation, and defeat--if you allow Jesus, the Shepherd, to lead the battle for your mind and heart. This spiritual warfare book for those who are leery of spiritual warfare books will resonate with Louie's core Passion tribe as well as with Christians of all ages who want to live a triumphant life in God.

Published in 1952, The Old Man and the Sea is Hemingway's last major work of fiction and is widely revered for its compelling use of death and legacy. This concise volume explores Hemingway's life and influences, takes a look at key ideas related to death in the novel, including notions of the killing, hunting, and aging, and provides a selection of contemporary perspectives on death. Essayists include Lillian Ross, A.E. Hotchner, Carlos Baker, Wolfgang Wittkowski, and Dolores T. Puterbaugh.

DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"Some Say the Lark is a piercing meditation, rooted in loss and longing, and manifest in dazzling leaps of the imagination—the familiar world rendered strange." —Natasha Trethewey Chang’s poems narrate grief and loss, and intertwines them with hope for a fresh start in the midst of new beginnings. With topics such as frustration with our social and natural world, these poems openly question the self and place and how private experiences like motherhood and sorrow necessitate a deeper engagement with public life and history. From "The Winter's Wife": I want wild roots to prosper an invention of blooms, each unknown to every wise gardener. If I could be a color. If I could be a question of tender regard. I know crabgrass and thistle. I know one algorithm: it has nothing to do with repetition or rhythm. It is the route from number to number (less to more, more to less), a map drawn by proof not faith. Unlike twilight, I do not conclude with darkness. I conclude. Jennifer Chang is the author of The History of Anonymity, which was a finalist for the Glasgow/Shenandoah Prize for Emerging Writers and listed by Hyphen Magazine as a Top Five Book of Poetry for 2008. Her poems have appeared in American Poetry Review, Best American Poetry 2012, The Nation, Poetry, A Public Space, and elsewhere. She is an assistant professor of English and Creative Writing at George Washington University and lives in Washington, DC with her family.

"As a little boy, I had a dream that my father had taken me to the woods where there was a dead body. He buried it and told me I must never tell. It was the only thing we'd ever done together as father and son, and I promised not to tell. But unlike most dreams, the memory of this one never left me. And sometimes...I wasn't altogether sure about one thing: was it just a dream?" When Augusten Burroughs was small, his father was a shadowy presence in his life: a form on the stairs, a cough from the basement, a silent figure smoking a cigarette in the dark. As Augusten grew older, something sinister within his father began to unfurl. Something dark and secretive that could not be named. Betrayal after shocking betrayal ensued, and Augusten's childhood was over. The kind of father he wanted didn't exist for him. This father was distant, aloof, uninterested... And then the "games" began. With A Wolf at the Table, Augusten Burroughs makes a quantum leap into untapped emotional terrain: the radical pendulum swing between love and hate, the unspeakably terrifying relationship between father and son. Told with scorching honesty and penetrating insight, it is a story for anyone who has ever longed for unconditional love from a parent. Though harrowing and brutal, A Wolf at the Table will ultimately leave you buoyed with the profound joy of simply being alive. It's a memoir of stunning psychological cruelty and the redemptive power of hope.