Al Foxword uses his charm and wit to sell anything to anyone at anytime.

Mark Girland's problems begin when a beautiful blonde is found lying on a dark deserted quai in Paris - the initials of the top Chinese atomic scientist tattooed on her upper thigh. The girl is suffering from acute amnesia. Girland, desperate for money, is ordered by the CIA to get any information he can - by posing as her husband. But the appeal of the mission begins to wear thin when Girland discovers he has involved himself in a life and death race to extract vital atomic secrets from the scientist's beautiful mistress.

Bob Mankoff grew up Jewish in Queens, NY in the 1950s and 1960s. As a kid, he visited the Borscht Belt and reveled in the hilarious performances of some of the best Jewish comedians such as Jerry Lewis, Buddy Hackett, and Rodney Dangerfield, among others. These early experiences helped shape Mankoff's view of life and led him to become a creative master practitioner of humor and cartoons. He started his career unexpectedly by quitting a Ph.D. program in experimental psychology at The City University of New York in 1974 and submitting his cartoons to the New Yorker. Three years and over 2,000 cartoons later, he finally made the magazine and has since published over 950 cartoons. He has devoted his life to discovering just what makes us laugh and seeks every outlet to do so, from developing The New Yorker's web presence to founding The Cartoon Bank, a business devoted to licensing cartoons for use in newsletters, textbooks, magazines and other media. In this new book, Have I Got a Cartoon for You! this successful cartoonist, speaker and author, presents his favorite Jewish cartoons. In his foreword to this entertaining collection, Mankoff shows how his Jewish heritage helped him to become a successful cartoonist, examines the place of cartoons in the vibrant history of Jewish humor, and plumbs Jewish thought, wisdom and shtik for humorous insights. Mankoff has written: "I always think that it's strange that the Jews, The People of the Book, eventually became much better known as The People of the Joke. Strange because laughter in the Old Testament is not a good thing: When God laughs, you're toast. If you say, 'Stop me if you've heard this one, ' he does for good." A major influence on his cartoons about religion derives from Jewish culture's disputatiousness, the questioning everything just for the hell of it and then the questioning of the questioning to be even more annoying. He recalls: "When, I was first dating my wife, who is not Jewish, we once were having what I thought was an ordinary conversation and she said, 'Why are you arguing with me?' I replied, 'I'm not arguing, I'm Jewish.' I thought that was clever. She didn't. Some humor scholars claim this stems from the practice in the Talmud of pilpul, which Leo Rosten has described as 'unproductive hair-splitting that is employed not so much to radiate clarity ... as to display one's own cleverness.' I go along with that except I like to think that some clarity and cleverness are not mutually exclusive. Anyway, that's my aim in cartoons like these. Now, am I worried that these jokes will bring His wrath down upon me down with a bolt from the blue. Not really, but every time there's a thunderstorm, I hide in the cellar."

President Donald J. Trump lays out his professional and personal worldview in this classic work—a firsthand account of the rise of America’s foremost deal-maker. “I like thinking big. I always have. To me it’s very simple: If you’re going to be thinking anyway, you might as well think big.”—Donald J. Trump Here is Trump in action—how he runs his organization and how he runs his life—as he meets the people he needs to meet, chats with family and friends, clashes with enemies, and challenges conventional thinking. But even a maverick plays by rules, and Trump has formulated time-tested guidelines for success. He isolates the common elements in his greatest accomplishments; he shatters myths; he names names, spells out the zeros, and fully reveals the deal-maker’s art. And throughout, Trump talks—really talks—about how he does it. Trump: The Art of the Deal is an unguarded look at the mind of a brilliant entrepreneur—the ultimate read for anyone interested in the man behind the spotlight. Praise for Trump: The Art of the Deal “Trump makes one believe for a moment in the American dream again.”—The New York Times “Donald Trump is a deal maker. He is a deal maker the way lions are carnivores and water is wet.”—Chicago Tribune “Fascinating . . . wholly absorbing . . . conveys Trump’s larger-than-life demeanor so vibrantly that the reader’s attention is instantly and fully claimed.”—Boston Herald “A chatty, generous, chutzpa-filled autobiography.”—New York Post

A Finalist for the 2016 National Jewish Book Award Forty-two stories from America’s greatest Yiddish newspaper, in English for the first time. The Forward, founded in 1897, is the most renowned Yiddish newspaper in the world. It welcomed generations of immigrants to the United States, brought them news of Europe and the Middle East, and provided them with sundry comforts such as comic strips and noodle kugel recipes. It also published some of the most acclaimed Yiddish fiction writers of all time: Nobel Prize laureate Isaac Bashevis Singer on justice slyly being served when the governor of Lublin comes to town; celebrated Forward editor Abraham Cahan on how place and luck can change character; and Roshelle Weprinsky, setting her story in Florida, on the rupture between European parents and American children. Cahan described the newspaper as a “living novel,” with good reason. Taken together, these stories reveal the human side of the challenges that faced Jews throughout this time, including immigration, modernization, poverty, assimilation, the two world wars, and changing forms of Jewish identity. These concerns were taken up by a diverse group of writers, from novelists Sholem Asch and Chaim Grade to short-story writers like Lyala Kaufman and Miriam Karpilove. Ezra Glinter has combed through the archives to find the best stories published during the newspaper’s 120-year history, digging up such varied works as wartime novellas, avant-garde fiction, and satirical sketches about immigrant life in New York. Glinter’s introductions to the thematic sections and short biographies of the contributors provide insight into the concerns of not only the writers but also their avid readers. The collection has been rendered into English by today’s best Yiddish translators, who capture the sound of the authors and the subtleties of nuance and context.

A bold, brain-based teaching approach to culturally responsive instruction To close the achievement gap, diverse classrooms need a proven framework for optimizing student engagement. Culturally responsive instruction has shown promise, but many teachers have struggled with its implementation—until now. In this book, Zaretta Hammond draws on cutting-edge neuroscience research to offer an innovative approach for designing and implementing brain-compatible culturally responsive instruction. The book includes: Information on how one’s culture programs the brain to process data and affects learning relationships Ten “key moves” to build students’ learner operating systems and prepare them to become independent learners Prompts for action and valuable self-reflection

*Following the 30th Anniversary edition of The Legacy comes the thrilling sequel, The Talisman, from bestselling screenwriter and author of The Dirty Dozen, Lynda La Plante. The Talisman is the key to a fortune, or so the tradition says. Each new generation can benefit if they remain selfless enough. Evelyne and Juliana, the fourth generation, are still haunted by the family's past. Edward inherited his father's looks - and his curse - while Alex's quest for revenge will fuel an empire. But a fortune can make people ruthless - and a family can hit you where it hurts. This is the passionate story of a family's live and fortunes and the curse that forged their names . . . ***Lynda La Plante's Widows is now a major motion picture*** Praise for Lynda La Plante 'Lynda La Plante practically invented the thriller' Karin Slaughter 'Classic Lynda - a fabulous read' Martina Cole 'Satisfyingly full of twists and turns' The Independent 'A rare ring of authenticity' Sunday Telegraph 'An absorbingly twisty plot' Guardian