Bob Mankoff grew up Jewish in Queens, NY in the 1950s and 1960s. As a kid, he visited the Borscht Belt and reveled in the hilarious performances of some of the best Jewish comedians such as Jerry Lewis, Buddy Hackett, and Rodney Dangerfield, among others. These early experiences helped shape Mankoff's view of life and led him to become a creative master practitioner of humor and cartoons. He started his career unexpectedly by quitting a Ph.D. program in experimental psychology at The City University of New York in 1974 and submitting his cartoons to the New Yorker. Three years and over 2,000 cartoons later, he finally made the magazine and has since published over 950 cartoons. He has devoted his life to discovering just what makes us laugh and seeks every outlet to do so, from developing The New Yorker's web presence to founding The Cartoon Bank, a business devoted to licensing cartoons for use in newsletters, textbooks, magazines and other media. In this new book, Have I Got a Cartoon for You! this successful cartoonist, speaker and author, presents his favorite Jewish cartoons. In his foreword to this entertaining collection, Mankoff shows how his Jewish heritage helped him to become a successful cartoonist, examines the place of cartoons in the vibrant history of Jewish humor, and plumbs Jewish thought, wisdom and shtik for humorous insights. Mankoff has written: "I always think that it's strange that the Jews, The People of the Book, eventually became much better known as The People of the Joke. Strange because laughter in the Old Testament is not a good thing: When God laughs, you're toast. If you say, 'Stop me if you've heard this one, ' he does for good." A major influence on his cartoons about religion derives from Jewish culture's disputatiousness, the questioning everything just for the hell of it and then the questioning of the questioning to be even more annoying. He recalls: "When, I was first dating my wife, who is not Jewish, we once were having what I thought was an ordinary conversation and she said, 'Why are you arguing with me?' I replied, 'I'm not arguing, I'm Jewish.' I thought that was clever. She didn't. Some humor scholars claim this stems from the practice in the Talmud of pilpul, which Leo Rosten has described as 'unproductive hair-splitting that is employed not so much to radiate clarity ... as to display one's own cleverness.' I go along with that except I like to think that some clarity and cleverness are not mutually exclusive. Anyway, that's my aim in cartoons like these. Now, am I worried that these jokes will bring His wrath down upon me down with a bolt from the blue. Not really, but every time there's a thunderstorm, I hide in the cellar."

In a book with foldout pages, Monica's father fulfills her request for the moon by taking it down after it is small enough to carry, but it continues to change in size.

Memoir in cartoons by the longtime cartoon editor of The New Yorker People tell Bob Mankoff that as the cartoon editor of The New Yorker he has the best job in the world. Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For desert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."

The all-time classic picture book, from generation to generation, sold somewhere in the world every 30 seconds! Have you shared it with a child or grandchild in your life? For the first time, Eric Carle’s The Very Hungry Caterpillar is now available in e-book format, perfect for storytime anywhere. As an added bonus, it includes read-aloud audio of Eric Carle reading his classic story. This fine audio production pairs perfectly with the classic story, and it makes for a fantastic new way to encounter this famous, famished caterpillar.

Two children sitting at home on a rainy day are visited by the cat in the hat who shows them some tricks and games.

I need a new bum! Mine's got a crack. I can see in the mirror a crack in the back. What to do when you need a new bum? Should you get one that's blue or yellow spotted? A Chevy bum, a rocket bum that's all fire and thrust, or a robo-bum? The options are endless - but wait, Dad's bum crack is showing too? Maybe this is contagious.

Step-by-step instructions offers guidance on all aspects of creating studio-grade animations via a home computer with tips on writing a script, story-boarding, establishing sequence, and editing a final product. Original.