At the height of the World Series in 1958, the gambling empire of Meyer Lansky enjoys unprecedented profits much to the chagrin of rival mafia boss Joe Bonanno, who plots to hijack Lansky's winnings with deadly consequences.

A memoir by the mustachioed baseball pitcher who went playing rocky, trash-ridden fields in Castro’s Cuba to becoming a Boston Red Sox legend. Luis Tiant is one of the most charismatic and accomplished players in Boston Red Sox and Major League Baseball history. With a barrel-chested physique and a Fu Manchu mustache, Tiant may not have looked like the lean, sculpted aces he usually played against, but nobody was a tougher competitor on the diamond, and few were as successful. There may be no more qualified twentieth-century pitcher not yet enshrined in the National Baseball Hall of Fame. His big-league dreams came at a price: racism in the Deep South and the Boston suburbs, and nearly fifteen years separated from a family held captive in Castro’s Cuba. But baseball also delivered World Series stardom and a heroic return to his island home after close to a half-century of forced exile. The man whose name—“El Tiante” —became a Fenway Park battle cry has never fully shared his tale in his own words, until now. In Son of Havana, Tiant puts his heart on his sleeve and describes his road from torn-up fields in Havana to the pristine lawns of major league ballparks. Readers will share Tiant’s pride when appeals by a pair of US senators to baseball-fanatic Castro secure freedom for Luis’s parents to fly to Boston and witness the 1975 World Series glory of their child. And readers will join the big-league ballplayers for their spring 2016 exhibition game in Havana, when Tiant—a living link to the earliest, scariest days of the Castro regime—threw out the first pitch.

A “dark, rich, and satisfying” novel of mobsters, baseball, and 1950s Cuba (Entertainment Weekly). It is the fall of 1958 and all of Cuba is riveted to the World Series—the New York Yankees are playing the Milwaukee Braves, and the infamous Meyer Lansky’s gambling empire is raking in millions in bets. But rival mob boss Joe Bonnano, working with a team of Cuba’s boldest and most ingenious criminals, plans to hijack Lanksy’s fortune. The heist goes off brilliantly—until Bonnano’s point man is shot dead. As Lansky’s man in the police department investigates the case, he is caught up in a colorful and dangerous world of gangsters, misfits, and double-crosses . . . “A lively, entertaining read.” —Publishers Weekly “The characters are fascinating, the story compelling . . . You couldn’t ask for more.” —Orlando Sentinel “Suspenseful . . . captures the sights, sounds, smells and rhythms of Havana.” —The Miami Herald

In 1998, a mysterious right-handed pitcher emerged from the ashes of the Cold War and helped lead the New York Yankees to a World Championship. His origins and even his age were uncertain. His name was Orlando El Duque Hernandez. He was a fallen hero of Fidel Castro's socialist revolution. The chronicle of El Duque's triumph is at once a window into the slow death of Cuban socialism and one of the most remarkable sports stories of all time. Once hailed as a paragon of Castro's revolution, the finest pitcher in modern Cuban history was banned from baseball for life for allegedly plotting to defect. Instead of accepting his punishment, he fearlessly fought back, defying the Communist party authorities, vowing to pitch again, and ultimately fleeing his country in the bowels of a thirty-foot fishing boat. Here, for the first time and in astonishing detail, the secrets behind El Duque's persecution and escape are revealed. Moving from the crumbling streets of post Cold War Havana to the polarized world of exile Miami, from the deadly Florida Straits to the hallowed grounds of Yankee Stadium, it is a story of cloak-and-dagger adventure, audacious secret plots, the pull of big money, and the historic collision of ideologies. Present throughout are the larger-than-life characters who converged at this bizarre intersection of baseball and politics: El Duque himself, Fidel Castro, the Miami sports agent Joe Cubas, the late John Cardinal O'Connor along with scouts, smugglers, and the Cuban ballplayers who gave up their lives as tools of socialism to test the free market and chase their major-league dreams. Reported in the United States and Cuba by two award-winning journalists who became part of the story they were covering, The Duke of Havana is a riveting saga of sports, politics, liberation, and greed.

The remarkable new novel in the Doc Ford series by New York Times–bestselling author Randy Wayne White. Doc Ford’s old friend, General Juan Garcia, has gone into the lucrative business of smuggling Cuban baseball players into the U.S. He is also feasting on profits made by buying historical treasures for pennies on the dollar. He prefers what dealers call HPC items—high-profile collectibles—but when he manages to obtain a collection of letters written by Fidel Castro between 1960–62 to a secret girlfriend, it’s not a matter of money anymore. Garcia has stumbled way out of his depth. First Garcia disappears, and then the man to whom he sold the letters. When Doc Ford begins to investigate, he soon becomes convinced that those letters contain a secret that someone, or some powerful agency, cannot allow to be made public. A lot happened between Cuba and the United States from 1960–62. Many men died. A few more will hardly be noticed.

From the first amateur leagues of the 1860s to the exploits of Livan and Orlando "El Duque" Hernandez, here is the definitive history of baseball in Cuba. Roberto Gonzalez Echevarria expertly traces the arc of the game, intertwining its heroes and their stories with the politics, music, dance, and literature of the Cuban people. What emerges is more than a story of balls and strikes, but a richly detailed history of Cuba told from the unique cultural perch of the baseball diamond. Filling a void created by Cuba's rejection of bullfighting and Spanish hegemony, baseball quickly became a crucial stitch in the complex social fabric of the island. By the early 1940s Cuba had become major conduit in spreading the game throughout Latin America, and a proving ground for some of the greatest talent in all of baseball, where white major leaguers and Negro League players from the U.S. all competed on the same fields with the cream of Latin talent. Indeed, readers will be introduced to several black ballplayers of Afro-Cuban descent who played in the Major Leagues before Jackie Robinson broke the color barrier once and for all. Often dramatic, and always culturally resonant, Gonzalez Echevarria's narrative expertly lays open the paradox of fierce Cuban independence from the U.S. with Cuba's love for our national pastime. It shows how Fidel Castro cannily associated himself with the sport for patriotic p.r.--and reveals that his supposed baseball talent is purely mythical. Based on extensive primary research and a wealth of interviews, the colorful, often dramatic anecdotes and stories in this distinguished book comprise the most comprehensive history of Cuban baseball yet published and ultimately adds a vital lost chapter to the history of baseball in the U.S.

“[A] superb collection . . . The 18 stories by current and former residents of Havana are gritty, heartbreaking and capture the city.” —Orlando Sentinel To most outsiders, Havana is a tropical sin city. Habaneros know that this is neither new nor particularly true. In the real Havana—the lawless Havana that never appears in the postcards or tourist guides—the concept of sin has been banished by the urgency of need. And need—aching and hungry—inevitably turns the human heart darker, feral, and criminal. In this Havana, crime, though officially vanquished by revolutionary decree, is both wistfully quotidian and personally vicious. In the stories of Havana Noir, current and former residents of the city—some international sensations such as Leonardo Padura, others exciting new voices like Yohamna Depestre—uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria. Other authors include: Pablo Medina, Alex Abella, Arturo Arango, Lea Aschkenas, Moisés Asís, Arnaldo Correa, Mabel Cuesta, Michel Encinosa Fú, Mylene Fernández Pintado, Carolina García-Aguilera, Miguel Mejides, Achy Obejas, Oscar F. Ortíz, Ena Lucía Portela, Mariela Varona Roque, and Yoss. “[A] remarkable collection . . . gritty tales of deprivation, depravity, heroic perseverance, revolution and longing in a city mythical and widely misunderstood.” —The Miami Herald