Mano Rodriguez, a young doctor in Havana's revolutionary medical service, is caught up in the city's violent underworld after he agrees to allow Julia, a teenaged prostitute, to take refuge in his clinic as she attempts to break away from her abusive pimp

Reading texts from across the world, this book examines the depiction of ‘the foreigner' in popular 20th and 21st century crime writing.

In this “exquisitely made thriller” by the author of Havana Lunar, a Cuban doctor is caught up in a web of espionage and international crime (Booklist). During the summer of 1997, a series of bombings terrorize Havana hotels. The targets are tourists, and the terrorists are exiles seeking to cripple Cuban tourism and kill the revolution. After Dr. Mano Rodriguez finds himself helpless to save one of the victims, his nemesis Colonel Emilio Pérez of the National Revolutionary Police recruits him into Havana’s top-secret Wasp Network of spies for an undercover job in the most dangerous city in Latin America: Miami . . . “Action [and] rich landscapes of daily life in Cuba during the special period, including blackouts, food shortages, the intricacies of conversation under an authoritarian government, and the craftiness of locals who offer guided tours to tourists for money—all details from over a decade of Arellano’s journals from his trips in the ‘90s.” —Miami New Times “A remarkably powerful narrative. The interrogation scene repulses while it grips . . . but readers are advised to stay with it for a rich reading experience.” —Booklist, starred review “Arellano’s world of clinic doctors, hotel hustlers, secret police, and neighborhood spies is as rich and vibrant a place as I’ve come across in fiction in a long while. His style has something of Bolaño’s cynical, madcap energy, but with Graham Greene’s eye for the small absurdities in life, the same absurdities that, under the right (or wrong) circumstances, spin out into an international catastrophe.” —Literary Hub

The first anthology of poetry, prose, and drama by second-generation Cuban American writers. Let’s Hear Their Voices brings together works by ten distinguished and emerging Cuban American writers of the “second generation”—writers who were born between 1960 and the mid-1980s in the United States to Cuban parents or have a mixed ethnic background. Called “ABCs” (American-Born Cubans) or“AmeriCubans,” these writers experiment with different formal approaches and lace their work with Cuban Spanish to give voice to hybrid identities and cultural legacies within the contemporary multicultural United States. An introduction by Iraida H. López identifies key tropes in their poetry, prose, and drama, and provides an overview of Cuban American literature since the 1960s. With both original and previously published pieces by award-winning authors—including President Obama’s Second Inaugural Poet, Richard Blanco—the volume makes a welcome contribution to the fields of Latinx and American literature, as well as critical discussions across disciplines about the intersections of latinidad with race, class, gender, and sexuality. “The selections chosen are excellent across the board. Collectively, they give a sense of the directions in which second-generation Cuban American writing is moving, as well as of its abiding concern with the country of origin of the first generation. The writing is impressive, strong, and compelling.” — Marta Caminero-Santangelo, University of Kansas

James, a journalist who writes for a laboratory's magazine, starts to lose control of his life and have nightmares of a nuclear accident that may set off the apocalypse after going to an abandoned house for a rendezvous with a technician.

The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.