A fascinating, powerfully evocative story of four generations of Cuban women, through whose lives the author illuminates a vivid picture--both personal and historical--of Cuba in our century. "When I want to read a culture," writes Wendy Gimbel in her prologue, "I listen to stories about families, sensing in their contours the substance of larger mysteries." And certainly in the Revuelta family she has found a source of both mystery and revelation. At its center is Naty: born in 1925, educated in the United States, a socialite during the Batista era, who after marriage to a prominent doctor and the birth of a daughter became intoxicated with Castro and his revolution (here, published for the first time, are the letters they exchanged while he was in jail). Though her husband and daughter immigrated to the United States after Castro's victory, Naty remained in Cuba to raise her second child, Castro's unacknowledged daughter, only to be ultimately confronted by his dismissive, withering judgment: "Naty missed the train." Her two daughters, one of whom settles well into life in America, while the other never recovers from her father's intransigent repudiation of her; her granddaughter, who Naty desperately believes will return to Cuba when--not if--Castro is removed from the island; and her mother, an unregenerate reactionary: these are the lives that complete this extraordinary story. Each of the women is irrevocably marked with a part of the island's terrible and poignant tale, and Wendy Gimbel has created a rich and intense narrative of their lives and times. Havana Dreams leaves us with an indelible impression of familial obligation and illicit love; of the heady but doomed romanticism of revolution; and of the profound consequences of Cuba's contemporary history for the ordinary and most intimate lives of its people.

A middle-aged attorney is charged with a white collar crime - is convicted by a jury and awaiting sentencing. He finds out he’s getting a long jail sentence and flees to Cuba to start a new life.

Even as he exposes the cultural fragmentation of Spanish America, Diaz's critical gesture allows strangeness to become an integral part not only of individuals, as Freud argues in "The Uncanny," but also of national cultural communities."--BOOK JACKET.

Joseph Hartman focuses on the public works campaign of Cuban president, and later dictator, Gerardo Machado. Political histories often condemn Machado as a US-puppet dictator, overthrown in a labor revolt and popular revolution in 1933. Architectural histories tend to catalogue his regime’s public works as derivatives of US and European models. Dictator’s Dreamscape reassesses the regime’s public works program as a highly nuanced visual project embedded in centuries-old representations of Cuba alongside wider debates on the nature of art and architecture in general, especially in regards to globalization and the spread of US-style consumerism. The cultural production overseen by Machado gives a fresh and greatly broadened perspective on his regime’s accomplishments, failures, and crimes. The book addresses the regime’s architectural program as a visual and architectonic response to debates over Cuban national identity, US imperialism, and Machado’s own cult of personality.

Take a trip to the golden age of Havana in this gorgeously illustrated volume of vintage photographs, postcards, brochures, and other ephemera. Featuring hundreds of historic images and cultural artifacts, Havana Before Castro documents how the Cuban capital evolved from a Prohibition Era getaway destination to a heady blend of glittering nightclubs, outrageous cabarets, all-night bars, and backstreet brothels. Here, captured in one amazing book, is the drama, passion, intrigue, and opulence of a legendary city during its heyday—before the Castro regime took over and Americans were banned from travel to this tropical paradise. In chapters covering such topics as Cuban rum and cigars, the world-famous Tropicana Club, and Havana’s association with the mob, author Peter Moruzzi provides essential historical context for the many fascinating and evocative images.

In 1998, a mysterious right-handed pitcher emerged from the ashes of the Cold War and helped lead the New York Yankees to a World Championship. His origins and even his age were uncertain. His name was Orlando El Duque Hernandez. He was a fallen hero of Fidel Castro's socialist revolution. The chronicle of El Duque's triumph is at once a window into the slow death of Cuban socialism and one of the most remarkable sports stories of all time. Once hailed as a paragon of Castro's revolution, the finest pitcher in modern Cuban history was banned from baseball for life for allegedly plotting to defect. Instead of accepting his punishment, he fearlessly fought back, defying the Communist party authorities, vowing to pitch again, and ultimately fleeing his country in the bowels of a thirty-foot fishing boat. Here, for the first time and in astonishing detail, the secrets behind El Duque's persecution and escape are revealed. Moving from the crumbling streets of post Cold War Havana to the polarized world of exile Miami, from the deadly Florida Straits to the hallowed grounds of Yankee Stadium, it is a story of cloak-and-dagger adventure, audacious secret plots, the pull of big money, and the historic collision of ideologies. Present throughout are the larger-than-life characters who converged at this bizarre intersection of baseball and politics: El Duque himself, Fidel Castro, the Miami sports agent Joe Cubas, the late John Cardinal O'Connor along with scouts, smugglers, and the Cuban ballplayers who gave up their lives as tools of socialism to test the free market and chase their major-league dreams. Reported in the United States and Cuba by two award-winning journalists who became part of the story they were covering, The Duke of Havana is a riveting saga of sports, politics, liberation, and greed.

Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European tradi­tions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this im­portant collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.