Little Havana Blues is a medley of voicesÑnarrators, essayists and poetsÑthat have come to forge a literary identity within the United States since their parents left Cuba to go into exile. However, this first comprehensive anthology of Cuban-American literature is not a symphony of the exile or immigrant generation and its letters. Instead, these writers are staking their claim on part of the American mosaic, with Pulitzer Prices and other awards in hand. But in their Americanization they are not rejecting their heritage or their Hispanic culture; rather they are Cubanizing, tropicalizing, expanding the realm of American culture and letters. Their vision is inclusive; their sources go deep into Anglo- and Hispano-European tradition and as deeply into Afro-Caribbean and mestizo culture, not to mention their love affair with popular culture and its icons. Included in Little Havana Blues are writers both established and burgeoning onto the literary scene: Pulitzer Prize winter Oscar Hijuelos, Rafael Compo, Gustavo PŽrez Firmat, Margarita Engle, Roberto Fern‡ndez, Dolores Prida, Jose Yglesias and many others. Accompanying the selections are an introduction and bibliography by the editors.

Crumbling pastel-colored facades line its streets, parked vintage cars evoke times past, live music permeates the air. Welcome to Havana, home to an overwhelming energy. Situated along the Straits of Florida, the capital of Cuba has been through several identities: Spanish colonial settlement, mobster rule in the 1930s, glamour of the 1950s, Cuban revolution and, most recently, a cultural renaissance. Havana’s bold, provocative approach to art, cuisine and entertainment—as well as the eclectic blend of African, French, Spanish and North American influences—including its range of architecture styles from the sixteenth century to the modern day, confer this epic city with a legendary status on par with the world’s greatest cities. While some of the building are in disrepair, the beauty of the baroque, neoclassical and art deco features triumphs. The iconic Copa Room cabaret that hosted Ginger Rogers and Abbott and Costello still stands. The Gran Teatro de la Habana, built in the early twentieth century, is now home to the Cuban National Ballet. Habana Vieja is undergoing a massive restoration to its former glory. Havana could be seen as a work-in-progress, but it is more a testament to its never-ending determination to improve and progress, which might be the allure that attracts so many visitors. So take a seat at an authentic paladar (family-run restaurant) and enjoy the vibrant evolution of Havana.

A scorching novel from a star of Cuban fiction. The third in the Havana Quartet series.

A “dark, rich, and satisfying” novel of mobsters, baseball, and 1950s Cuba (Entertainment Weekly). It is the fall of 1958 and all of Cuba is riveted to the World Series—the New York Yankees are playing the Milwaukee Braves, and the infamous Meyer Lansky’s gambling empire is raking in millions in bets. But rival mob boss Joe Bonnano, working with a team of Cuba’s boldest and most ingenious criminals, plans to hijack Lanksy’s fortune. The heist goes off brilliantly—until Bonnano’s point man is shot dead. As Lansky’s man in the police department investigates the case, he is caught up in a colorful and dangerous world of gangsters, misfits, and double-crosses . . . “A lively, entertaining read.” —Publishers Weekly “The characters are fascinating, the story compelling . . . You couldn’t ask for more.” —Orlando Sentinel “Suspenseful . . . captures the sights, sounds, smells and rhythms of Havana.” —The Miami Herald

A hub for barefoot bohemians and glamorous goddesses, Tulum is a Mayan hideaway that perfectly distills the gypset lifestyle. An off-grid escape for nomadic creatives, it is a playground for spirituality and community. This tiny, idyllic eight-mile strip of sand on Mexico’s Yucatán Peninsula is tucked between a tropical jungle, Mayan ruins, and the Sian Ka’an biosphere: It’s a heady vortex. Tulum’s isolated and breathtakingly beautiful environment also makes it the perfect place for those craving a deeper connection with themselves, others, and nature. Seekers (sun, spiritual, and otherwise) pilgrimage to this beach settlement in droves to join this avant-garde template for a new bohemian lifestyle that prioritizes healing, eco-friendly practices and organic cuisine. The boho-chic crowd’s home away from home, Tulum is a rare and successful modern experiment in both consciousness and sophistication, bolstered by its down-to-earth hotels, mesmerizing cenotes, and lush backdrop.

A memoir by the mustachioed baseball pitcher who went playing rocky, trash-ridden fields in Castro’s Cuba to becoming a Boston Red Sox legend. Luis Tiant is one of the most charismatic and accomplished players in Boston Red Sox and Major League Baseball history. With a barrel-chested physique and a Fu Manchu mustache, Tiant may not have looked like the lean, sculpted aces he usually played against, but nobody was a tougher competitor on the diamond, and few were as successful. There may be no more qualified twentieth-century pitcher not yet enshrined in the National Baseball Hall of Fame. His big-league dreams came at a price: racism in the Deep South and the Boston suburbs, and nearly fifteen years separated from a family held captive in Castro’s Cuba. But baseball also delivered World Series stardom and a heroic return to his island home after close to a half-century of forced exile. The man whose name—“El Tiante” —became a Fenway Park battle cry has never fully shared his tale in his own words, until now. In Son of Havana, Tiant puts his heart on his sleeve and describes his road from torn-up fields in Havana to the pristine lawns of major league ballparks. Readers will share Tiant’s pride when appeals by a pair of US senators to baseball-fanatic Castro secure freedom for Luis’s parents to fly to Boston and witness the 1975 World Series glory of their child. And readers will join the big-league ballplayers for their spring 2016 exhibition game in Havana, when Tiant—a living link to the earliest, scariest days of the Castro regime—threw out the first pitch.

Havana is among the world’s leading cinematic locales. In films made beyond the island as well as those created by local cineastes, Havana is depicted as a vibrant Caribbean city. The quantity and quality of the works representing this tropical cityscape attest to the prominence of this film location and underscore the need for a book dedicated to it. World Film Locations: Havana situates Havana as a modern city in pre-Revolutionary times, noting the architectural and cultural shifts evident during the revolution, and comments on recent reconfigurations of the city and its inhabitants in the wake of global forces. Among the forty-six scene reviews chosen to show the city in all its multifaceted-glory, films such as Our Man in Havana, I Am Cuba, Hello Hemingway, Habana Blues and Chico and Rita are bookended by seven insightful essays. The essays look at the history of revolutionary cinema in Cuba and consider documentary films, from the Latin American Newsreel to avant-garde experimental work, including the island’s documentary tradition showcasing local faces and places that have paved the way for present-day media and audio-visual art. The essays also explore the multifaceted film culture of the capital, the cine club movement, historic cinemas and film venues around the city, the abundance of film festivals such as the International Festival of New Latin American Cinema and film-themed cafeterias, restaurants, bookstores and markets.