This anthology is a collection of spine-chilling narratives drawn from the darkest corners of the cosmos, where the laws of reality bend and twist, and the veil between the mundane and the macabre is perilously thin. Each tale serves as a portal to an otherworldly realm, where the inexplicable and the terrifying converge to weave a tapestry of cosmic horror. These stories are not bound by the limitations of our known universe; instead, they propel readers into the cosmic unknown, where the echoes of dread and the whispers of the eldritch dance in the shadows. As the curator of this ethereal compendium, I invite you, dear reader, to embark on a journey into the realms beyond the stars. Prepare to encounter malevolent entities, ancient forces, and unspeakable horrors that defy earthly comprehension. These stories are not for the faint of heart; they are tales that grip the soul and elicit a primal fear—a fear that resonates not only with the unknown lurking in the cosmos but also with the depths of the human psyche. In the following pages, you will traverse desolate planets shrouded in perpetual darkness, confront entities that defy the laws of nature, and witness the awakening of malevolent forces that have slumbered for eons. Each story is a portal to a different dimension, a glimpse into the cosmic nightmares that await those who dare to peer beyond the veil.

A study of the production, circulation and consumption of English ghost stories during the Age of Reason. This work examines a variety of mediums: ballads and chapbooks, newspapers, sermons, medical treatises and scientific journals, novels and plays. It relates the telling of ghost stories to changes associated with the Enlightenment.

"From the notorious Lizzie Borden to the innumerable, haunted rooms of Sarah Winchester's mysterious mansion this offbeat, insightful, first-ever book of its kind from the brilliant guides behind 'Boroughs of the Dead,' featured on NPR.org, The New York Times, and Jezebel, explores the history behind America's female ghosts, the stereotypes, myths, and paranormal tales that swirl around them, what their stories reveal about us--and why they haunt us"--

What if there were a whole world of great horror fiction out there you didn't know anything about, written by authors in distant lands and in foreign languages, outstanding horror stories you had no access to, written in languages you couldn't read? For an avid horror fan, what could be more horrifying than that? For this groundbreaking volume, the first of its kind, the editors of Valancourt Books have scoured the world, reading horror stories from dozens of countries in nearly twenty languages, to find some of the best contemporary international horror stories. The stories in this volume come from 19 countries on 5 continents and were originally written in 13 different languages. All 20 foreign language stories in this volume are appearing in English for the first time ever. The book includes stories by some of the world's preeminent horror authors, many of them not yet known in the English-speaking world.

Explore a riveting collection of scientific theories, first-hand experiences, and spine-chilling stories that beg the question: Is there a parallel world that we can?t see? For centuries people have reported odd occurrences that defy explanation. And a fascination with the mystical still exists today. Movies such as Ghost and The Sixth Sense and TV shows like The X-Files entertain our curiosity with the unexplained. The six expert authors of Unseen World will guide you through a wide spectrum of mysterious events. With the help of eyewitness accounts, more than 100 black-and-white photographs, and ?Bare Bones? sidebars?which provide practical definitions of supernatural phenomenon?you will discover a range of claims and counterclaims by sleuths and university professors alike, who have explored the possibility of a nonphysical realm of living spirits. You?ll even discover some hoaxes and frauds along the way. Five information-filled sections will reveal: * The spiritual: Mediums, reincarnation, spirit guides, séances, trance speaking, clairvoyance, and psychic and absent healing * The paranormal: Near-death experiences, hypnotic regression to past lives, prophecies and predictions, déjà vu, intuition and coincidences, and dream interpretation * The scientific: discoveries and experiments for parapsychology, auras, electronic voice phenomena, thoughtography, and extremely low-frequency (ELF) magnetic fields * The psychic: psychokinesis, telepathy, remote viewing, eyeless sight, dowsing, psychic surgery, spirit divination, fortune-telling, palmistry, tarot reading, and voodoo * The haunted: apparitions, ghost hunters, famous sites?Amityville Horror, Gettysburg, Burlington in Ontario, Canada?poltergeists, possession, exorcism, and necromancy>BR> Whether you?re simply curious or seeking answers, Unseen World will bring you closer to understanding our quest to solve the unknown.

This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin. The ghost stories are read in the light of women’s non-fictional writing on architecture, travel, interior design, sacred space, technology, the ideal home and the servant problem. Women writers discussed include Elizabeth Gaskell, Margaret Oliphant, Vernon Lee, Edith Wharton, May Sinclair and Elizabeth Bowen. This book will appeal to students and researchers in the ghost story, Female Gothic and Victorian and modernist women’s writing, as well as general readers with an interest in the supernatural.

Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.