2019 INDEPENDENT BOOK AWARDS WINNER FOR HORROR!2019 SILVER IPPY AWARD FOR HORROR!2018 FIRST PLACE EVVY AWARD WINNER FOR HORROR!Deep in the Louisiana bayou, an ancient mansion sits empty and abandoned.Callie Pilantro inherits the house and finds a mysterious child there who appears and disappears at will.Even the walls of the mansion hold long-forgotten secrets.Get your copy today!Follow Callie as she struggles to find the secrets of her house even as someone or something tries to stop her. It all ends one eerie night. Will it be too late for Callie?Buy it now!

Gathers Cajun stories featuring werewolves, pirate ghosts, witches, and skeletons.

In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies. Basing her analysis on texts by Ernest Gaines, Richard Wright, Alice Walker, Natasha Trethewey, Olympia Vernon, Brenda Marie Osbey, Sybil Kein, and others, Davis reveals how these writers reconstitute racial exclusion as creative black space, rather than a site of trauma and resistance. Utilizing the social and political separation epitomized by segregation to forge a spatial and racial vantage point, Davis argues, allows these writers to imagine and represent their own subject matter and aesthetic concerns. Focusing particularly on Louisiana and Mississippi, Davis deploys new geographical discourses of space to expand analyses of black writers' relationship to the South and to consider the informing aspects of spatial narratives on their literary production. She argues that African American writers not only are central to the production of southern literature and new southern studies, but also are crucial to understanding the shift from modernism to postmodernism in southern letters. A paradigm-shifting work, Southscapes restores African American writers to their rightful place in the regional imagination, while calling for a more inclusive conception of region.

"To those who may be encountering Louisiana for the first time through these wonderful stories-prepare to be engaged and entertained to a degree to which you are certainly unaccustomed . . . Barbara's gift for storytelling holds in the written word just as it does before a television camera."-Phillip J. Jones, former secretary, Louisiana Department of Culture, Recreation, and Tourism "A personal, anecdotal narrative that paints events with evocative descriptions . . . best savored in slices-it serves up a great bedtime read."-New Orleans Times-Picayune Based on the PBS documentary of the same name that aired across the country, The Haunting of Louisiana highlights many of the stories that would not fit into the one-hour television program. Louisiana's haunted reputation is spotlighted in the twenty chapters that cover the ghostly escapades and happenings at Oak Alley Plantation, Ormond Plantation, Destrehan Manor, and America's "most haunted home," the Myrtles, in St. Francisville, to name a few. The book also includes behind-the-scenes incidents that occurred during the taping of the documentary. Who is the lady in the photograph whose mirrored reflection appears headless in a bedroom in Oak Alley Plantation? Why are little girls the only tour visitors to experience the taunting of Chloe, a slave and mistress of the owner of the Myrtles in the 1800s? Whose invisible hand had to be repeatedly pushed away from the owner's car horn at Chretien Point Plantation before the owner could get a good night's rest? The spine-tingling explanations for these events and many others are just waiting to be discovered.

Discusses the hauntings of various houses throughout the United States.

When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.