A trip to Montana to start a new life is a journey of dreams and faith. Where will Glori's faith take her and will she find what she is searching for? New author Norma Moore Sutton answers these questions and more in Matthew's Legacy, the first book in the Haunting Memories Series

Every large nation in the world was directly or indirectly affected by the impact of war during the course of the twentieth century, and while the historical narratives of war of these nations are well known, far less is understood about how small islands coped. These islands – often not nations in their own right but small outposts of other kingdoms, countries, and nations – have been relegated to mere footnotes in history and heritage studies as interesting case studies or unimportant curiosities. Yet for many of these small islands, war had an enduring impact on their history, memory, intangible heritage and future cultural practices, leaving a legacy that demanded some form of local response. This is the first comprehensive volume dedicated to what the memories, legacies and heritage of war in small islands can teach those who live outside them, through closely related historical and contemporary case studies covering 20th and 21st century conflict across the globe. The volume investigates a number of important questions: Why and how is war memory so enduring in small islands? Do factors such as population size, island size, isolation or geography have any impact? Do close ties of kinship and group identity enable collective memories to shape identity and its resulting war-related heritage? This book contributes to heritage and memory studies and to conflict and historical archaeology by providing a globally wide-ranging comparative assessment of small islands and their experiences of war. Heritage of War in Small Island Territories is of relevance to students, researchers, heritage and tourism professionals, local governments, and NGOs.

"Oh, no-" the anguished cry rang out. For a sister and her brothers, it was terrible news-of a death in the family-the death that left them dumbfounded. Broken hearted, here they were, a grand family suddenly bereft of a great part. It made no sense. "...Sorry to inform you," the awful words struck like a thunderbolt. Mom and dad had crashed on their vacation trip. -So unfair, so unreal, so jarring...so final. All the siblings could think of was how much love was lost to them. Their parents were the linchpins; they were the finest; they were the most revered. At a loss due to a loss. So much love and affection was denied them in an unpredictable moment. What was to become of them? Mom with her daily wisdom. Dad with his usual counsel. Mom with her laugh. Dad with his wry humor. Mom with her catering and caring. Dad with his hugs and counsel. What will they do without them? The sister and her husband, the brothers and their wives, succumbed to the pain, weakening them. Where would the strength come from that was required to survive such a tragedy? When ravaged by happenstance, What holds the family together when hope and promise lose some of their dash? In the moments of crisis, inevitably, people are hanging on by hanging tough. That courage comes from their heritage, which is the real force, the saving grace. It's not just what they have inherited in family lore, but the bond that ties endowment and legacy together in a triumvirate that can spark the spirit. Haunting Memories says something about how desire can influence perception; by allowing-or causing-us to see what we want to see. We wonder when they're gone, Did we do enough for them? Did we express our love and affection often enough? Were we good to them? We aren't going to be able to answer yes to all such questions without some reservation. -Because we're never going to think we've done all that we could have or should have done for our loved ones. We can't get our minds off them. We can't let them go. We want them back. But we can't have them back. They are where they are. -And we can't get there from here.

This book critically examines the institutional curation of traumatic memory at the 9/11 Memorial Museum and its evocative power as a cultural storyteller. Memorial Museums are evocative spaces. Drawing on aesthetic practices deeply rooted in representing the ‘unrepresentability’ of cultural trauma, most notably the Holocaust, Memorial Museums are powerful, popular mediums for establishing cultural values, asking the visitor to contemplate "Who am I?" in relation to the difficult histories on display. Using primary data, this book poses important questions about the emotionally-charged site: what ‘moral lessons’ are visitors imparted with at the 9/11 Memorial Museum? Who is the cultural institution’s primary audience—the imagined community it reconstructs this traumatic history and safeguards its memories for? What does the National September 11 Memorial & Museum ultimately teach visitors about history, ourselves, and others? This work will be of interest to students and scholars in the areas of Human Geography, American Studies, Museum Studies and Public History, Cultural and Heritage Studies, and Trauma and Memory Studies.

In this book, Duane Jethro creates a framework for understanding the role of the senses in processes of heritage formation. He shows how the senses were important for crafting and successfully deploying new, nation-building heritage projects in South Africa during the postapartheid period. The book also highlights how heritage dynamics are entangled in evocative, changing sensory worlds.Jethro uses five case studies that correlate with the five main Western senses. Examples include touch and the ruination of a series of art memorials; how vision was mobilised to assert the authority of the state-sponsored Freedom Park project in Pretoria; how smell memories of apartheid-era social life in Cape Town informed contemporary struggles for belonging after forced removal; how taste informed debates about the attempted rebranding of Heritage Day as barbecue day; and how the sound of the vuvuzela, popularized during the FIFA 2010 Football World Cup, helped legitimize its unofficial African and South African heritage status.This book makes a valuable contribution to the field of sensory studies and, with its focus on aesthetics and material culture, is in sync with the broader material turn in the humanities.

The Civil War tends to be remembered as a vast sequence of battles, with a turning point at Gettysburg and a culmination at Appomattox. But in the guerrilla theater, the conflict was a vast sequence of home invasions, local traumas, and social degeneration that did not necessarily end in 1865. This book chronicles the history of “guerrilla memory,” the collision of the Civil War memory “industry” with the somber realities of irregular warfare in the borderlands of Missouri and Kansas. In the first accounting of its kind, Matthew Christopher Hulbert’s book analyzes the cultural politics behind how Americans have remembered, misremembered, and re-remembered guerrilla warfare in political rhetoric, historical scholarship, literature, and film and at reunions and on the stage. By probing how memories of the guerrilla war were intentionally designed, created, silenced, updated, and even destroyed, Hulbert ultimately reveals a continent-wide story in which Confederate bushwhackers—pariahs of the eastern struggle over slavery—were transformed into the vanguards of American imperialism in the West.