Haunted Histories and Troubled Pasts speaks to how a transnational array of recent screen entertainments participate, through horror, in public discourses of history, the social and creative work of reshaping popular understanding of our world through the lens of the past. Contemporary film and television – and popular screen cultures more generally – are distinguished by their many and varied engagements with history, including participation in worldwide movements to reconcile past losses and injuries with present legacies. The chapters in this collection address themselves to 21st-century screen horror's participation in this widespread fascination with and concern for the historical - its recurrent reimagining of the relation between the past and present, which is part of its inheritance from the Gothic. They are concerned with the historical work of horror's spectral occupations, its visceral threats of violence and its capacity for exploring repressed social identities, as well as the ruptures and impositions of colonization and nationhood. Trauma is a key theme in this book, examined through themes of war and genocide, ghostly invasions, institutionalized abuse, apocalyptic threat and environmental destruction. These persistent, fearful reimaginings of the past can take many lurid – sometimes tritely generic – forms. Together, these chapters explore and reflect upon horror's ability to speak through them to the unspoken of history, to push the boundaries and probe the fault-lines and ideological impositions of received historical narratives – while reminding us that history and the historical imagination persist as sites of contention.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

Follow local historian and “Ghost Lady” Kathi Kresol as she researches the spirits, curses, and curiosities from the Forest City’s shadowy past. Just beneath the glossy surface of Rockford’s rich heritage lies a dark history of tragedy, a troubled and turbulent past leaving scars that still resonate today. Geraldine Bourbon’s final struggle echoes throughout the farmhouse where her estranged husband pursued her with a pistol from room to room before gently laying her corpse on the bed. The sobs of society darling Carrie Spafford still keep vigil over the family plot of the cemetery where she sowed the heartbreak of her twilight years. From the vengeance of Chief Big Thunder to the Witch of McGregor Road, author Kathi Kresol shares the legends and lore of Rockford’s haunted history. Includes photos! “There are reasons why Kathi Kresol believes Rockford is so haunted. The tour guide said there are good ‘conductors’ for the supernatural in the city’s downtown area. These factors include being near a body of water, having limestone in the area and the area having a Native American influence.” —Beloit Daily News

Considers the ways ghost stories appeal to our uneasy relationship with conventional good senseWhat do they want, the ghosts that, even in the age of science, still haunt our storytelling? Catherine Belsey's answer to the question traces Gothic writing and tales of the uncanny from the ancient past to the present - from Homer and the Icelandic sagas to Lincoln in the Bardo. Taking Shakespeare's Ghost in Hamlet as a turning point in the history of the genre, she uncovers the old stories the play relies on, as well as its influence on later writing. This ghostly trail is vividly charted through accredited records of apparitions and fiction by such writers as Ann Radcliffe, Washington Irving, Emily Bront Nathaniel Hawthorne, Henry James, M. R. James and Susan Hill. In recent blockbusting movies, too, ghost stories bring us fragments of news from the unknown. Traces examples of ghost stories from Homer to the present dayDescribes the aspects of storytelling designed to involve readersIncludes stories of attested apparitions, as well as fiction by a wide range of both canonical and popular authors

An intellectual feast for fans of offbeat history, Ghostland takes readers on a road trip through some of the country's most infamously haunted places--and deep into the dark side of our history.

In Retracing the Keowee Trail, the author tells the story of the Cherokee Path that connected the low country of colonial Carolina with the mountain homeland of the Cherokee Nation. The Keowee Trail was a busy trading route for a burgeoning deerskin trade. Along this same path, epidemic disease made its way inexorably from the colony toward Cherokee society, reducing their population by more than half. Along this path, warfare was waged in both directions, by Cherokee war parties determined to defend their homeland and by settlers like the author's Scots Irish ancestors, evermore hungry for land. That ancestral history is an entry point into this larger narrative. A "deep map" approach to the Keowee Trail will hold together multiple lines of perspective, including memoir, family history, migration patterns, religious history, Indigenous wisdom, trauma theory, ghost stories, mythology, archeology, geography, the watersheds, and the flora and fauna of the Southern Appalachians.

Heroic Girls looks at the recent proliferation of young girl heroes in many recent mainstream films and books. These contemporary ‘final’ girls do not just survive but rather suggest that in doing so they have fundamentally changed something about themselves and or the world around them, seeing them become the ‘First Girls’ of this altered reality. The collection brings together a wide range of perspectives and cultural viewpoints that describe many recent narratives that explore the idea of a Final Girl and her “after-story”. The essays are divided into four sections, beginning with more theoretical approaches; cross-cultural examples; the ways in which fictional narratives bear strong relation to real-world circumstances; examples that more strongly depict themes of resistance, survival, and individual agency; and, finally, those that describe something more fundamental and transformative. Films and television shows covered in the collection include The Girl with All the Gifts, The Witcher, The Hunger Games, Star Wars, The Fear Street and Pan’s Labyrinth. This book will be of interest to researchers and students of film studies, gender studies, and media studies.