Haunted Dreams is the first comprehensive study in English devoted to cultural representations of adolescence in Russia since the end of the Soviet Union in 1991. Jenny Kaminer situates these cultural representations within the broader context of European and Anglo-American scholarship on adolescence and youth, and she explores how Russian writers, dramatists, and filmmakers have repeatedly turned to the adolescent protagonist in exploring the myriad fissures running through post-Soviet society. Through close analysis of prose, drama, television, and film, this book maps how the adolescent hero has become a locus for multiple anxieties throughout the tumultuous years since the end of the Soviet experiment. Kaminer also directly addresses some of the pivotal questions facing scholars of post-Soviet Russia: Have Soviet cultural models been transcended? Or do they continue to dominate? The figure of the adolescent, an especially potent and enduring source of cultural mythology throughout the Soviet years, provides provocative material for exploring these questions. In Haunted Dreams, Kaminer employs a historical approach to reveal how fantasies of adolescence have mutated and remained constant across the Soviet/post-Soviet divide, focusing on violence, temporality, and gender and the body. Some of the works discussed present the possibility of salvaging the model of the heroic adolescent for a new society. Others, by contrast, relegate this figure to the dustbin of history by evoking disgust or horror, or by unmasking the tragic consequences that ensue from the combination of adolescence, violence, and fantasy.

Piece discusses 18th century life in Concord and Lincoln Mass.; The Hartwell Tavern; and the morning of April 19, 1775 at the Hartwell home.

“A wonderful American story of the extraordinary sacrifices made by a group of Mexican Americans . . . A shining example of patriotism at its best.”—Former U.S. Representative Tom Railsback They came from one street, but death found them in many places. . . in a distant jungle, a frozen forest, and trapped in the flaming wreckage of a bomber blown from the sky. They all came from a single street in Silvis, Illinois, a dirt road barely a block and a half long, with an unparalleled history. The Mexican-American families who lived on that one street sent fifty-seven of their children to fight in World War II and Korea—more than any other place that size anywhere in the country. Eight of those children died. It’s a distinction recognized by the Department of Defense, one that earned that strip a distinguished name: Hero Street. This is the story of those brave men and their families, how they fought both in battle and to be accepted in a society that remained biased against them even after they returned home as heroes. Based on interviews with relatives, friends, and soldiers who served alongside the men, as well as personal letters and photographs, The Ghosts of Hero Street is the compelling and inspiring account of a street of soldiers—and men—who would not be denied their dignity or their honor. INCLUDES PHOTOS

With an introduction by award-winning novelist Barbara Kingsolver In the late nineteenth century, when the great powers in Europe were tearing Africa apart and seizing ownership of land for themselves, King Leopold of Belgium took hold of the vast and mostly unexplored territory surrounding the Congo River. In his devastatingly barbarous colonization of this area, Leopold stole its rubber and ivory, pummelled its people and set up a ruthless regime that would reduce the population by half. . While he did all this, he carefully constructed an image of himself as a deeply feeling humanitarian. Winner of the Duff Cooper Prize in 1999, King Leopold’s Ghost is the true and haunting account of this man’s brutal regime and its lasting effect on a ruined nation. It is also the inspiring and deeply moving account of a handful of missionaries and other idealists who travelled to Africa and unwittingly found themselves in the middle of a gruesome holocaust. Instead of turning away, these brave few chose to stand up against Leopold. Adam Hochschild brings life to this largely untold story and, crucially, casts blame on those responsible for this atrocity.

Haunted Empire shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. Valeria Sobol argues that the persistent presence of Gothic tropes in the literature of the Russian Empire is a key literary form that enacts deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. Her book brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as she explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms "the imperial uncanny." Focusing on two spaces of the imperial uncanny—the Baltic north/Finland and the Ukrainian south—Haunted Empire reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.

A Heart Divided is the fourth and final volume in Jin Yong’s high stakes, tension-filled epic Legends of the Condor Heroes, where kung fu is magic, kingdoms vie for power and the battle to become the ultimate kung fu master unfolds. China: 1200 A.D. Guo Jing and Lotus have escaped Qiu Qianren’s stronghold, but at a steep price: Lotus has been mortally wounded. The only one who could save her life is Duan, King of the South, a man skilled and renowned for his healing. But little do they know that danger awaits, including a plan to tear them apart. As the Mongol armies descend on China, Guo Jing will have to make the toughest decision of all—rejoin the people who raised him to avenge his father or fight against his homeland. The ultimate battle for China and Guo Jing’s future plays out in the sweeping, high stakes adventure of A Heart Divided, where one choice can change the world.

Byronism, Napoleonism and Nineteenth-Century Realism offers a fresh analysis of the nineteenth-century European novel, exploring the cultural images of Byron and Napoleon as they appear in the construction of ‘bourgeois heroism.’ Utilising a unique pan-European perspective, this volume draws together concepts of heroism with theoretically informed questions of form, particularly the role of the hero-protagonist and development of literary realism. Observing Byron and Napoleon as parallel entities, whose rise and twin fame cast long shadows in the first decades of the nineteenth century, this text exemplifies the force of personality which made them heroes. Even where they were reviled, their commitment to challenging moribund cultural and social values make them touchstones for all those who attempted to understand the nineteenth century’s modernity. Integrating the study of heroism in the nineteenth-century novel with key developments in critical theory, Byronism, Napoleonism and Nineteenth-Century Realism is essential reading for students and scholars of the bourgeois hero, as well as those with a wider interest in nineteenth-century literature.