A look at one of the most influential milliners of the twentieth-century, Madame Paulette

Although a hat may be designed for the purpose of practicality or aesthetics, it is part of a complex interplay of wider cultural meanings. Throughout history hats have played a significant role in expressing and revealing notions of class, gender, authority, fashion and etiquette. By examining the consumption and production of hats from the 18th century to the present day, this book explores their significance as markers of social and cultural change. Taking a thematic approach, Clair Hughes charts how headgear during the modern era has been shaped by status, gender and necessity. Using case studies such as the bowler hat, which has moved up and down classes and professions, Hughes reveals that although a hat might seem bound to its status and context, it is as susceptible to subversion and reinvention as the society which creates it. From the transition of pilots' helmets from practical headgear to fashion items, to the Slouch hat and the baseball cap, hats have responded to cultural or political movements, often becoming conscious displays of identity and social allegiance. Drawing from material and historical research as well as depictions in art, literature and film, Hughes provides a fascinating insight into hats as a visible performance of social values and culture.

A pictorial history with both black and white and color illustrations that documents the (mostly) Western history of the hat and headgear.

A critical discussion of Hillary Clinton's speaking fees, focusing on the corporations that paid the fees

Unravel the fascinating history of the turban, from its origins to its religious uses and its appearance in contemporary fashion and culture. A turban is a strip of cloth folded and wrapped around the head; however, this description includes multifarious forms of the garment across space and time. This book follows the turban as it moves from the Arabian Peninsula through the Ottoman Empire to Europe and the Americas. It directs the reader’s gaze from traditional and religious uses of the turban into the realms of international trade, Renaissance art, and contemporary fashions. Turbans, as this book shows, have moved in and out of Western culture, at times archaic and forgotten, then noticed and reinstated as major accessories. Today Sikh men are recognized by their distinctive headwraps, and the turban remains an important part of Black culture. This book explores the turban’s many adaptations worldwide.

From the first animal skin body coverings, to today’s high fashion collections, fashion has held an important role in the evolution of mankind. The fashion industry has, and continues to make, major contributions to our cultural and social environment. It is an industry that responds to our inherent longing for tribal belonging, our socio-economic needs, individual lifestyles, status stratification and profession apparel requirements. The fashion industry is fast-paced, complex and ever changing, in response to consumer needs. Throughout the world, vast numbers of people contribute to this industry, each with the shared goal of supplying an end product of a particular price point directed at a target consumer. This second edition of Historical Dictionary of the Fashion Industry contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1,400 cross-referenced entries on designers, models, couture houses, significant articles of apparel and fabrics, trade unions, and the international trade organizations. This book is an excellent resource for students, researchers, and anyone wanting to know more about the fashion industry.

The history of clothing begins with the origin of man, and fashionable dress can be traced as far back as 25,000 years ago. Recent scientific explorations have uncovered graves in northern Russia with skeletons covered in beads made of mammoth ivory that once adorned clothing made of animal skin. The Ancient Egyptians, Greeks, and Romans each made major contributions to fashion's legacy from their textile innovations, unique clothing designs and their early use of accessories, cosmetics, and jewelry. During the Middle Ages, 'fashion trends' emerged as trade and commerce thrived allowing the merchant class to afford to emulate the fashions worn by royals. However, it is widely believed that fashion didn't became an industry until the industrial and commercial revolution during the latter part of the 18th century. Since then, the industry has grown exponentially. Today, fashion is one of the biggest businesses in the world, with hundreds of billions of dollars in turnover and employing tens of millions of workers. It is both a profession, an industry, and in the eyes of many, an art. The A to Z of the Fashion Industry examines the origins and history of this billion-dollar industry. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on designers, models, couture houses, significant articles of apparel and fabrics, trade unions, and the international trade organizations.