A delightful tale about magic hats and bonnets, but above all about the importance about being yourself and the hidden treasures we carry within us. Guided Reading Level: O, Lexile Level: 950L

Early modern Venice was an exceptional city. Located at the intersection of trade routes and cultural borders, it teemed with visitors, traders, refugees and intellectuals. It is perhaps unsurprising, then, that such a city should foster groups and individuals of unorthodox beliefs, whose views and life styles would bring them into conflict with the secular and religious authorities. Drawing on a vast store of primary sources - particularly those of the Inquisition - this book recreates the social fabric of Venice between 1640 and 1740. It brings back to life a wealth of minor figures who inhabited the city, and fostered ideas of dissent, unbelief and atheism in the teeth of the Counter-Reformation. The book vividly paints a scene filled with craftsmen, friars and priests, booksellers, apothecaries and barbers, bustling about the city spaces of sociability, between coffee-houses and workshops, apothecaries' and barbers' shops, from the pulpit and drawing rooms, or simply publicly speaking about their ideas. To give depth to the cases identified, the author overlays a number of contextual themes, such as the survival of Protestant (or crypto-Protestant) doctrines, the political situation at any given time, and the networks of dissenting groups that flourished within the city, such as the 'free metaphysicists' who gathered in the premises of the hatter Bortolo Zorzi. In so doing this rich and thought provoking book provides a systematic overview of how Venetian ecclesiastical institutions dealt with the sheer diffusion of heterodox and atheistical ideas at different social levels. It will be of interest not only to scholars of Venice, but all those with an interest in the intellectual, cultural and religious history of early-modern Europe.

“Describes how to experiment with different materials, fabric, embellishments, and small accessories to create fabulous one-of-a-kind hats!” —Threads The latest installment in our popular Design Collective series features over 25 hat projects from contemporary designers all over the world, each hand-selected for their freshly sewn flair and skilled millinery work. Ladies and gents, boys and girls . . . what will you tip from the top of your head? A bonnet, a cap, a cloche, a tam? Projects include other adornments for your crown, such as headbands, fascinators, and scarves. From playful to practical, sassy to sophisticated, there is something for everyone to make and wear any day, every day. “Provides the tools and the inspiration to create a hat for every season.” —Stitch Gifts

The Little Prince meets Journey in this gorgeous, reassuring picture book fable about loss, perseverance, and finding what matters most. What happens to a boy who has nothing but a hat? Everything. A boy wakes up one morning and finds that everything he owns has gone missing. With nothing but a simple green hat, the boy journeys through distant landscapes, searching high and low for the things he has lost. Along the way he discovers that perhaps everything he needs has been with him all along. Stephen Barr makes his debut in this achingly poignant and deeply profound fable of one boy's adventure to recover his life's treasures. With vibrant illustrations by Gracey Zhang and a subtle message about hopeful perseverance, this book is an exquisite, emotional journey through loss, persistence, and discovering what's truly essential. TIMELESS PICTURE BOOK: Deeply reflective, sparingly written, and beautifully illustrated, this tale will strike a chord with its poignant storytelling. It's a picture book for any reader, of any age, at any time. A FABLE FOR THE AGES: Reminiscent of the stories of Aesop's Fables, this book touches on universal themes of the human condition and shares a heartfelt message that is effortless but hopeful. Readers will come away thinking differently about what they own, what they need, and what they hold most dear. NEW VOICE IN CHILDREN'S BOOKS: Debut author Stephen Barr brings years of experience working with authors as a literary agent to craft this gem of a picture book that will resonate with fans of classic children's stories. IMMERSIVE ILLUSTRATION: Gracey Zhang's spellbinding art illuminates every step of the story, immersing the reader in a gorgeously rendered world that feels familiar yet utterly unique. Perfect for: • Parents interested in teaching their kids about loss and gratitude • Children who like fables/myths • Readers who love losing themselves in immersive picture book art • Readers looking for a modern classic picture book • Fans of William Steig, Erin and Philip Stead, and the Chronicles of Narnia • Educators and librarians looking for a magical, engaging read-aloud

A magician introduces children to the fantastical powers of books in this delightful and encouraging read by a Super Bowl champion and literacy crusader. This is not your typical afternoon at the library—a magician invites kids to reach into his hat to pull out whatever they find when they dig down deep. Soon—poof!—each child comes away with something better than they could’ve imagined—a book that helps them become whatever they want to be, and makes their dreams come true through pages and words, and the adventures that follow. But each child can’t help but wonder, What’s really making the magic happen? Praise for The Magician’s Hat “Malcolm Mitchell is changing the world through the power of reading.” —Dav Pilkey, bestselling creator of the Dog Man and Captain Underpants series “The Magician’s Hat will cast its spell on you!” —Jeff Kinney, bestselling author of the Diary of a Wimpy Kid series “New England Patriot and literacy advocate Mitchell proves to have a touch of magic as an author as well as on the field . . . Perhaps youngsters who think they are more interested in football than reading will take the message to heart.” —Kirkus Reviews

An all-new series from New York Times bestselling author Jenn McKinlay Not only is Scarlett Parker’s love life in the loo—as her British cousin Vivian Tremont would say—it’s also gone viral with an embarrassing video. So when Viv suggests Scarlett leave Florida to lay low in London, she hops on the next plane across the pond. Viv is the proprietor of Mims’s Whims, a ladies’ hat shop on Portobello Road bequeathed to both cousins by their beloved grandmother, and she wants Scarlett to finally join her in the millinery business. But a few surprises await Scarlett in London. First, she is met at the airport not by Viv, but by her handsome business manager, Harrison Wentworth. Second, Viv—who has some whims of her own—seems to be missing. No one is too concerned about the unpredictable Viv until one of her posh clients is found dead wearing the cloche hat Viv made for her—and nothing else. Is Scarlett’s cousin in trouble? Or is she in hiding?

Early modern Venice was an exceptional city. Located at the intersection of trade routes and cultural borders, it teemed with visitors, traders, refugees and intellectuals. It is perhaps unsurprising, then, that such a city should foster groups and individuals of unorthodox beliefs, whose views and life styles would bring them into conflict with the secular and religious authorities. Drawing on a vast store of primary sources - particularly those of the Inquisition - this book recreates the social fabric of Venice between 1640 and 1740. It brings back to life a wealth of minor figures who inhabited the city, and fostered ideas of dissent, unbelief and atheism in the teeth of the Counter-Reformation. The book vividly paints a scene filled with craftsmen, friars and priests, booksellers, apothecaries and barbers, bustling about the city spaces of sociability, between coffee-houses and workshops, apothecaries' and barbers' shops, from the pulpit and drawing rooms, or simply publicly speaking about their ideas. To give depth to the cases identified, the author overlays a number of contextual themes, such as the survival of Protestant (or crypto-Protestant) doctrines, the political situation at any given time, and the networks of dissenting groups that flourished within the city, such as the 'free metaphysicists' who gathered in the premises of the hatter Bortolo Zorzi. In so doing this rich and thought provoking book provides a systematic overview of how Venetian ecclesiastical institutions dealt with the sheer diffusion of heterodox and atheistical ideas at different social levels. It will be of interest not only to scholars of Venice, but all those with an interest in the intellectual, cultural and religious history of early-modern Europe.