Hat gesagt bleibt's nicht dabei
Title | Hat gesagt bleibt's nicht dabei PDF eBook |
Author | Richard Strauss |
Publisher | |
Pages | 14 |
Release | 1912 |
Genre | Knaben Wunderhorn |
ISBN |
Song
Title | Song PDF eBook |
Author | Carol Kimball |
Publisher | Hal Leonard Corporation |
Pages | 604 |
Release | 2006 |
Genre | Music |
ISBN | 9781423412809 |
Naslagwerk van de liedkunst en de literatuur hierover.
School of Music Programs
Title | School of Music Programs PDF eBook |
Author | University of Michigan. School of Music |
Publisher | |
Pages | 396 |
Release | 1962 |
Genre | Concert programs |
ISBN |
The Nineteenth-Century German Lied
Title | The Nineteenth-Century German Lied PDF eBook |
Author | Lorraine Gorrell |
Publisher | Rowman & Littlefield |
Pages | 400 |
Release | 2005-11-01 |
Genre | Music |
ISBN | 1574672258 |
The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.
German Lieder in the Nineteenth Century
Title | German Lieder in the Nineteenth Century PDF eBook |
Author | Rufus Hallmark |
Publisher | Routledge |
Pages | 550 |
Release | 2009-09-10 |
Genre | Music |
ISBN | 1135854572 |
German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.
Strauss
Title | Strauss PDF eBook |
Author | Laurenz Lütteken |
Publisher | Oxford University Press |
Pages | 285 |
Release | 2019-03-01 |
Genre | Music |
ISBN | 0190605715 |
Richard Strauss is an outlier in the context of twentieth century music. Some consider him a composer of the late romantic period, while others declare him a traitor of modernity for his role in National Socialism. Despite the controversy surrounding him, Strauss's works--even beyond his most well-known operas Elektra and Rosenkavalier--are present in the repertories of concert halls worldwide and continue to enjoy large audiences. The details of the composer's life, however, remain shrouded in mystery and gossip. Laurenz Lütteken's Strauss presents a fresh approach to understanding this elusive composer's life and works. Dispensing with stereotypes and sensationalism, it reveals Strauss to be a sensitive intellectual and representative of modernity, with all light and shade of the turn of the twentieth century.
The Cambridge Companion to the Lied
Title | The Cambridge Companion to the Lied PDF eBook |
Author | James Parsons |
Publisher | Cambridge University Press |
Pages | 446 |
Release | 2004-07 |
Genre | Music |
ISBN | 9780521804714 |
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.